Howdy. How you doin’? That’s right, it’s an all-new episode of The Flickcast. On time this week. Who thought it was possible? Well, we did, that’s who. And yes, we’re gonna try to keep on track. We’ll see how that goes.

On this week’s show Chris and Joe discuss all sorts of new and recurring topics, as you would expect. Some of these include the new Ant-Man movie, changes to The Flash for the second season, more about Mr. Robot (the show you should be watching) and its potential ties to Fight Club, Buffy vs. Angel, Chris Pratt’s greed, the potential reboot of Xena: Warrior Princess and a whole lot more, more, more.

Picks this week include Chris’ pick of the amazing Alamo Drafthouse Cinema and Joe’s pick of the delicious 2015 Stone Farking Wheaton Wootstout beer.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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Its probably only a matter of time before Hollywood studios remake or reboot each and every movie and tv show that’s been made in the last thirty years. Its inevitable as original ideas and creativity dry up and are replaced more and more with new projects obviously pitched during a heated ten minutes between rounds of golf at the Wilshire Country Club.

Case in point this time is the planned reboot of director Michael Lehman’s classic black comedy Heathers which, according to Variety, Fox, Sony TV and Lakeshore Entertainment are planning on doing. Why you may ask? Well, my personal favorite quote from the Variety piece illustrates my earlier point perfectly.

“We had the title, and talked about doing a film remake at times,” said Lakeshore prexy Gary Lucchesi. “But doing it for TV seemed like a fresh and original idea.”

So, taking what was once a movie and making it a TV show is what passes for “fresh and original” in Hollywood these days? Awesome.

Back in March 1989, we were winding down after a crazy decade of questionable fashion, amazing music, and the end of a beloved President’s term. Madonna, The B-52’s and The Cure were dominating the radio, and the Academy Award for Best Picture would go to Driving Miss Daisy. That’s also when rookie director Michael Lehmann released his low budget black comedy, Heathers.

Set in Anytown, USA, Heathers is the dark and engaging story of high school junior Veronica Sawyer (Winona Ryder) and her unwilling existence in the feared and revered power-clique, know as “The Heathers.” Led by the cruel and punishing Heather Chandler (Kim Walker), the Heathers consist of Heather Duke (Shannen Doherty), a bulimic follower that loathes Chandler and secretly dreams of ruling the group, and Heather McNamara (Lisanne Falk), a cheerleader who has no identity and a need for acceptance.

When bad boy J.D. (Christian Slater) arrives at the school, Veronica is drawn to his mysterious irreverence, but soon finds out that he has a psychotic streak that results in the deaths of several Westerburg High students. Only when Veronica finally stands up to both J.D. and the Heathers does she gain back her own identity, but also her old true friend, Betty Finn (Renee Estevez).