As sad as it was that Jackass 3D got snubbed at the Oscars, the antics get to live on in an awesome new “sequel” with Jackass 3.5. Coming to the internet via Joost.com in weekly installments, Jackass 3.5 brings you never-before-seen stunts and gags in about 85 minutes over the period of several weeks starting on April 1st (April Fools Day, how poetic).

Why would a website promote a digital sequel of Jackass as its first? Wel,l back in 2007 Paramount released Jackass 2.5 as a digital movie which quickly became the most successful non-theatrical release in the studio’s history, with over 20 million views in the first few weeks. So, they are obviously hoping for more of the same.

After the jump, you can check out the official trailer of 3.5, courtesy of Joost.com. Plus, a special photo of Steve-O to get you through the weekend. To keep up with all things Jackass, be sure to follow them on their official Twitter and Facebook pages.

On Saturday morning, it looked like Megamind was going head to head with Due Date.  Both films made around $12M on Friday evening, but Megamind built on its momentum and added another $20 M to its total on Saturday, bringing its full weekend total to $47.7M.  This came from a mixture of 2D and 3D venues.

That is still a bit lower than Despicable Me ($56.4M)  made on its opening weekend, though. Incidentally, Paramount has had a number one movie three of the last  four weekends (Paranormal Activity 2, Jackass 3D and now Megamind.)

That is  not to say that Due Date didn’t have a great weekend.  It’s total of $33.5 M was good enough to break the November record for best opening for an R-rated comedy. The Robert Downey Jr./Zach Galifianakis comedy didn’t so fare so well when it came to critics, but audiences seemed to enjoy the movie.

Tyler Perry continues to be box office gold for Lionsgate.  His latest movie For Colored Girls was not widely screened for critics, but it managed an impressive $20.1 M anyway.  This is the first time Perry has released a R-rated film.  The weekend total is a bit lower than what his films typically earn, but it is a good, solid number.

After some truly disappointing weekends at the box office for horror movies (Hatchet 2, Pirahna 3D, Let Me In, My Soul to Take) fans can finally breathe easy that the genre is alive and well.  Paranormal Activity 2 catapulted to the top of the pack this weekend, and easily exceeded expectations to earn around $41M.

That was good enough to shatter a few records.  The movie broke the opening weekend record previously held by the 2009 Friday the 13th reboot in 2009.  It also made a cool $6.3M on Thursday midnight showings.

In comparison, Paranormal Activity made about $21M over its opening weekend.

Jackass 3D managed to claim the number two slot. The film tumbled over 57% from last weekend, but still made an impressive $21.6M.  Its two week total is now over $87M.

Comedy/Drama/Thriller Red only dropped 31%, and added $15M to its two week cumulative of $43M.

Clint Eastwood’s ethereal after-life drama made about $12M.  That might sound paltry, but it only played on about 2,100 screens, and had an okay per/screen average of  $5,500, which puts it in the top three per/screen averages for the weekend.  The film came in number four for the overall box office.

Well, the Jackass gang was at it again, this time offering their usual gags, gross-outs and stunts in 3D.  The 3D format payed off as Jackass 3D broke the opening weekend record for Fall (considered the months of September and October) that was previously held by Scary Movie 3.

Jackass 3D managed to make a very impressive $50 M over the weekend.  It is estimated that 90 percent of its business were on 3D screens, so in this case, the 3D surcharge definitely helped pad the total for the movie.  Friday’s total of $21 M may be an opening day record as well, if the totals hold true.

The talented ensemble cast of Red helped propel the movie to second place over the weekend, earning a respectable $22.5 M over the weekend.  It also received a coveted A+ score from audiences, according to pollster cinemascore. Those don’t come along very often, and they often indicate that the film will benefit from good word of mouth.

David Fincher’s The Social Network continues to perform strongly.  It only dropped 28% from last week’s totals, and placed a strong third at the box office with $11 M. After three weeks, the movie has made $63 M, besting its budget of $50 M.

Secretariat appears to be running a slow and steady box office race. The film only dropped off 25% from last weekend for third place, making another $9.5 M.  It is very rare for a film to drop less than 30% after opening weekend, so Secretariat may surprise us by making its money over time, not just the opening weekend.  After two weekends, the film has made around $27 M, but its budget was only $35 M, so it looks like it will be in good shape financially.

Holdover Life As We Know It was able to retain much of its momentum as well, earning an additional $9M for fifth place. Outside of the top ten, upcoming documentary Inside Job boasted a high $9,000/per screen, playing on just 1o screens.  The documentary about the Wall Street collapse is garnering some serious buzz.

Also enjoying great per/screen averages was Hilary Swank’s inspiring legal drama, Conviction.  Though it only played on 11 screens, it had a $10,000 per/screen average.

It’s almost unnecessary, writing a review for Jackass: Everyone who’s a fan will see it, everyone who isn’t will ignore it, and those who don’t know what it is will run screaming from the theatre long before Steve-O launches a geyser of defecation up onto a quaint, little forest scene.

For the last group, if they’re curious enough to keep reading after that last sentence,Jackass was a show on MTV that featured a handful of professional skateboarders, stuntmen, and fellows crazy and with a high-enough threshold of pain to engage in a series of dangerous and humiliating stunts, ranging from teeballs to the testicles to taunting rams with tubas to drinking the excretions from some of the most unpleasant bodily orifices.

Why? Because leader Johnny Knoxville and his band of depraved good spirits have a knack for survival, no shame, and an appreciation that, yes, there is a lowest common denominator, and that it has a lot of appeal.

It’s not really a movie so much as a venue to perform the kinds of stunts that even MTV’s censors would not allow—example: one of the stunts features a crewmember using his genitals to hit a golfball (I wonder how many takes were needed to get that final shot). Another involves copious amounts of dog doo. Still another…