The Hulk is one of those characters you might think writers would have a hard time creating stories for. After all, his power is pretty much only “hulking out” when he gets angry and smashing things. Cool, but not very deep and seemingly not very conducive to great storytelling.

Fortunately, the folks at Marvel don’t seem to have that problem and manage to spin complex tales involving this character and its alter ego, Bruce Banner, pretty much all the time. In fact, with the upcoming release of Hulk #50, you can clearly see just how far these stories have come.

Check out all the info below from the official Marvel press release as well as preview pages from the comic after the break. Look for Hulk #50 to hit stores on April 4.

Red Hulk’s hostile encounter in Las Vegas during Circle of Four is coming back to haunt him! The end of the world may be upon us, but that’s not all that’s headed for Red Hulk;

“The Red Hulk didn’t get out of that Venom story unscathed,” explains Jeff Parker. “Something followed him out of hell and it’s going to make the supernatural territory of Marvel break open and swallow our anti-hero whole!”

The stakes grow even higher, as a mysterious figure lurks in the shadows waiting to destroy Red Hulk and his fellow comrades! Will Red Hulk’s might be enough to match ghoulish malevolent magic? Can the help of Doctor Strange, Iron Man, Daredevil and more aid Thunderbolt Ross?

The siege of Asgard continues, Indigo becomes the new choice of color and Captain America “officially” returns in this latest edition of The Pull List Comic Reviews! Due to time constraints and unforeseen delays, this week’s column is abbreviated. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Atom & Hawkman #46
DC Comics – $2.99 US
Writer: Geoff Johns
Artist: Ryan Sook
Score: 9/10

Ray Palmer, known better as the Atom, has been knocked down more than most during his career as a costumed crime-fighter, but he always manages to pick himself up. Not surprisingly, that compassion of his has earned him an Indigo ring, and with the dead seemingly winning the war, Ray has figured out a way to swing the battle to the good guys; even if the good guys aren’t all necessarily “good” to begin with.

I would never have thought that, of all the Blackest Night-themed “continuation” issues, this would be the best of the bunch (so far), but with Geoff Johns at the helm, I should have known better. Johns uses a This Is Your Life presentation of Ray Palmer’s history as a canvas to show just how much the character brings to the table, and in doing so, the writer sets the stage for what could be the turning point in war against Nekron.

Artist Ryan Sook simply crushed this issue. Everything in this issue was pitch-perfect, from Ray’s past to the horrific present – every panel led to the next without skipping a beat. Instead, the body of work in this issue touched on varying types of visual storytelling that not only worked incredibly well, but also showed the artist’s vast range of skills.

Wrap all this up and throw in the aforementioned revelation of the Indigo rings, and you’re left with a can’t-miss issue that’s also the Pull of the Week.

Welcome to another edition of The Pull List Comic Reviews! The fall of the Hulks begins, Mogo dishes out his brand of justice and both Geo-Force and the Sentry lose their marbles. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Avengers #13
Marvel Comics – $3.99 US
Writer: Brian Michael Bendis
Artist: Mike Deodato
Score: 8.5/10

The Marvel Universe has seen better days. While the disassembling of Earth’s mightiest heroes led to the breakout of a civil war, a secret invasion became the catalyst to Norman Osborn’s dark reign, and with the siege of Asgard on the horizon, surely things couldn’t get worse (see what I did there?), could it? The Sentry’s true origin is revealed, answering once and for all that, yes, things can get worse…much worse.

Just when I thought all the pieces were on the table, Brian Michael Bendis takes the much-maligned Sentry and turns him loose. With this latest revelation of how the Sentry came to be – not to mention how he’s more unstable than anyone thought – Bendis has taken a tragic figure and made him the definitive x-factor for the Siege event. Whether or not the character winds up saving the day or becoming the most dangerous player is still up in the air, and that’s just a tad frightening.

This issue is all about the eyes. Artist Mike Deodato nailed every beat of this issue by letting the eyes of the characters tell the story, which really focused on the horror of what resides within the Sentry’s mind. From the Sentry, the Sentry’s wife, Lindy and even Osborn himself, the eyes served notice that something wicked this way comes. For even more justification, take a gander at that last page.

Welcome to another edition of The Pull List Comic Reviews! This week Jonah Hex takes top billing, a couple more Blackest Night mini-series debuts and a slew of over-sized annuals and one-shots invade your pull list. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Jonah Hex #50
DC Comics – $3.99 US
Writers: Justin Gray, Jimmy Palmiotti
Artist: Darwyn Cooke
Score: 9.5

The landmark 50th issue of Jonah Hex hits the stands, featuring a done-in-one tale of the scarred bounty hunter’s latest task: to locate and dispose of 50 various bad guys. The cost of victory, however, may prove to be too much to bear…

Jonah Hex is no stranger to violence. We’ve been exposed to his brand of “justice” for decades now, so it’s very easy to forget that, under all of that hatred, this killing machine does have a heart. Thankfully, writing team Justin Gray and Jimmy Palmiotti weave a story that is sure to please the loyal Hex fans with plenty of merciless vengeance, while injecting a tragedy that goes to great lengths to humanize the central character.

Darwyn Cooke handles the art chores on this commemorative issue, further cementing how incredible a read this was. Gorgeous pencils accompany the artist’s usual cinematic flair, with numerous examples of how to kill a man mixed in with a few touching moments, and a final page that speaks volumes without the aid of dialogue. With the holidays around the corner, I’d gladly accept this final page in all of its original glory as a nifty Christmas gift.

We hope you enjoyed the Thanksgiving holiday and had a chance to read some great comics during the break because the Marvel machine isn’t stopping. This week they have all-new comics for your reading pleasure and, of course, we have some preview art for you from some of the titles.

This week we’re particularly interested in the latest Iron Man titles such as Iron Man: Requiem, the latest issue of Psylocke and The Torch #4. Also, remember that comics come out on Thursday this week (at least from Marvel), so be sure and plan accordingly.

Comics On-Sale:

ANITA BLAKE, THE LAUGHING CORPSE – EXECUTIONER #2
BLACK WIDOW & THE MARVEL GIRLS #1
CAPTAIN AMERICA THEATER OF WAR: PRISONERS OF DUTY
DARK AVENGERS ANNUAL #1
DARK TOWER: THE BATTLE OF JERICHO HILL #1
DARK TOWER: THE BATTLE OF JERICHO HILL #1 PETERSON VARIANT
DEADPOOL TEAM-UP #898
FALL OF THE HULKS: ALPHA
FALL OF THE HULKS: ALPHA FINCH VARIANT
HULK: WINTER GUARD
IRON MAN VS. WHIPLASH #1
IRON MAN VS. WHIPLASH #1 SHS VARIANT
IRON MAN: REQUIEM
NOVA #32
PSYLOCKE #2

Welcome to The Pull List Comic Reviews! First off, a huge thanks to John Carle for covering the column last week, he did a fantastic job. Make sure you check out The Flickcast’s podcast this week where he was also a guest-host! The dude’s everywhere. Okay, on with the comics. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Lobo: Highway to Hell #1 (of 2) – DC Comics – $6.99 US
Writer: Scott Ian Artist: Sam Keith
Score: 8.5

You’re sitting there, asking yourself “How in all that is holy is Lobo: Highway to Hell the Pull of the Week?” Believe me, I’m asking myself that very same question. You see I’ve never dug Lobo. I’ve read a good chunk of his various issues over the years and I’ve never seen the attraction to the character, but seeing as variety is the spice of life, I figured I’d give this a shot. The premise sounded interesting enough…

Lobo’s chillin’ at home when he receives a message – in the form of slain dolphins – from the big bad himself: the Devil. Even though the Main Man has been banished from Hell for quite awhile now, he figures it’s time to go on a road trip and pay a not-so-friendly visit to his old pal, Beelzebub. Along the way everyone’s favorite Czarnian runs into more violence, mayhem, booze and floozy “women” than he can shake a stick at, but what happens when he finally comes face to face with the cutest evil… waitaminute… CUTE?!?

He hasn’t had a starring role since 2007’s Batman/Lobo: Deadly Serious, so when DC Comics dusted the mothballs off of the character, they decided to get a fresh take on him. Enter Scott Ian, the guitarist for the band Anthrax. Ian’s first foray into comic writing is pretty decent, but it’s how he handles the title character that blew me away. There was just enough here to add weight to the usual aloofness that the character normally projects, which clicked beautifully. While the big payoff will be next issue’s finale, so far this has been a very enjoyable ride.

The Maxx creator Sam Keith, who had both writing and artistic duties on the aforementioned 2007 mini-series, makes his return to the character. Bringing his distinctive style that is every bit as manic as Lobo is, the art looks great, even while juggling different levels of detail throughout the issue. From what I could tell, the creative team looked like they catered to each other’s strengths, culminating in a fun romp that became our Pull of the Week.

Unfortunately, due to a scheduling snafu, I didn’t get my comics this week until late Wednesday night. As a result, I wasn’t able to get through them all in one sitting so there won’t be a Pull of the Week this week. But that won’t stop me from getting you two full days of comic reviews from the books I did get a chance to read this week.

Exiles #6 – Marvel – $3.99

Score: 4.0

And finally, Exiles comes to a bittersweet end. And it’s not bittersweet because we will miss our heroic team as they are shown off in classic fashion. It’s bittersweet because the book that was so lacking in story and character development after dragging the name of one of our favorite series through the mud has finally ended and we don’t need to see it dip even further away from the quality it once was. After only four issues, it was revealed that Exiles‘ second volume, which somehow trumped New Exiles for being the worst use of the Exiles team, would be coming to a quick end. So to “celebrate” the series finale, they decided to make it a “mega-sized” final issue to help tie up all those loose ends that originally should have been spread out over an ungodly number of painfully written issues.

Much like the rest of the series, Exiles #6 just isn’t good. After finding out their first mission was not a success, the Exiles return to the world to break up the alliance that was keeping mutant kind united and would ultimately lead to the end of the world by driving the wedge of Scott Summers’ infidelity between Jean Grey and Emma Frost. When this happens, a series of events plays out that explains the “true” origins of the Exiles teams and how the Timebroker, the bugs and the old couple weren’t ever really behind their formation.

Both Jeff Parker and Steve Lieber are well-known in the world of comics. Parker, a veteran writer of such titles as Marvel Adventures Fantastic Four and Guy Ritchie’s Gamekeeper and Lieber, the artist responsible for drawing the monster hit Whiteout, have worked side by side as partners in Portland’s Periscope studios for years. But they’ve never worked on a project together before. That is, until now.

This year, the two have teamed up to create the five-issue miniseries Underground, which hits stores in September and is published by Image Comics. Parker and Lieber were nice enough to share some pages of the new book — which are featured at the end of the interview. I also had a chance to chat with the creators a bit about the new book, their inspiration for creating it, Steve’s reaction now that the Whiteout movie is finally on the way and more.

The Flickcast: Underground is an interesting title. How did it come about?

Steve Lieber: Tim Cahill wrote an essay of caving the made my brain explode. I knew the moment I finished reading it I had to draw a cave story.

TF: Tell us about the story? What was your inspiration for creating it?

SL: That one should go more to Jeff. I had a sense of the setting, and scenes, and the tone I wanted to strike, but I didn’t know who my characters were, so I didn’t have a story. I had a lot of conversations with Parker about it, and it was clear that he just had a much better sense of the people and the conflicts they’d find themselves in.

Where he grew up is an easy drive to the Kentucky state line, so he’s writing with some real understanding.

In a world where very little, if anything, is free, Marvel is trying to do something about that problem. How? Read on from the official Marvel press release:

“Marvel is proud to announce the debut of Agents of Atlas #0 today, available free to all fans courtesy of Marvel Digital Comics Unlimited! Collecting three new-reader friendly short stories from Secret Invasion: Who Do You Trust, Dark Reign: New Nation and Agents of Atlas #7, all written by critically-acclaimed scribe Jeff Parker, you’ll get the answers to your questions!

Who are the Agents of Atlas? What role did they play in Secret Invasion? What’s their new mission during Dark Reign? And just what’s it like to take a peek inside the mind of the enigmatic Mr. Lao?”

And as if that weren’t enough, Marvel has also made Agents of Atlas #1 live on Marvel Digital Comics Unlimited and its free to check out as well. Who says nothing in life is free? Now if I could just find out where they put that free beer.