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This is the third adaptation of a novel Joe Wright has made with Keira Knightley and the second of a beloved classic. The problem is that most of the belovees have actually read Pride and Prejudice, while the many who approached Anna Karenina got about twenty or so pages into it before throwing up their hands in frustration trying to sort out the -iliaviches from the -oliaviches.

That’s not a problem for the film, however; rather I think it may hurt its chances at the box office. Then again, the novel did find new life due to the Gospel According to Oprah, and this provides what I imagine is an excellent primer.

For one, Russian novels may suit the screen even better than their English counterparts as it’s much easier to keep track of faces than names. And Wright seems aware of this, as the names are totally unimportant. A few are bandied about, but it’s never difficult to tell Anna apart from, say, Princess Myagkaya or Countess Vronskaya or Yppikaya (notably absent from the film).

There is a fantastic new trend in the world of film music, more and more main stream artists are bringing their talents to feature films.  These artists are crafting music that serves to make the films better and stand on their own. Last year two of the best scores were written by Trent Reznor for The Social Network and Daft Punk for Tron Legacy, the line between film composing and main stream music is blending, and we all win for that.

The latest established act to venture into the cinematic music world is the Chemical Brothers. The long standing electronica duo lend their considerable expertise to the film Hanna, an action adventure movie that is high on adrenaline, and they deliver a score to match.

The music sounds very much like The Chemical Brothers would make. That is to say that we don’t get an orchestral hybrid, or their best impressions of John Williams. What we do get is music that pumps and flows with all the frenzy and furry expected from a standard Chemical Brothers album.

Hanna is no ordinary assassin. With piercing blue eyes and an angelic countenance, the teenager looks more suited to be homecoming queen than cold blooded killer. Only that was not her lot in life. Hanna has been isolated from the populace in the frigid confines of Northern Finland, learning survival skills from her well versed father Erik (Eric Bana), who is an ex-CIA operative.

It’s obvious that Erik is trying to prepare Hanna for something; in addition to survival skills, he quizzes her in multiple languages, and educates her on topics of science, current events, and literature. Hanna spends her evenings poring over Grimm’s Fairy Tales by candlelight.  You could say she is a true Renaissance woman.

The opening scene on the frozen tundra shows Hanna shooting a Reindeer with a bow and arrow. When the creature still writhes about, she calmly shoots it, then dresses it right in the field. She goes about these gruesome tasks with robotic precision and complete detachment.

Later, Erik and Hanna decide it is time to move on from their self-imposed exile; Hanna is ready to go out into the real world. Erik has been honing Hanna’s skills in anticipation of being pursued by Marissa (Cate Blanchett), another CIA agent dead set on getting rid of Hanna. Erik and Hanna go their separate ways, but make plans to meet at a safe-house in Germany.

If we learned anything from Chloe Moretz’s performance in this year’s Kick-Ass, it’s that chick assassins are in. More in than when Natalie Portman was just a teenager. So of course, with that knowledge, Hollywood is going to be snatching up intellectual property in that department until they realize it’s no longer “cool”. That’s where the new trailer for Hanna comes in.

From director Joe Wright (Atonement) comes this dark thriller that will more than likely end up with a big twist in the final act. Here’s the full synopsis.

Hanna (Saoirse Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a soldier; these  come from being raised by her father, an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own. As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity.

Not only do we get Hollywood’s “next big thing” Saoirse Ronan (The Lovely Bones) in the titular lead, but Eric Bana plays the paranoid father, and Cate Blanchett takes a swing at a Southern accent. Check out the full trailer after the jump, and catch Hanna in theaters on April 8th.