Hey there, it’s time for a brand new episode of the occasional series The Flickcast. That’s right, we’re excited too.

On this week’s episode Chris and Joe discuss a bunch of stuff including the Star Wars: The Last Jedi teaser/trailer, the season finale of The Expanse, a new season of the X-Files, Kylo Ren’s face, the potential WGA strike and much more. Plus, the usual even more. 

No beer selections again this week (the boys are on the wagon at the moment) except to remind you to buy local, if you can. Picks this week include Chris’ pick of the movie I Don’t Feel at Home In This World Anymore and Joe’s pick of the soundtrack to Guardians of the Galaxy 2.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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Given that the Mayans had a portion of the population convinced that this is the last year on the planet, it makes sense that Hollywood would be willing to exploit the apocalypse by taking it to the world of Romantic Comedies. That’s exactly the plan from with Seeking a Friend for the End of the World.

From writer/director Lorene Scafaria, who last brought us Michael Cera and Kat Dennings running around New York City in Nick and Nora’s Infinite Playlist comes yet another lengthy-titled film. This time, the twist is a bit more enticing. Here’s the rundown.

Steve Carell and Keira Knightley star in the comedy Seeking a Friend for the End of the World, which marks the feature directorial debut of screenwriter Lorene Scafaria. Set in a too-near future, the movie explores what people will do when humanity’s last days are at hand. As the respective journeys of Dodge (Carell) and Penny (Knightley) converge, the two spark to each other and their outlooks – if not the world’s – brighten.

A full cast of funny, with folks like TJ Miller, Patton Oswalt, and Rob Huebel making the end of the world a bit funnier. Take a look at the trailer after the jump, and catch the flick on June 22nd.

Paul Giamatti and Amy Ryan give wonderful performances in this charming film about family and the unexpected detours that life throws our way sometimes. Director Thomas McCarthy has previously brought us the wonderfully quirky The Station Agent (2003) and the touching film The Visitor (2007). If there is one thing that he excels at, it is showing us that some of the most profound relationships blossom from the most surprising circumstances.

Giamatti plays Mike Flaherty, an attorney who is barely scraping by. Rather than choose a lucrative position, he works in a dingy no-frills office protecting the elderly and indigent. His furnace is threatening to explode, and his office-mate Stephen (Jeffrey Tambor) doesn’t have any money, either.  They both volunteer time to the local high school wrestling team as coaches. To say the team is terrible is an understatement.

Mike suffers a massive panic attack (certainly the most hilarious I’ve seen on screen) and decides something must be done. His wife has no idea how dire things are, and out of desperation, he makes a really poor decision. Mike tells the state that he will become the legal guardian of his client Leo (Burt Young) so that he can carry out the man’s wishes to remain in his own home.

Featuring a terrific ensemble cast led by Lee Tergesen, Melanye Linsky and Gillian Jacobs Helena From the Wedding is a straightforward and simple story well told about a group of friends gathered at a house in the mountains for New Years Eve. Naturally, none of the relationships among these people are exactly what they seem on the surface and as the film progresses you learn more about their darker, hidden sides and their flaws and insecurities.

When you have a great cast and give them interesting things to do you end with a good film that doesn’t rely on any sort of effects, CGI, explosions or any of the crutches many of the big time directors making big budget movies rely on these days. It’s the mark of a skilled filmmmaker who can take a simple film where people interact and talk about things and still manage to make it interesting.

Of course, it helps to have a very gifted actor at the center of the film. Lee Tergesen is one of those actors you’ve undoubtedly seen in something but you may not be able to place him. He inhabits a role so well that you almost don’t recognize him from project to project. That’s one of his major strengths.