Fans of Korean cinema had very high hopes for Stoker, Park Chan-Wook’s English language debut. Thanks to his reputation on the international film festival circuit, in particular with his cult Vengeance Trilogy (Sympathy for Mr. Vengeance, Oldboy and Sympathy for Lady Vengeance), Park had seeming first choice of talent and assembled a stellar cast in Mia Wasikowska, Matthew Goode and Nicole Kidman. (Interestingly, none of the three principals is an American.)

True to form for Park, Stoker is both visually stunning and psychologically and physically brutal. The cinematography is painterly and the framing sculptural. Every frame merits notice and every still a work of art. In fact it’s safe to say that Stoker is Park’s most strictly art-produced film. Every color and detail bears evidence of obsessive attention, from the color of characters’ hair to the color of the walls, from the stitching on a collar to the scuffing on a shoe.

In large part this magnification of detail effectively reflects the psychological and somatic experience of India Stoker (Wasikowska), whose hypersensitive observations of the world make ordinary life an ordeal for her. On the day India turns eighteen her father Richard dies in a horrific accident. We see her first at his funeral. Relations between her parents have evidently been strained for some time. Her mother, Evelyn Stoker, seems hardly bereaved, nor does she attempt to comfort her shattered daughter.

Stoker is a film at odds with itself. On paper, it’s a slick piece of neo-gothic thrills, parading its Jane-Eyre/Mysteries of Udolpho (and more) influences, with red rooms, sinister-seeming relatives, fogged-out basements, and driblets of blood.

More plot-fully speaking, you have the mysterious death of a loved one, in this case the father Richard Stoker (Dermot Mulroney), who leaves his immense estate to his wife Evelyn (Nicole Kidman) and daughter India (Mia Wasikowska). Soon after, Richard’s estranged brother Charlie (Matthew Goode) shows up, taking a break from one of his frequent trips around the world. Charlie tries to reconnect with his brother’s family, seeming to seduce Evelyn but eliciting only hesitation and curious dread from India.

All three play their roles well, with Kidman wandering through her lines as in a daze, transfixed by the appearance of a younger, sleeker version of her husband. Mia is exactly the opposite, dissociated from everything and body. But the clear standout is Goode, who finally has found a role that utterly suits him — however specialized it may be. Kind and pleasant with a chilling, menacing undertone, you’re just waiting for him to explode.

If director Park Chan-Wook never did another movie besides Oldboy, he would still be regarded as a masterful filmmaker. Oldboy is just that good.

Fortunately, he isn’t resting on the laurels of that excellent movie. He’s doing more. In fact, he’s about to make his English language debut.

For this, a film called Stoker, he’s got Mia Wasikowska, Dermot Mulroney and Nicole Kidman to work with. The story, as we know it so far, is as follows:

After India’s father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.

Sounds cool. Let’s just hope nothing happens to anyone’s tounge in this one. We’re not sure we could go through that again.

Check out the trailer for Stoker after the break.

With the Academy Awards still fresh in our minds, we can think of all the great films 20111 brought us. It is easy to forget that year also had tons of stinkers and flops, but the Razzie Awards are here to remind us.

The Razzie Award nominees have been announced, and their aren’t too many surprises. Adam Sandler has a record 11 nominations, and that’s not including nominations that are tied to his Happy Madison productions. Three films by the production company, Buck Larsen: Born to be a Star, Just Go With It, and Jack & Jill, all have multiple nominations each.

The Razzies, or Golden Raspberry awards, were created in 1980 as an antidote to the Oscars. They are usually held on the eve of the Academy Awards, but this year are moving to 1 April. Traditionally, stars do not turn up to collect their awards, but good sports over the years have included Paul Verhoeven in 1996 (worst director and worst picture for Showgirls), Halle Berry for 2005’s Catwoman and Sandra Bullock for 2010’s All About Steve.

Check out the nominations after the jump, and be sure to keep an eye out for these “winners” when they are announced on April 1.

Just when you thought every possible Hollywood on-screen couple has been put together, another that totally takes us for a loop comes along. Hitting theaters in October, you can see Trespass starring both Nicole Kidman and Nicolas Cage. What?

That’s right, Ghost Rider and Satine from Moulin Rouge are joining forces to bring you Trespass, a Joel Shumacher film. We couldn’t make this stuff up if we tried. Here’s the film’s synopsis.

In a private, wealthy community, priority is placed on security and no exception is made for the Miller family’s estate.  Behind their pristine walls and manicured gardens, Kyle (Nicolas Cage), a fast-talking businessman, has entrusted the mansion’s renovation to his stunning wife, Sarah (Nicole Kidman).

But between making those big decisions and keeping tabs on their defiant teenage daughter (Liana Liberato), Sarah often finds herself distracted by a young, handsome worker (Cam Gigandet) at their home. Nothing is what it seems, and it will take a group of cold-blooded criminals led by Elias (Ben Mendelsohn), who have been planning a vicious home invasion for months, to bring the Miller family together. When they storm the manor, everyone is tangled up in betrayal, deception, temptation and scheming. Kyle, Sarah and Avery will take the ultimate risk to make it out with their lives – and their family – intact.

Think of it as Dog Days of Summer meets The Strangers with the simple twist of being a Schumacher film. Check out the trailer after the jump and catch the film in theaters and VOD on October 14th.

This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

The Screen Actor’s Guild has announced their nominees for best in film and television for 2110.  Since these awards are voted on by other actors, they usually carry a certain prestige. Rosario Dawson and Angie Harmon announced the guild’s nominees this morning in Los Angeles.

For those keeping score, The King’s Speech leads the film pack with four nominations, along with Black Swan. On the TV side, Modern Family came in with 4 awards, followed by Dexter, Glee, and Mad Men with three nominations each.

The awards will be  given on Sunday, January  30th on TBS. For a complete list of nominees, visit the official SAG website.

FILM

Outstanding Performance by a Male Actor in a Leading Role

JEFF BRIDGES / Rooster Cogburn – TRUE GRIT

ROBERT DUVALL / Felix Bush – GET LOW

JESSE EISENBERG / Mark Zuckerberg -THE SOCIAL NETWORK

COLIN FIRTH / King George VI – THE KING’S SPEECH

JAMES FRANCO / Aron Ralston – 127 HOURS

Outstanding Performance by a Female Actor in a Leading Role

ANNETTE BENING / Nic – THE KIDS ARE ALL RIGHT

NICOLE KIDMAN / Becca – RABBIT HOLE

JENNIFER LAWRENCE / Ree Dolly – WINTER’S BONE

NATALIE PORTMAN / Nina Sayers – BLACK SWAN

HILARY SWANK / Betty Anne Waters – CONVICTION

Rabbit Hole is a gut churning look at the aftermath one couple is left with after losing their four-year old son.  Stark, raw, and devastating, the movie delivers a voyeuristic look into the life of Becca and Howie, who are struggling day to day eight months after the death of their son.

You always hear how common it is for couples to split up after the death of a child, and it is easy to understand why.  This movie shows us the dissolution of Becca and Howie’s marriage in a unflinching, yet nuanced way.

Becca (Nicole Kidman) and Howie (Aaron Eckhart) handle their grief in drastically different ways.  Howie openly weeps while watching home videos of his son every night, while Becca takes a more pragmatic approach to her grief.

Howie prefers to leave every trace of their son intact-the fingerprints on doorknobs, the bedroom left precisely as it was before his death.  Becca wants to move out of the house that harbors far too many painful memories for her to bear.

He sees these things as memories that keep his son alive, she is haunted by those very same memories. Where is the middle ground?  No one is really wrong here.