Lone Survivor is a movie that does itself a few large disservices: Its title reveals too much; its trailer is much too long and plays like quick spot on an On Demand showcase; and it tugs and shoves and pulls in so many directions, that it ends up seeming unsure of both its strengths and its point.

There’s a decent and well-crafted movie in there, but the marketing, and a good deal of the film itself, tend to be dissuasive.

Survivor, if you haven’t seen the trailer, chronicles the story of SEAL Team 10’s somewhat disastrous Operation Red Wings, a 2005 mission with the objective of assassinating Taliban leader Ahmad Shah during the Afghanistan war.

Mark Wahlberg plays SO1 Marcus Luttrell, the titular Lone Survivor and author of the book on which the film is based, and his story is indeed an interesting, even uplifting one, and director Peter Berg shoots it with an apparent grittiness and shakiness that you would expect. Wahlberg plays haggard and weary well. Impassioned well. Sorrowful well.

Taylor Kitsch, Emile Hirsch, Ben Foster, and Eric Bana, as his team, convey the sense of golden brotherhood that makes films like these sustainable. The story, while short, is compelling, and the second act of Wahlberg’s survival is an interesting twist. It’s a decent film, and if you’re in the mood for a good war drama, this is safe bet.

But…

What’s the point? This doesn’t need to be a political film; it doesn’t need to justify its war or its mission or, on the opposite end, attack it. And it doesn’t. Nor does it need to go far beyond what it does well, which is action. It’s not spectacular or very original, it even seems too polished in its sterile dirt. However, the biggest flaw, which nearly becomes an insult, at least to me, is what I want to describe as the film’s lack of faith in itself, but which I should really, if I’m being honest, is its pandering.

It’s a board-game movie, so I don’t think anyone has their expectations especially high, though the only other board-game movie I can think of off the top of my head is Clue, and it was fantastic. And Connect Four, but I think that’s a porno. Seriously, we all kind of knew this wasn’t going to be that good.

Anywho, the plot can be deduced from the trailer: Aliens come down and get nasty with the Navy, leading to an all-out aquatic assault. Wedged in between there is a love story involving a plucky, up-and-coming Lieutenant Alex (Taylor Kitsch) and the daughter (Brooklyn Decker) of the fleet Admiral (Liam Neeson).

There’s more: Alex’s brother Stone (Alexander Skarsgard) is a Commander aboard the destroyer USS Sampson, while Alex is aboard the USS John Paul Jones. Alex wants to marry his girlfriend but is worried about asking her father. The girlfriend is a physical therapist helping out an amputee.

Even with Battleship already out in theaters in other countries, there’s still time for the big PR push to keep on going in the US of A. Case in point is this new clip from the movie which debuted last night on MTV.

In it we see some of our men and women of the Navy get their action on and try to attack and alien space ship. We also get more of our favorite cast in action as well.

One thing this clip does prove is that machine guns don’t really have much effect on giant alien ships and those aliens are not to be trifled with. We could have told you that.

UPDATE: As a bonus, we’ve also got another clip for you which just arrived in our mailboxes. Enjoy.

Check out the new clips after the break. Look for Battleship, directed by Peter Berg and starring Taylor Kitsch, Liam Neeson, Alexander Skarsgard and Rihanna, hits the US on May 18.

I can hear the pitch meeting now. It probably went a little something like this: Peter Berg: “Transformers made a crapload of money, right? Well, this is Transformers on the ocean. See, robots attack ships and try to sink the them.” Studio Exec: “You’re a genius. Here’s a bag of money.”

I don’t know if Battlship will be good or not (probably not) or if Peter Berg is really a genius (I’m guessing no) but I can guarantee the movie will be busy and extremely loud. To prove that fact, please take a look at the new trailer just released today. We have it for you after the break.

In it you see lots of robots and whatnot trying to attack a group of ships at sea. All they wanted to do was have some simple war games and now these damn underseas robots have made this shit get real — or something like that. Does the story really matter? Not much as long as stuff explodes convincingly. Hint: it mostly does.

Peter Berg “directs” a cast of pretty people like Taylor Kitsch, Brooklyn Decker, Alexander Skarsgård, Rihanna and the always cool Liam Neeson (obviously doing this one for the money).

As the trailer says “The battle for Earth begins at sea” on May 18, 2012. Check it out after the break.

If toys make an effective inspiration for movie franchises, why not games? After all, regardless of its relative creative merits, the Transformers franchise has managed to make a metric crapload of money.

So, why not try to do the same with a movie based on a classic game? It could work. That’s just what director Peter Berg and his team have done with the upcoming Battleship. To prove it, we’ve got the first trailer for the film for you right now.

In it we get a lot of the film’s story of a young, upstart naval officer (Taylor Kitsch) in love with his Admiral’s daughter (Brooklyn Decker) who needs to put aside his personal feelings and learn to be a man when an alien invasion threatens his fleet of ships. The movie is, of course, based on the classic board game Battleship and from the trailer, it actually looks like director Berg gets that he’s making a movie based on a game, is in on the joke and doing his best to make it a fun and exciting film.

When I first heard they were making a movie based on Battleship, I was, to say the least, skeptical. After watching the trailer I’m now intrigued, especially as to how Berg and company are going to pull it off. Who knows, maybe they can?

Check out the trailer after the jump. Battleship, which stars Taylor Kitsch, Liam Neeson, Alexander Skarsgard, Brooklyn Decker and Rihanna, arrives in theaters on May 18th, 2012.

Though it was upsetting to see Darren Aronofsky to walk away from helming a reboot of the classic 1980’s sci-fi franchise Robocop, we knew that him working on a sequel to X-Men Origins: Wolverine may be a better fit. Also, we were sure MGM would find someone to take on the half-cop, half-machine.

It looks like that creative team is finally coming together. MGM already announced that foreign action director Jose Padilha will be taking on the role of director for the upcoming film, and now news is coming in that the studio has hired Josh Zetumer to pen the script.

Who exactly is Josh Zetumer? Well from what Deadline has been able to dig up, he looks to be Hollywood’s next big thing, if we ever get to see one of his films.

Zetumer first got on the radar when he wrote the script Infiltrator, which made the Black List. That spy thriller script is set at Warner Bros as a potential starring vehicle for Leonardo DiCaprio.

He also wrote drafts of Dune when Peter Berg was going to direct that remake at Paramount, and he scripted a fourth installment of The Bourne Identity before Universal instead developed a spinoff with Tony Gilroy. Zetumer just turned in Vale, a supernatural action thriller script at Warner Bros.

So while Detroit is still battling with getting their real-life RoboCop statue to kick off, we could be seeing more of this celluloid version very soon. The next question then becomes: who will they get to play protagonist Alex Murphy aka RoboCop? We’re sure to get an answer soon enough.

This week’s Christmas war pick is the 1992 release of Keith Gordon’s A Midnight Clear which was adapted from the novel by William Wharton. The film stars Ethan Hawke (Sgt. Will Knott), Peter Berg (Pvt. Bud Miller), Kevin Dillon (Cpl. Mel Avakian), Arye Gross (Pvt. Stan Shutzer), Gary Sinise (Pvt. Vance ‘Mother’ Wilkins), Frank Whaley (Pvt. Paul ‘Father’ Mundy), Larry Joshua (Lt. Ware), and John C. McGinley (Maj. Griffin).

The film tells the story of  a six man U.S. Army intelligence squad which is hand picked by their regimental commander (Griffin) to scout out an old French chateau in the Ardennes forest in December of 1944 which may house forward German patrols who are trying to push through a gap on their way towards Bastogne, Belgium. Sgt. Knott (Hawke) and his men are at the breaking point fighting the war and try very hard to disassociate themselves from the normal chain of command.

Liam Neeson has joined the cast of Battleship today. Neeson was added to the cast of the Universal Pictures science fiction action adventure just as filming began today.

Battleship is based on the popular board game by the same name. The writers are obviously taking some liberties with the game in order to create the film. In the movie, a naval fleet at sea must protect the earth from alien invaders.

Neeson will be playing Admiral Shane, a Naval officer whose daughter is engaged to the film’s main protagonist, Alex Hopper, who is played by Taylor Kitsch (X-men Origins:Wolverine).

Neeson’s daughter will be played by relative unknown Brooklyn Decker, who had guest appearances on television shows including  Chuck and Ugly Betty. Alexander Skarsgaard (True Blood) plays Kitsch’s older brother, and R&B songstress Rihanna is making her acting debut as she plays Kitsch’s crew mate and a weapons specialist. Tom Arnold will also be part of the cast, but no news on what his role will entail.

Set for release on May 18th of 2012, Battleship comes from producers Scott Stuber, Peter Berg, Duncan Henderson and Sarah Aubrey, as well as Hasbro’s Brian Goldner and Bennett Schneir. The flick will shoot on location in Hawaii and Baton Rouge.

It’s ironic how we were just having the discussion on this week’s podcast that Sam Worthington feels like a forced “action star” in Hollywood today, as news is now hitting that Taylor Kitsch has been cast to star in Peter Berg’s film adaptation of the timeless board game Battleship. From Heat Vision:

Pete Berg is directing the action adventure movie, whose story has drawn heat from some quarters for adding an “alien invasion” element to what has been traditionally seen as a grounded Naval game. The script, by Jon and Erich Hoeber, sees an international fleet come together to battle a water-bound armada of otherworldly origin.

In “Battleship,” Kitsch is playing a Naval commander named Alex Hopper, described as “wildly spirited” and “a great seaman but a lousy politician.”

Kitsch was a relative unknown a few years ago, but since being cast as Gambit in last year’s X-Men Origins: Wolverine, he’s already been cast as the titular lead in Pixar’s upcoming John Carter of Mars as well as being the lead in the TV adapatation of Friday Night Lights. Much like how Worthington was put over the top by getting roles in Avatar, Terminator: Salvation, and Clash of the Titans.

With this new role, it could seem that Kitsch is going to be the next “Worthington”, but what could that mean for the first “Worthington”? Is there room in Hollywood, amidst the stack of reboots and remakes as far as the eye can see, for two actors that Hollywood is forcing down our throats?

It’s been reported by Entertainment Weekly, that Pierre Morel – director of last year’s Taken, and the fun, French Parkour film, District B13, has signed on to direct the new adaptation of Frank Herbert’s Dune. The movie, which was originally to be helmed by Peter Berg, kind of fell to the wayside when Berg seemed to become more interested in the (clearly higher quality) property of Battleship: The Movie. The good news is that this means Dune could get many more scenes of throat-punching.

Paramount, the studio backing the new film, is also supposedly looking for a new writer to work on incorporating the sensibilities of the French director. Morel is apparently is looking to make a much closer adaptation than the previous version of the script by Quantum of Solace screenwriter, Josh Zetumer. In case you’re not familiar, Dune is the story of Paul Atreides, and the futuristic inter-galactic feudal system involving his family’s rule of the desert planet Arrakis.

The story explores the politics, religion, technology and ecology of it’s incredible in-depth universe. The book was previously made into a movie in 1984 by David Lynch, and been brought to television through a couple of mini-series on the Sci-Fi Channel.