Due to “circumstances” we’re a bit late with a new episode of The Flickcast again this week. But don’t worry, it’s here now. You can relax . . . and enjoy.

On this week’s episode, Chris and Joe’s anger barely registers. But still, they manage to summon a bit of it. People seem to like it when they rant. So there’s that.

Topics this week include even more on Mad Max: Fury Road, the aborted Tron 3, the reboot of Point Break, Ash vs. Evil Dead, the career of The Rock, Big Trouble In Little China and a whole lot more.

Picks this week include Chris’ pick of the History Channel mini-series Texas Rising and Joe’s pick of the BBC show Space Odyssey. No, the other one.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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Sean Penn is a sniper working for a mercenary group in Africa. He assassinates a government official and must go into hiding, leaving behind his girlfriend (Jasmine Trinca) to be scooped up by fellow merc Javier Bardem. Years later, he’s back in Africa under a different name working for a humanitarian organization when a handful of assassins try to take him down. He investigates the source, meets up with the shady fellows from his past, and tries to reconnect with his former love.

This isn’t anything new – it’s okay action, your standard plot, lots of buffed-up Sean Penn showing he’s a killer who cares, and exotic locations. There’s little humor, not much suspense, a non-sequitur role for Bardem, but there’s also not much of a ham-fisted political message either. Nor is it on the level of director Pierre Morel’s earlier film Taken; it’s a hardy helping of American-cheese slices on semi-stale crackers – not an extravagant hors d’oeuvres, the cheese could be better, even generic sharp cheddar, and the crackers aren’t buttered, but it’s not spray cheese and wafers either. As a light snack before the real action movies arrive in a few months, it’s palatable.

I don’t know what the point of this movie is. at times, it’s great to look at, and has some clever visuals such as dipping Charlize Theron in ivory or having her vanish in a murder of crows…or ravens, which are probably the right birds, seeing as how her name is Ravenna.

She’s the wicked queen who seduces the widower king and kills him on their wedding night and needs to drain the essence of the king’s daughter Snow White (Kristen Stewart) to become immortal. Ravenna tosses Snowy in the clink, but she escapes and retreats into the Dark Forest, the one place where Ravenna’s powers are useless. So Ravenna sends the one guy who’s made it through the Dark Forest before, the titular Huntsman Eric (Chris Hemsworth) to retrieve Snow White. Eric’s hesitant, but Ravenna promises him that if he succeeds, she’ll bring his wife back to life — or kill him if he doesn’t.

Meanwhile one of Snow White’s childhood friends (Sam Claflin) goes undercover as an archer in Ravenna’s Dark Army, headed by her whispy brother Finn (Sam Spruell). They pop up sporadically to menace Snowy and provide plot points, respectively.

I tend to think of Scorsese as a master of genre films—he’s done gangster films (Goodfellas, Casino), comedy (After Hours, The King of Comedy), police drama (The Departed), psychological thriller (Shutter Island), boxing (Raging Bull), biopic (Kundun, The Aviator, No Direction Home), concert (Shine a Light), historical (Gangs of New York), literary classic (The Age of Innocence), even a remake Cape Fear) and a sequel (The Color of Money)—but he tends to bring such a distinct touch to the films, they don’t quite feel like genre films.

So when I heard he was taking a stab at a kiddie flick, Hugo immediately shot to my most anticipated Scorsese film to date (outside, of course, of the fictional film he was making with Larry David as the money-hurling mob boss in Curb Your Enthusiasm)—added to that who wouldn’t be interested in Scorsese’s take on 3D?

And Hugo doesn’t disappoint. It’s not the most compelling story, but for all its two-hour-seven-minute running time, I wasn’t bored once. There’s a lot more going on, and I’ll get to that in a moment, but first the rundown.

Hugo Cabret (Asa Butterfield) is an urchin who haunts a Paris railway station in the early 1930s, repairing its clocks and stealing various cogs and sprockets to rebuild the homunculus he and his father (Jude Law) were working on right up to his death. While Hugo tends to remain out of the sight and mind of the station Inspector (Sacha Baron Cohen), he’s less successful evading the eye of the toymaker he robs (Ben Kingsley). Caught trying to thieve a wind-up mouse, he’s forced to give up his father’s notebook, which includes all the instructions on repairing the mechanical man and provokes a strange reaction from the toymaker.

When this Mel Gibson starrer came to theaters, I didn’t get a chance to see it so my first exposure to it was on Blu-ray. I won’t go into a full review of the film here (I’ll leave that to our own Shannon Hood) but suffice it to say I liked director Martin Campbell’s mix of cop procedural, revenge tale and conspiracy thriller. Gibson plays Boston Detective Thomas Craven who’s daughter is brutally murdered right in front of his eyes after a rather brief homecoming.

This horrific act spurs Gibson’s character on a path of revenge and a quest for justice that takes him in many different directions as he crosses paths with all manner of characters. Of course, things are not as they seem and the crime is not s simple assassination gone wrong, nor was Craven the target as everyone, except him, suspect.

During the course of his investigation Craven discovers a wider conspiracy that leads to the power corridors of the highest levels of government. Into this mix comes Ray Winstone’s Jedburg, a shadow operative who ‘s motivations and loyalties are unclear.

Is he a friend or foe and who does he work for? These questions arise as the film progresses and as Craven and Jedburg have several scenes together. Even though the other actors in the film, including Danny Huston, Shawn Roberts and Bojana Novakovic, are quite good, Gibson and Winstone elevate their scenes together and make this movie, at times, a real pleasure to watch.

Mel Gibson returns to the big screen after a personal and professional hiatus of over seven years. His last starring role was in 2002’s We Were Soldiers. Many are hailing Edge Of Darkness as Gibson’s “comeback.”  So is it?  Meh. He is fine as a grief stricken Boston Detective, but he won’t be winning an award any time soon. There are a dozen actors that could have navigated this role equally well. That’s not knocking Gibson, but it’s a pretty  generic role.

Edge of Darkness veers into spoiler territory early, and often, and I don’t like to spoil movies, so here is a spoiler-free synopsis. Gibson plays Craven,  a single dad who goes to pick up his grown daughter from the train station. It is obvious he loves her very much. She seems slightly distant. Sensing something is wrong, he implores her to tell him what it is.  Shortly after they get home, she becomes seriously ill. Craven takes her to the hospital, but as soon as they reach the front door, his daughter is violently gunned down in front of him.

The rest of the movie concerns Craven trying to uncover the mystery behind his daughter’s death. It involves government conspiracies, shady political types, evil corporations, and unconscionable greed. Because Craven has no family left, his vengeance is of the reckless variety, which too often translates into over the top.

Every year, there tends to be a common theme in most big-budget Hollywood films. Back in 2006, magicians were a big hit, as in both The Illusionist and The Prestige. We haven’t even hit 2010 yet, but it looks like the theme for next year may just be Greek Mythology, between Clash of the Titans and Percy Jackson & The Olympians: The Lightning Thief.

Though the name is WAY too long, this newest trailer actually makes the film look quite good, and even shows off the who’s who of a cast, from Rosario Dawson to Pierce Brosnon to Uma Thurman. The film is about a regular boy who finds out that he’s actually the son of a Greek God, and must then embark on an adventure which will help him earn his title as demigod.

The film is based on the series of books by Rick Riordan, and even has epic family film director Chris Columbus behind the wheel. The film hits theaters on February 12th, 2010, and you can check out the international trailer after the jump.

Its been some time since I was interested in a movie featuring Mel Gibson. In the past, his work in movies like Mad Max, We Were Soldiers, Payback, Braveheart and the Lethal Weapon franchise showed that he knows how to play someone on the edge who does what’s necessary to get the job done. Plus, those characters weren’t afraid to kick some ass. Now, as seen in this new trailer for Edge of Darkness, it seems Gibson is returning to the kind of role that made me a fan of his in the first place.

In this new film, written by William Monahan and directed by Martin Campbell, Gibson plays a Boston detective whose daughter is killed when a hit targeted at him goes wrong. Of course, he’s not going to let that one go so he starts his own investigation to determine what happened. Once he digs deeper he discovers a larger conspiracy and that his daughter may have been the target of the hit all along. Plus, I’m sure he probably kicks a bit of ass along the way.

With the caliber of people involved including screenwriter Monahan, who’s recent work on The Departed is top notch, director Campbell who showed his action prowess with Goldeneye and Casino Royale and with Gibson seemingly returning to form in a role showcasing his talents and his dark side, this film looks pretty interesting. Although, it does remind me a bit of Liam Neeson in Taken, which could turn out well for this film seeing as how Taken did quite well.

Edge of Darkness hits theaters next January. Until then, be sure to click through and check out the trailer.