Yes, Machete Kills is pretty much what you expect. Still, that doesn’t mean it isn’t fun and worth a look. In fact, that’s just what we can give you with the new trailer for Machete Kills.

Here’s some info about the movie:

“In MACHETE KILLS, Danny Trejo returns as ex-Federale agent MACHETE, who is recruited by the President of the United States for a mission which would be impossible for any mortal man – he must take down a madman revolutionary and an eccentric billionaire arms dealer who has hatched a plan to spread war and anarchy.”

Machete Kills will be in theaters everywhere September 13th. Check out the new trailer after the break.

Even though Robert Rodriguez has long been touting 2009’s Machete was the beginning of a trilogy of films, it was thought to be dead in the water due to the lackluster performance of the original. Now, Deadline is reporting that Rodriguez has producer Alexander Rodnyansky on board and is ready to move forward with the sequel Machete.

The sequel, as was hinted during the first film, will be titled Machete Kills, already has a script and will start production as soon as April. The new film finds Machete recruited by the U.S. Government to take on a mission that would be too much for any normal man.

Machete must battle his way through Mexico single-handed to “take down a madman cartel leader and an eccentric billionaire arms dealer who has hatched a plan to spread war across the planet with a weapon in space.”

Just when you thought things couldn’t get any worse when 75% of the films hitting theaters this year are in 3D or RealD, Robert Rodriguez introduces 4D with his new feature, the Aroma-Scope.

Sure, it’s not the newest idea. From the major plot points in Joe Dante’s Matinee from 1993 to John Waters’ “Odorama” in the film Polyester, the idea has been played with in the past, but never to the level of a summer blockbuster. Deadline explains.

[Rodriguez] used the marketing strategy of billing his fourth installment in the Spy Kids franchise as a “4D” flick by adding scratch-and-sniff scent cards for audiences. It’ll be interesting to see if this add-on “Aroma-Scope” value increases moviegoing beyond just the 3D higher ticket prices when the pic opens Friday. “When it came time to do Spy Kids 4, I couldn’t just go back and do 3D like everybody else is now. I had to bring something extra,” Rodriguez told the the AP.

It’s always nice when a smaller, lesser known film that has the same release date as a comedy, horror, and a Live 3D concert ends up pulling in the most money for the weekend. Things like this need to happen more.

That’s exactly what happened this weekend as The Help beat out its competitors 30 Minutes or Less, Final Desintation 5, and Glee The 3D Concert Movie for the prized 2nd place spot in the domestic box office.

Of course, given the stunning word of mouth, Rise of the Planet of the Apes pulled through to be #1 again for the second week with an estimated $27.5 million here in the states. That rounds the film out at about $180 million worldwide since it first hit theaters last week.

Meanwhile, Buena Vista’s The Help ended up sliding in at #2 with $25 million. That beat out the other films opening this weekend, including Final Destination 5 which came in at #3 with $18.5 million, 30 Minutes or Less, which came in at number 5 with $13 million and Glee 3D which completely flopped at #11 with $5.7 million.

Next weekend, another barn burner as Conan the Barbarian and Fright Night open to 3,000 screens, while Robert Ridriguez makes his return to the family action flick with Spy Kids: All the Time in the World. Should be fun!

I am a fan of the Spy Kids franchise, there is no shame in admitting that. Even that crazy CGI orgy of mangled ideas that was Spy Kids 3(D) had a certain amount of enjoyment during its run time. One of the trademark elements of the Spy Kids films, and honestly any Robert Rodriquez film, is the music.

Rodriquez usually plays a very active role in the sound of his films, and the newest adventure of the extended Cortez family is no different. Written with Carl Thiel, the score for the fourth Spy Kids feature retains much of the same sound of the franchise predecessors. The music is a fun mix of sexy spy action, trademark Rodriquez guitars and a bubbly sheen that works perfect for this brand of kid movie.

Evoking many of the same tones as the previous Rodriquez kiddie films, this score generally works a collection of themes and action beats for general children consumption.

There is a lot to like about the music on this album, and sight unseen from the context of the film the music has wonderful pace. I find myself going to listen to one track and looking up a little later three or four tracks down the list. There is an infectious quality to the music in this movie, it has all of the bubble gum charm one comes to expect from one of these films.

I particularly appreciate a strong appreciation for specific themes that this soundtrack seems to have. There are themes for almost everyone in this release, and that is exactly how to appeal to younger kids. Broad strokes that are easily identifiable, yet strong on their own.