Another day, another trailer (or two) for the reboot of a movie you probably loved from the past. Case in point this time is Sam Raimi’s reboot of the Tobe Hooper classic Poltergeist.

To be fair, the reboot isn’t directed by Sam Raimi. The director is actually a guy named Gil Kenan, who’s known for films like Monster House and City of Ember. But since everyone knows Raimi’s name, especially in the horror world, it’s being touted as his film.

Don’t feel too bad for Kenan, though, we’re sure his check cleared and he does get directing credit on the actual film. Plus, we’re reasonably sure he did the job. He’s gonna be okay.

Anyway, the movie looks pretty scary, but also kinda like quite a few other horror movies of late. Still, that’s not necessarily a bad thing.

Check a couple trailer after the break. Look for Poltergeist, starring Sam Rockwell, Rosemarie DeWitt and Jared Harris, to hit screens on July 24.

So far as I’ve seen, the kerfuffle surrounding the funding and production of Promised Land has received more attention than the film itself. So in case you haven’t heard, the film portrays the process of hydraulic fracturing or “fracking” in a negative light. People such as Phelim MacAleer, director of the documentary FrackNation, and residents of Armstrong County, Pennsylvania, where much of the movie was filmed, have accused the producers of exaggerating if not totally fabricating the dangers of fracking.

However, the biggest bombshell came when the Heritage Foundation revealed that one of the film’s backers is connected to OPEC, sparking outcries that there’s a conflict of interest. OPEC, of course, being a supplier of oil would have a lot to gain if the U.S. outlawed fracking altogether or at least had a good amount of public resentment.

Though anyone actually interested in following the story will see that the connection is dubious, and even if it were ironclad, so what? As much faith as I have in people not to get their information from a fictional film, I’m more confident that not many will see it. For that matter and despite all the hoopla, fracking really isn’t that big of a plot point. It’s discussed, and some dangers are touched on, but the larger villain is the old standby, Big Business.

I’d almost forgotten that the last time Ben Stiller and Vince Vaughn teamed up was in 2004’s Dodgeball: A True Underdog Story, and if you asked me why I like that movie so much and am pretty indifferent on The Watch, I’d be hard-pressed to explain why. Both have very simple premises, feature largely improv performers, and The Watch has the added benefit of Jonah Hill — playing a younger, more broad version of Walter Sobchek.

Then again, Dodgeball had cleverer jokes, Vaughn in the lead (instead of Stiller), and Rip Torn, who trumps pretty much everything in the universe. It also seemed to be having a lot more fun. The Watch, on the other hand, is kind of like the unpopular kid at the playground that’s consigned itself to the tilt-a-whirl: functioning on autopilot and trying to find bits of entertainment when they come. Even the trailer has no qualms revealing the twist of aliens coming to earth, and since there’s not much else after that, for the first half hour or so, we follow Stiller around waiting for the movie to get going.

Some people may find that The Company Men hits a little too close to home. The movie follows a handful of employees at a large shipping company at the height of the recent economic downturn. It takes an unflinching look at what happens to their jobs, their marriages, their friends, and their honor. An excellent cast including Tommy Lee Jones, Kevin Costner, Ben Affleck, Maria Bello, Rosemarie DeWitt, and Chris Cooper make this film riveting and believable.

The film takes a unique approach by focusing on these men who, by most people’s standards, are fairly well off.  By humanizing their plight(s) without vilifying the men, we are able to relate to their universal struggles. After all, it doesn’t matter if you are rich or poor, losing a marriage or one’s dignity is going to hurt no matter what. That’s what I loved so much about the film. You want to hate the characters, but through the course of the film, you come to realize these guys are just like you and I.

Ben Affleck plays Bobby, a hotshot sales director with the company.  He’s got a giant house (mortgaged to the hilt), a hot wife, and a fancy car. He’s living the dream.  When corporate downsizing begins, his head is one of the first on the chopping block.  He’s shell shocked and embarrassed, but he is confident he’ll find another job in no time.

A couple of weeks ago, I named The Company Men on my top 10 films of 2010 list. The movie tracks a handful of employees at a large company, and follows their stories through the economic downturn.

It’s an amazing film (full review will run tomorrow) that captures all the anguish, anger, and fear I have witnessed through my own friends and family experience. This movie absolutely nails it, and it can be difficult to watch at times, because it hits so close to home.

When I was given the opportunity to interview director John Wells, I jumped on it.  This film means a lot to me, and I couldn’t wait to talk to the man who wrote, directed, and produced it. Wells has an impressive filmography as a producer on a myriad of projects.

He served as executive producer during the entire run of television’s ER and The West Wing. He has also been President of the Writer’s Guild of America.  Although he has directed several television episodes, this is his first feature film.

Right before we started the interview, I told him how much the movie meant to me, and shared a few personal stories about friends and family members who have suffered since the recession.