It’s a brand new episode of The Flickcast. Still going strong. We’re doing this!

On this episode Chris and Joe get deep into all-things Dune as they discuss the new trailer for the highly anticipated film, casting highlights from the film, Ridley Scott’s Raised By Wolves, the basics of sci-fi films and tv shows, Amazon’s The Boys, the negative effects of not being able to binge watch, cancel culture and, most importantly, the return of Rick Moranis. 

They also manage to talk about a certain world event (but just a little), further developments in film and television production and how great it is to see so much Sci-Fi programming these days. Plus, of course, the usual more. 

WARNING: This episode contains discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

We’re back baby!

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This Friday marks a big weekend for fans of both science fiction and comedy as Hot Tub Time Machine opens across the country. We’re going to be bringing you coverage and goodies from the film all week, starting today. We recently got the chance to sit down with one of the film’s stars, Rob Corddry, and he was able to talk to us about not only the film, but his interest in an upcoming comic book project.

The Flickcast: The world of science fiction can be a tricky, and certainly a contrived world. How was it for you, getting your head around a concept like Hot Tub Time Machine?

Rob Corddry: Well, we had a roundtable meeting when we first got brought on to the film. We were all sitting in a room at MGM. The writers, and the cast, and we were talking about time travel. We had to have spent 4 or 5 hours talking about the logic of time travel as it was in the movie.

We couldn’t really figure it out, and we realized that every time somebody makes a time travel movie, this discussion takes place, and nobody ever figures it out. [laughs] If anybody figures it out, they would essentially figure out time travel.

So we decided that we had to set some rules and stick to them. What we inevitably did was just pick the simplest ones so that we could get to the comedy.

TF: Do you think that the success of The Hangover laid a lot of ground for potential success of another buddy comedy like this one?

Buffy’s got a brand new bag, Superman makes his pitch for “World’s Greatest Detective” and the Sentry gets to the heart of the matter in this latest edition of The Pull List Comic Reviews! As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Buffy The Vampire Slayer #32
Dark Horse Comics – $2.99 US
Writer: Brad Meltzer
Artist: Georges Jeanty
Score: 9/10

While the ongoing war against Twilight hits a lull, Buffy and Xander take the break to examine the Slayer’s new power set, much to Dawn’s chagrin. Meanwhile, Giles – along with Faith and Andrew – find themselves in Twilight’s grip and Willow makes a horrifying discovery.

Best-selling author Brad Meltzer – no stranger to comics – kicks off the “Twilight” story arc with this issue in a round-about way. Twilight himself doesn’t factor into the story much, but Meltzer took the “maximum fun” approach in setting up the pieces via tiny revelations sprinkled throughout the issue while focusing on Buffy’s new powers. The result is an incredibly enjoyable read that’s sure to please virtually any fan of comics or comics-related media.

Artist Georges Jeanty continues to pump out the work that has become the glue that holds everything together for this series, and this latest issue is no different. The scenes involving Buffy and Xander, especially, were a hoot, and how could you not love Buffy hovering in mid-air while asking the General to step outside? If this issue doesn’t symbolize having fun while making a comic, I don’t know what will.

Other issues came close – it was a really good week for comics – but this issue took home the Pull of the Week title thanks to an offering that was part major story arc launch and part open love letter to comics; it’s been quite some time that a comic has made me smile this much.

Welcome to the new The Pull List Comic Reviews! We’ve expanded our weekly offering of comic reviews to a whopping 10 issues each week, so kick back, enjoy and let us know what caught your eye this week! Also, the prerequisite WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Daredevil #501 – Marvel Comics – $2.99 US
Writer: Andy Diggle Artist: Roberto De La Torre
Score: 9.5

Following the events of Daredevil #500 and the Dark Reign – The List: Daredevil one-shot, Matt Murdock is now in control of The Hand. But what he doesn’t know is that other players are moving their chess pieces into position, and Matt doesn’t like surprises. Meanwhile, Foggy and Dakota try to figure out what Matt’s up to over a box of doughnuts.

Writer Andy Diggle has really amped up the playing field for Daredevil and his little corner of the Marvel Universe, so much so that you might not recognize your favorite horned-hero once you get to the end of this issue. Diggle has managed to dramatically shift the title character into new, uncharted territory, and admittedly it’s a great ride. Sacrifices aside, this is definitely not your daddy’s Daredevil…

I think one of the keys to making a Daredevil story great is the choice of artist. Many artists have come and gone with a few making significant contributions to the character – Frank Miller, Bill Sienkiewicz, David Mack and Alex Maleev come to mind – so it’s no wonder that artist Roberto De La Torre fits right in with some really beautiful work. This could be the run that puts him firmly in the public’s eye.

Overall, a near-perfect issue that’s also suited for newcomers to jump on board. Even if you missed the aforementioned issues leading into this new arc, do yourself a favor and enjoy what most people will be talking about this week.

OTHER PULLS:

Astonishing X-Men #31 – Marvel Comics – $2.99 US
Writer: Warren Ellis Artist: Phil Jimenez
Score: 9.0

When S.W.O.R.D. Agent Abigail Brand has a run-in with The Brood, narrowly escapes and is on a collision course for San Francisco, who’re you going to call? That’s right, the Astonishing X-Men! Naturally, Abby’s boyfriend Beast jumps at the rescue mission to save his sweety, but what really raises eyebrows here is the return of Laurie Collins, also known as Wallflower. Not all is how it seems, however…

Superstar writer Warren Ellis has proven that he’s not perfect, if the last arc is any indication. He’s not a superstar for the hell of it, though, as he bounces back in a big way with this first installment. Full of action and those X-Men moments we know and love, this issue’s got everything we could possibly want. But how does new-to-the-title artist Phil Jimenez compare to the previous arc’s Simone Bianchi? It’s a step up, no question about that. Jimenez’ art is dynamic in every sense of the word, which makes it a no-brainer for this title, especially if Ellis continues to make this story as fun as the first chapter was.