Taylor Schilling is Dagny Taggart, a strong, independent woman keeping the family railroad business (railroads being the dominant mode of transportation in AS’s alternate future due to restrictive oil prices) alive despite the irresponsibility, short-sightedness, and political exploitation of her co-manager and brother James.
A major disaster on one of the lines leads Dagny to replace the tracks with a new kind of steel alloy developed by like-minded entrepreneur Hank Rearden (Grant Bowler), who shares Dagny’s independent spirit and is similarly being worn down through a miasma of regulations spearheaded by corrupt politicians and competitors. And against this backdrop is the ongoing disappearance of the country’s most productive members and the pervasive question, “Who is John Galt?”
I didn’t get a screening invitation to the film; I paid to see and went with a friend and die-hard fan of Ayn Rand. And while I agree with Rand on many of her points, both my friend and I left the theater disappointed. Atlas doesn’t quite deserve the scathing reviews it’s been getting, but it’s not a good film either—regardless of where you stand on Rand’s philosophy.
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