This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

There have been some pretty big hits in the box office this year, and some expected whales, but overall this has been a great year for the worldwide box office, and here’s the proof you need. From THR.

10. Clash of the Titans, $493.2 million worldwide
9. How to Train Your Dragon, $494.9 worldwide
8. Despicable Me, $539.9 million
7. Iron Man 2, $582.2 million
6. Twilight Saga: Eclipse, $693.5 million
5. Shrek Forever After: $739.8 million
4. Harry Potter and the Deathly Hallows, Part 1. $824.1
3. Inception, $825.4
2. Alice in Wonderland, $1 billion
1. Toy Story 3, $1.1 billion

There are a few genuine good films on the list, like Iron Man 2 and Inception. Some big surprises, considering how bad the reviews were for films like Shrek Forever After, Clash of the Titans, and Alice in Wonderland. And even a few expectations like Twilight, Harry Potter, and How to Train Your Dragon.

As we approach the end of 2010, we will naturally see list start to appear. List of best movies, best TV shows, best video games, best gadgets and tech and a whole lot more. In fact, you’ll see a few lists from us pretty soon too. It’s just how this end-of-the-year thing works these days.

Until we start to roll out our own lists, we have one for you to kick things off. This one comes from the American Film Institute and highlight their picks of the best Movies and TV programs for 2010. When you read over their selections, most of them pretty much make sense.

Most of the films and most of the TV programs listed here are among our favorites as well and all are of a high quality. Of course, on every list there’s always some items that don’t seem to belong. However, we won’t disparage the AFI’s list, we will just counter with a list of our own (or three) soon.

Here are AFI’s picks:

Movies

• BLACK SWAN
• THE FIGHTER
• INCEPTION
• THE KIDS ARE ALL RIGHT
• 127 HOURS
• THE SOCIAL NETWORK
• THE TOWN
• TOY STORY 3
• TRUE GRIT
• WINTER’S BONE

Well, Stallone and company have still got it. Score one for the aging action geezers, they dominated the box office with over $35 Million for the weekend. Expendables, a testosterone laden action movie, was a big hit with men, particularly those who grew up seeing members of the cast in iconic 80’s action movies.

Most people I know who saw it admitted that it was not a great movie, but thought that it delivered exactly what one would expect-lots of senseless action.  That is more than can be said for the priv-lit drama Eat Pray Love.

As you read in our review here on The Flickcast, the movie failed to capture what many women fell in love with from the book.  The inner turmoil of the protagonist was glossed over, disappointing fans of the book.  Still, Eat Pray Love, starring Julia Roberts managed to make  $23.7 Million.  This is the best opening Julia Roberts has had since 2001, when she co-starred in America’s Sweethearts, with Catherine Zeta Jones and John Cusack.

Sadly, Scott Pilgrim vs The World (one of my favorite films of 2010) didn’t fare very well at all. The film placed fifth, and only made $10.5 Million, far below expectations.  This is very similar to what happened with Kick Ass back in April.

Kick Ass was widely anticipated in film circles, hailed by critics and fanboys  alike as a great, original  movie, yet it failed to muster much at the box office.  Kick-Ass debuted to $19 million its opening weekend, shocking prognosticators.  After its entire run, the film only made $48 Million domestically.

Now, we have a film that has gotten even better reviews (as of this writing, it has an 80% on Rotten Tomatoes), and has had most  industry insiders cheering for its success, yet it barely registers in the top five for the weekend.  *Sigh*