This week’s pick salutes Steven Spielberg’s epic Saving Private Ryan (1998) which tells the story of an eight man rifle squad which is chosen to find and safely bring back Pvt. Ryan after it is discovered that his three older brothers have all died in combat just days apart from one another. The film stars Tom Hanks (Capt. John H. Miller, Charlie Company, 2nd Ranger Battalion), Tom Sizemore (Sgt. Mike Horvath), Ed Burns (Pfc. Richard Reiben), Jeremy Davies (Cpl. Timothy E. Upham), Barry Pepper (Pvt. Daniel Jackson), Adam Goldberg (Pvt. Stanley Mellish), Vin Diesel (Pfc. Adrian Caparzo), Giovanni Ribisi (Pvt. Irwin Wade), and Matt Damon (Pvt. James Ryan).

Saving Private Ryan is best known for its first thirty minute opening which is one of the most brutal depictions of combat ever put on film. Elements of Capt. Miller’s (Hanks) battalion prepare for the assault on Omaha Beach on the fateful morning of June 6, 1944. While the assault force approaches the Normandy coast aboard the landing craft, each man is preparing themselves for the inevitable. Many men are seasick, while many pray silently to themselves.

The operator of the boat alerts them that they will hit the beach in just thirty seconds. Miller instructs his men to move fast and to clear the “murder hole” (the opening of the craft). When the ramp hits, you are immediately plunged into the intense combat. Rows of men are cut down from German machine gun fire before they can even leave the craft. Other men are instructed to jump over the sides, only to drown due to the amount of heavy equipment many troops carried into combat.

Miller helps a fellow soldier ashore while they make their way through the maze of anti-tank traps and dead bodies at the water’s edge. The camera is submerged under the water, and then surfaces. The use of sound in this scene is fantastic. When submerged, the scene is tranquil and peaceful but when on the surface, you are subjected to the sound of machine gun fire, explosions, and bullet ricochets off of men and the tank traps that were placed to keep American armored vehicles from reaching the beach.

This week’s pick salutes the heroes of a forgotten American war, The Spanish American War which until the First Gulf War, was the shortest war in American history. John Milius (Red Dawn, Flight of the Intruder, The Wind and the Lion), directs Rough Riders, which stars Tom Berenger as future American president Teddy Roosevelt who commanded the 1st U.S. Volunteer Cavalry unit during the war.

Originally aired as a three hour mini series in 1997 on TNT Networks, the film is a fantastic look at the men who made history against Spanish hegemony in 1898 Cuba. The film stars a who’s who of great actors and characters who would help to shape history. Gary Busey (Maj. Gen. Joe Wheeler) commander of all cavalry units during the war, and a U.S. Congressman as well, Brian Keith (President William McKinley), Dale Dye (Col. Leonard Wood) Marshall R. Teague (Lt. John “Black Jack” Pershing), and Adam Storke (Stephen Crane).

As the United States was entering the twentieth century, its presence on the world stage was beginning to take hold. The Spanish American War was what allowed the U.S. to become a major player in world events, and allowed the U.S. to forever wield the “Big Stick” of foreign policy. The film opens up with a brilliant montage of newspaper headlines which depict the defenseless Cubans battling their Spanish masters, while Uncle Sam looks on with a sense of anger and an overwhelming desire to help the oppressed.

This week’s pick is another cinematic masterpiece from acclaimed director and combat veteran Samuel Fuller (Fixed Bayonets, The Steel Helmet). Merrill’s Marauders (1962) tells the story of Brig. General Frank Merrill and his American jungle fighters in Burma during World War II.  What makes this film so unique from the bravado of similar war pictures that came out of Hollywood in the pre Vietnam early nineteen sixties was that it was based on actual events. The film stars Jeff Chandler (Brig. Gen. Frank Merrill), Ty Hardin (Lt. “Stock” Stockton), Claude Atkins (Sgt. Kolowicz), John Hoyt (General Joseph Stillwell), and Peter Brown (“Bullseye” a platoon sniper).

As World War II spread throughout the Pacific theater, there were intense campaigns in Asia from northern China, to the borders of British held India which the Japanese coveted for its natural resources, as well as adding it into their vastly expanding Asian empire. British Viceroy to India Lord Louis Mountbatten (uncle to Prince Charles), had devised many covert Anglo-American military units to harass and to thwart any attempt for an invasion of India by Japanese forces.

This week’s pick is the 1988 cult classic from director Kevin Reynolds (Robin Hood: Prince of Thieves (1991), The Count of Monte Cristo (2002) The Beast a.k.a. The Beast of War, which stars George Dzundza (Commander Daskal), Jason Patric (Konstantin Koverchenko), Don Harvey (Kaminski), Stephen Baldwin (Golikov), Erick Avari (Samad), and Steven Bauer (Taj).

The film is set in 1981 as the Soviet Union has entered its second year of their war with Afghanistan. The film centers around the crew of a Soviet tank platoon whose T-62 tank becomes lost in a valley after an attack on an Afghan village. The first few minutes of the film are brutal as it shows a combined tank assault on a Pashtun village which house some Mujahideen rebels who have been fighting the Soviet occupation of their province.

The Soviets use poison gas, flame throwers, RPGs (rocket propelled grenades) and the famed AK-47 assault rifle as they mop up their attack on the villagers. Taj (Bauer) returns home to find his village destroyed and his brother crushed by the tank commanded by the ruthless Daskal (Dzundza) who deals harshly with the guerrillas. Taj becomes Khan (tribal leader) and vows to destroy the tank and avenge his brother’s death.

Not knowing that the valley that Daskal has led them into eventually becomes a dead end, the Soviet tankers go about their duties and hope to rejoin their column. The crew are made up of four Soviets and one Afghan named Samad (Avari) who is not trusted by Daskal who suspects Samad of being a turncoat. The film is a classic example of cat & mouse as the Soviets are chased by the determined Mujahideen rebels who are armed with rockets to destroy the tank.

Koverchenko (Patric) respects the Mujahideen rebels who have them on the run and builds a relationship with the outcast Samad who teaches Koverchenko the rules of Pashtunwali which is their code of honour and civility. Koverchenko begins to suspect that Daskal is going over the edge due to his increased resentment for Samad and for the safety of the men.

The Great Escape (1963) is one of those films that no matter how many times I see it, I find a new way to appreciate it even more. Director John Sturges (Never So Few, The Magnificent Seven) brings to the screen this World War II adventure about allied soldiers who stage one of the greatest massive escapes from a new type of German POW camp.

Steve McQueen (Capt. Virgil “The Cooler King” Hilts), James Garner ( Lt. Robert “The Scrounger” Hendley), Richard Attenborough (Squadron Leader Roger “The Big X” Bartlett), Charles Bronson (Lt. Danny “The Tunnel King” Velinski), James Coburn (Flying Officer Louis “The Manufacturer” Sedgwick) and Donald Pleasence (Lt. Colin “The Forger” Blythe) make up the cast of escape artists.

The German Luftwaffe (Air Force) has created a new type of POW camp in which “all their rotten eggs” can be placed in one heavily guarded basket. Allied POWs have been gathered from all stockades in Germany and are brought to Stalag Luft III outside of Sagan, Germany. The new camp commandant, Col. von Luger (Hannes Messemer) informs the new prisoners that there will be no escape attempts and if any try they will be executed. The senior allied officer, Group Captain Ramsey (James Donald) tells the commandant that it is the sworn duty of every prisoner to try and escape.

Von Luger feels comfortable that the new facility will make it impossible for any to escape. Within the first few minutes of arriving in the camp, the main characters begin probing for weaknesses among the camp’s guards, the wire, and the conning towers which overlook everyone and everything within the camp. Several make attempts to try and escape but are quickly discovered and prove to be a handful for their captors.

The most notable of these attempts is perpetrated by Capt Hilts (McQueen), an American flier who throws his baseball over the “wire of death” which is erected in front of the camp perimeter fence. Hilts informs one of his fellow American inmates that between the two towers at night, makes it almost impossible for them to see someone trying to cut through the fence. He is discovered by one guard and is shot at by another in one of the towers.