Sure, all the news and focus of the internet, right now, is on the new Iron Man 2 trailer which, in my opinion deserves the amount of excitement that it’s inspired. But, that’s not what we’re talking about now. The new trailer for Tim Burton’s Alice in Wonderland, is online and gives us a pretty thorough, and spectacular glimpse into Burton’s creation of Wonderland.

We see the White Rabbit, the Red Queen and her main man, The Knave of Hearts, and yes, the Mad Hatter. It looks fantastical, and certainly Burton inspired, if still in that candy-coated look that he’s had on previous film Charlie and the Chocolate Factory.

The film’s synopsis reads as, “19 year-old Alice, returns to the whimsical world she first encountered as a young girl, embarks on a fantastical journey to find her true destiny and end the Red Queen’s reign of terror.” And the trailer gives us glimpses of the Jabberwock, the Mad Hatter’s companions the Dormouse and the March Hare; as well as the Cheshire Cat, and Tweedledee and Tweedledum.

The film features Johnny Depp, Anne Hathaway, Helena Bonham Carter, Stephen Fry, Alan Rickman, and Mia Wasikowska as Alice, along with a multitude of others. It’s scheduled for release March 10, 2010, in 3-D and IMAX.

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C-Net News recently reported that the FBI has made an arrest in the case of the work-print of X-Men Origins: Wolverine, that was leaked and available for download a month before the movie was to be released theatrically. There apparently was nothing saying whether Gilberto Sanchez, 47, the man arrested, was responsible for the initial upload of the film, or how he might have acquired a copy to upload.

FBI Spokesperson Linda Eimiller said that the Bureau has not ruled out the possibility of more arrests, but didn’t comment further. If convicted, Sanchez could face up to three years in prison and/or a $250,000 fine.

The workprint that was released, as most will remember, was an unfinished version of the movie with wires still shown on performers and unfinished, or not-yet inserted effects. By the time Wolverine was released in theaters, it had been estimated that the pirated version had been downloaded over 4 million times. This didn’t seem to hurt the box office too badly, as it still opened to a nice $85 Million domestically and has earned nearly $375 Million since it’s release in May.

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Welcome to another edition of The Pull List Comic Reviews! The latest mutant milestone issue gets top billing, Spidey winds up in the wrong sandbox and Guy Gardner sees a whole lot more than just red. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

X-Factor #200
Marvel Comics – $4.99 US
Writer: Peter David
Artists: Bing Cansino, Marco Santucci, Karl Moline
Score: 9.5/10

X-Factor Investigations makes the move from Detroit to New York in hopes of wrangling some new clients of the super-hero variety, but when their first client winds up being Franklin and Valeria Richards – the children to Reed and Sue Richards of the Fantastic Four – the team realizes that all is not what it seems.

Long-time X-Factor scribe Peter David continues to mix jaw-dropping plot bombs with great characterizations and intelligent humor in this over-sized anniversary special. The mystery of the missing Invisible Woman, on it’s own, is a great story, but throw in Monet’s father being abducted by terrorists, Siryn’s shocking rendezvous with an old flame (hint: he’s nuts) and Layla Miller’s surprising allegiance to Latveria, and you’ve got one hell of a jump-on issue.

The art team of Bing Cansino and Marco Santucci do a great job of pacing this mammoth story, and their takes on the characters are both familiar and fresh. With a title that relies heavily on many speaking scenes, which should come as no surprise to current readers, their art is right on the money, but they also flex their proverbial muscle in the action scenes, especially where the Thing is involved.

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Katee Sackhoff will join the long line of celebrities that are taking a stab at comic books, a medium that Hollywood seems to be more in love with than “traditional” literature. Along with Rosario Dawson, Tyrese Gibson and Rashida Jones, Sackhoff will be teaming up with a co-writer named Sxv’leithan Essex on a comic book called Versus, which in a recent interview with TV Guide Magazine, she said would be announced at next year’s San Diego Comic-Con.

In the interview, Sackhoff also explained her love for much of Jeph Loeb’s comic work, and in particular just about everything he’s done with Superman. Sackhoff didn’t have much to say about a publisher, artist, or when we could expect to see the book hit shelves, but she assured that all will be revealed next year in San Diego.

Sackhoff, who most famously played Starbuck on the reboot of the Sci-Fi Channel series, Battlestar Galactica, will be appearing in the upcoming season of 24. Her co-writer, Sxv’leithan Essex, has a couple of credits to his name including a horror film called Bled, a series of Metal music videos, and an upcoming werewolf fight club film titled Growl.

Louis Letterier’s new movie, Clash of the Titans, or as it’s come to be known on the Internet from the previously released trailer the movie where “Titans. Will. Clash” has a new trailer that finally gives me a reason to look forward to the film. No, it’s not Gemma Arterton, who will also be gracing us with her presence in Prince of Persia, or the giant CGI Kraken — though it does look cool.

No, it’s the appearance of Mads Mikkelsen, the cuddly villain that wept blood in 2006′s James Bond reboot Casino Royale. Clash of the Titans, written by the team of Phil Hay and Matt Manfredi (Aeon Flux and The Tuxedo), stars Sam Worthington, Gemma Arterton, Liam Neeson, Ralph Fiennes, Pete Postlethwaite (Romeo + Juliet) , and Danny Huston (X-Men Origins: Wolverine).

Check out the brand new trailer after the jump, and catch Clash of the Titans in theaters (and possibly IMAX) on March 26, 2010.

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In the utterly enjoyable Up in the Air, George Clooney plays Ryan Bingham, a corporate down-sizer.  Like a gun for hire, Ryan is kept on retainer to deliver pink slips instead of bullets; though some might argue there is little difference. Ryan has no personal relationships, rarely sleeps in the same city two days in a row, can fit everything important to him into a carry-on and he could not be happier.

Midway through the movie, Ryan explains that he is on the road traveling over 322 days of the year. That may sound awful to most of us, but to him “that means 43 miserable days at home.” That statement is perfectly indicative of how Ryan sees the world.

He doesn’t like attachments of any sort, human or material. He has a better relationship with the airline ticket agent than his own sisters, and prefers the tidiness and order he finds in all the rituals of traveling to anything authentic. He has the perfect job that by nature requires a skilled detachment.

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Probably the biggest news during the premiere of James Cameron’s new film Avatar came from outside the theater on the blue carpet when MySpace’s camera crew talked with Bryan Singer, who spilled the beans on his next projects. First up, seems to be Jack the Giant Killer – written by Mark Bomback (Live Free and Die Hard) and Darren Lemke, about a princess that goes missing, and disrupts a truce between man and giants. And Singer says, he’s gearing up to use the same technology that Avatar used.

But that’s not the biggest news from the premiere. Singer also said: “I just yesterday signed a deal to do an ‘X-Men: First Class Origins’ picture, which is kind of cool. I’m very excited.” The movie was originally said to be in the hands of Chuck and Gossip Girl creator Josh Schwartz and also had writer Zak Penn, who had worked on the first two X-Men films, attached to direct at one point.

So this revelation by Singer is surprising, and exciting news. Bryan Singer, of course directed the first two X-Men films, which together grossed more that $600 Million, before leaving the franchise to direct Superman Returns and last year’s Valkyrie.

Here’s a link to the UStream video, that if you forward to the 27-minute mark, will give you the news directly from Singer’s mouth.

One of the biggest hits this holiday season has already been confirmed to be Left 4 Dead 2. The sequel to last year’s multiplayer hit, the game featured four new campaigns, each with full Story, Versus, Survivor and Scavenger modes.

The new game starred four new survivors as they try to escape from various Southern American environments. But there are still tons of questions left unanswered from the first game like how the infection began, and most importantly what happened to Left 4 Dead’s original four survivors.

Valve has announced that these questions will be answered in early 2010 when Left 4 Dead 2‘s first downloadable content will be released. Valve’s press release states: “Dubbed “The Passing”, the first game add-on for L4D2 brings the original Left 4 Dead (L4D1) Survivors down south for a meeting with the L4D2 cast, while delivering new single-player, multiplayer and co-operative gameplay for the PC and Xbox 360. “The Passing” takes place just after the “Dead Center” campaign of L4D2.

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There are some pretty great, and some pretty awful movie titles out there. From something long like Bad Lieutenant: Port of Call New Orleans to The Curious Case of Benjamin Button, some titles just don’t work. Luckily, a few good screenwriters feel the same way, and bring us Hot Tub Time Machine.

The premise sounds pretty much like bliss once you hear the names involved. Four guys decide to bond on a ski trip and party hard all night on Red Bull and Vodka. They continue the night in the house’s hot tub, which transports them to 1986, where hi-jinks then ensue.

The aforementioned names involved are John Cusack, Craig Robinson (The Office, Zach and Miri Make a Porno), Clark Duke (Sex Drive, Superbad), and Rob Corddry (What Happens in Vegas, Harold and Kumar 2). The film basically looks like The Hangover meets Back to the Future, with a little bit of Click thrown in for heart.

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300, one of the biggest hits of 2007, directed by Zack Snyder and based off the comic book mini-series by Frank Miller (The Spirit, Sin City the movie and comic series), is now supposedly getting a prequel. For the prequel, the story is set in time to see the battle of Marathon – which took place ten years before the events of 300.

During the battle, Xerxes’ father, Darius I, battled the Athenians. I believe this is passingly mentioned in a mocking tone in 300, when Leonidas denies acquiescing to Xerxes’ messengers, before kicking them down a giant hole in the middle of town.

Miller, who will again be writing and drawing the comic series before it’s taken to the big screen, has said to the LA Times, “It’s the Battle of Marathon through my lens” and that he’s just about ready to begin. Of course, the interesting thing about 300, and some might say the frightening thing about this new story; is the level of fact and stylization Miller had put into his original story.

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That’s right people, the wait is over and we’ve got our first glimpse of the new trailer for the eagerly anticipated film Iron Man 2. After solving the puzzle with clues given out from around the Internets, fans were taken to a special site where a link to the trailer’s first appearance was revealed.

And now, following that link, we can get to see the new, improved, and rocking Tony Stark-filled Iron Man 2 trailer in all of its glory. In the trailer we’re treated to some great glimpses of the movie and most of the stars including Sam Rockwell, Mickey Rourke, Don Cheadle and, of course, Robert Downey, Jr. as Tony Stark. There’s also a lot of action and all the fun you would expect from a trailer, and a movie, like this.

Glad to see things seem to be on track for a blockbuster sequel. We can hardly wait for more. Sadly, we will have to wait for the movie until May 7, 2010 but after seeing this first trailer, I know its gonna be worth it.

Click through to check out the new trailer. Or, for a super big version, head over to Apple’s Trailer site.

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Today’s Wednesday Western comes to you courtesy of a namedrop by the big man himself, Clint Eastwood.  If Eastwood casually says The Ox-Bow Incident is a really good Western,  you have to drop what you’re doing and watch it.   (Considering it’s only one hour long, it’s pretty easy to find some time to do it!)

I can see why Eastwood likes Ox-Bow.  There are shades of Hang ‘Em High and Unforgiven in it. It’s the kind of film that reminds me why I was so eager to explore this genre. We all tend to classify Westerns as rousing shoot-em-ups and masculine swagger, but there are a lot of dark, bitter stories hidden among the John Ford panoramas. Even this film is often billed as a Henry Fonda movie about cattle rustlers, giving the impression that it’ll be a classic horse opera.  Nothing could be further from the truth.

This is a haunting morality play that takes the glamor out of posses and deputies, emphasizes the danger of a mob, and makes you think twice about rooting for Wild West justice.  While Eastwood has been credited as “killing” the Western with Unforgiven, I think The Ox-Bow Incident should have done it back in 1943.

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