In a world of constantly evolving tech, SyFy’s Eureka stays ahead of the game. The writers seem to have an unending amount of innovations up their sleeves. Between the giant robot spiders, A.I. in the house of tomorrow, and cloud sculpting devices, the scientists at Global Dynamics are kept pretty busy.

That makes double for their new director, Douglas Fargo, played with an affable, geeky charm by Neil Grayston. Just like Fargo, Neil is curiouser than a cat when it comes to gadgets.

The Flickcast: What do you think of the future technology on Eureka that has actually come to pass?

Neil Grayston: I’m always blown away. Sometimes it’s funny if you look back at the first season, some of our “high-tech gadgets” have already been surpassed in the real world a billion times over. It’s like we were really on top of that, someone was really thinking back there. I like looking back and seeing what we maybe thought of before hand and then what the real world was actually leaps and bounds (developing). It’s kinda cool knowing what real scientists are doing and what they’re actually making up.

FC: Do you ever have trouble with the highly scientific, technical lines on the show?

NG: Those are the lines that I usually will…like sometimes I’m going to admit, I cheat, I have my little sides and I cut out just the little technical lines and I make them as small as possible and I hide them in my wardrobe so that you won’t see anything. And then just before a take I’ll just look them over.

I’m fine with the dialogue and the back and forth, but am I going to say a pulsating ionsphere photostar or is it a photographic pulsar ionsphere? You know it’s those little things that I can look up on Wikipedia forever and forever. Fortunately, the Wikipedia entries are written by people who know what those things mean.

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SyFy’s Eureka and Warehouse 13 are filled to the brim with gizmos a plenty and government geniuses.  Much like the perfect swirl at Pink Berry, when these two shows crossover they form the perfect blend of high tech adventures. So, when The Flickcast sat down with the energetic, witty, and down to earth Neil Grayston, we couldn’t help but inquire about his fictional and non-fictional cohort Allison Scagliotti.

Neil Grayston, who plays Douglas Fargo on Eureka, it seems is an international man of mystery.  I say international because he is in fact from Canada, and mystery because who knew he used to be a wrestler and still keeps his black belt firmly pressed?  I’m sure this is why Allison Scagliotti of Warehouse 13 finds her pal perpetually fascinating.

The Flickcast: Is it fun seeing Warehouse 13’s Allison Scagliotti in San Diego?

Neil Grayston: Yeah, well it’s funny, Allison and I met a year ago, here at Comic-Con.  We hit it off pretty much right away and we’ve kept in touch and we’re like really, really good friends. And then, we got paid to hang out and work together for 2 weeks, and make out and stuff.

We have a very similar way of doing things- we answer each other’s sentences so many times and we have the same punch lines.  Like when another person has just said something and we’ll both try to make a clever quip and it’ll be at the same time with the same inflection.

It was really fun, I hope I can go back, because the whole Warehouse 13 cast is great and the whole Eureka cast is great, and we all sort of blend quite well together.

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The future is always changing, especially if you’re a fan watching Eureka on SyFy this summer. This season, Eureka’s main characters changed their time line when they traveled back to 1947. They returned to find their character’s lives slightly altered. Apparently, they never listened to Doc Brown’s words of wisdom.

Douglas Fargo, once an impetuous and lovable assistant, is now the head of Global Dynamics and finds his employees haven’t taken well to his dictator-like leadership tactics of the past.

We got the chance to sit down with the new director of GD, Douglas Fargo, played enthusiastically by Neil Grayston. Surprisingly, he was more than willing to spill the classified goings-on of this nation’s most secret and innovative town.

The Flickcast: Which of Douglas Fargo’s personality traits will help him in his new position as Director of Global Dynamics?

Neil Grayston: Well I think it’s his strange, I’m not going to say tenacity, but his curiosity is probably going to help him. Because you know he is the guy who always pushes the buttons and maybe now he might actually take a little sec to ask what that button does before pushing it, but he’s still going to go and investigate and see what’s what. You know, he’s not one to be lazy on the job. I think that will work well for him.

FC: Can you talk about the new direction of the series and how the alternate reality has effected this season?

NG: Well the big thing with the time shift is that everyone’s been completely reinvigorated by it, from the actors to the writers and even the network are all very, very excited. This year I’ve been in and talking to people and everyone seems really, genially enthusiastic about it which is great.

Especially on our side, we’re having so much fun doing it, we get to figure out our characters again and try to figure out, ok, well what would they do if they were another person but they still remembered who they were.

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Congrats to all those who have made it past Comic-Con’s endless Hall H lines, sat through countless hours of the studio’s pleading with you to buy movie tickets, and made it back home in one, tired piece. What awaits you is a month filled with the studio’s last line of blockbuster attack ads until the holiday season.

Fear not, as the lines will be vastly shorter than the wait for Eclipse. Instead of emos and soccer moms in “Team Edward” T-shirts, you’ll find yourself beside teenage boys who watch Rocky V on their Evos while waiting for The Expendables.

Curiously, the generals of Universal and Lionsgate both decided to fire missiles into the 13-30 years old guys camp. With the troops dispersing, you should be able to deftly maneuver yourself to the safety of a comfy recliner at the multiplex.

My advice, do like Julia Roberts and Eat some buttery popcorn, Pray for a film worth the ticket price, and Love the below reviews. Let’s check out what’s in store for us in August.

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USA’s Burn Notice has been sizzling the small screen all summer long, so The Flickcast braved the waves of fans at the San Diego Comic-Con to talk with its covert operatives.  We were right alongside geek god Bruce Campbell and the sprightly Tim Matheson to discuss living in the scorching heat of Miami. Although one plays the angel and the other the devil on Michael Weston’s shoulder, they have one thing in common: they both enjoy a cool Mojito at the end of a long shoot day.

With their plethora of credits both on and off screen, they are the quintessential “Jack of All Trades.” Campbell, of course, has been acting, directing, producing, and hamming it up in many a geeky film like Evil Dead. Matheson is no stranger to being behind the camera and directing an episode or two of many a USA show including White Collar, Psych, Covert Affairs, and of course his own killer schemes in Burn Notice. I guess being dead frees up your spare time. But, sorrow no more as it’s confirmed Larry Sizemore was (gasp) not really dead and will be returning next season.

Following the jump hear what these two spies have to say about surviving and thriving in the world of Jason Bourne meets Miami Vice and maybe even learn a thing or two.

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Spartacus: Blood and Sand is back with a vengeance, with more blood and you guessed it – more sand. In addition to shooting what will be a glorious Season 2, Starz is also shooting a six-part prequel that will be covering The House of Batiatus’ rise to arena awesomeness and air in January 2011.

In anticipation of the new episodes, The Flickcast was there to catch up with Andy Whitfield who plays none other than Spartacus himself. He achieved the greatest victory of all by defeating cancer, and we’re glad to hear he’s going to be back and better than ever with a small part in the prequel and a starring role once again in Season 2.

As buff gladiators strutted the Comic-Con convention floor towards the Anchor Bay Entertainment booth, I happily took a seat in a cozy room alongside the protein-packed actor. Starz certainly knows how to keep a woman’s interest.

Sitting down with Andy Whitfield was a delight. Besides being easy on the eyes, Andy was humble and charmingly insightful. But, don’t take my word for it. Following the jump, take a seat as the bringer of rain answers questions about fighting alongside his brethren and filming on location under the hot sun of New Zealand.

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Though this week’s Comic-Con has plenty of news about upcoming film and TV projects, it’s good to see that the world of comics still has a place at the show. Marvel, DC, and countless other publishers still take time to present upcoming events to their legions of diehard fans, and just about anybody who has anything to do with the comic world is in attendance.

One of those names, who actually crosses over from the world of comics and TV, is Jeph Loeb. Not only has he worked on several episodes of NBC’s Heroes, but he’s also currently the main writer for Marvel’s Ultimate X series.

We got to catch up with Jeph yesterday, and chat him up about his most recent comic favorites, future projects, and even which types of books he prefers to work on. Check out our interview with him after the jump, and stay with us all weekend for more news straight from the floor of San Diego Comic-Con 2010.

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After many years of happily reading John Romita Jr.’s work on Wolverine’s “Enemy of the State” Arc, Spider-Man and Kick-Ass, I was thrilled to be able to interview John Romita, Jr. (or JR. Jr.) for Marvel’s return to a bright, new day with the “Heroic Age.”

I caught up with the delightful John while he was working hard on the Avengers.  It seems this is one man who can draw and answer in-depth questions at the same time.

As always he was humorous, insightful, and well…in need of a nap.  Read on, true believers, and enjoy the latest from the desk of the modest legend himself.

The Flickcast: Marvel takes the entire Avengers line of titles into “The Heroic Age.” You’ve been paired up with Brian Michael Bendis on the core “Avengers” title; is your opening run contained to the first arc or two, or do you plan on being involved for the foreseeable future?

John Romita, Jr: In the first year I’m doing it [Avengers] for a minimum of 2 arcs and I’m enjoying myself.  If the book is still doing well, I’ll do it for a second year.  It’s so difficult, though, that I may not survive the first year— it’s intense work.

I have to finish 25 pages in the next 17 days.  So, after doing Avengers, I may want to sleep for a year.  But doing the Avengers with Bendis is an amazing experience.  If I get through the year and I’m still healthy enough, I will do another one.

TF: What are the benefits and challenges of drawing iconic characters like Thor, Spidey, Iron Man, Wolverine, and Captain America vs. drawing characters you create?

JR: Oh, that’s on a strictly selfish scale, it’s much more fun to do a character you create because you create them and there’s a lot of gratification for that, but working on iconic characters is like driving your father’s classic car, it’s spectacular and fantastic, but it’s better off when it’s your own.

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I just saw Knight and Day and in a summer notably lacking in quality, this one stands out as being the worst film in terms of the script and editing. The 2 and a half minute trailer was better than the entire film. In the film a rogue FBI agent, Roy Millerand the FBi, steals a never-ending battery that looks like the generic D Energizer kind. June, a hapless bystander, gets caught up in the action. Together they must keep the battery safe while on the run from arms dealers and the FBI.

In editing class you’re taught that if a movie is well edited then you won’t question the loopholes until hours later when you’re at home, hence the term refrigerator moment. Quite apropos when you consider Indiana Jones and the Crystal Skull. In Knight and Day, however, I started questioning the flick while it was still playing.

For starters, whenever characters would mention anything of importance, it was never once brought up again or answered in any kind of way. None of the characters had any semblance of a back story. There was no time limit set for the mission, no sense of urgency, and no one saved anything, much less the world. In essence the film lacked discernible goals. This film brings new meaning to the term, “We’ll fix it in post”.

What follows is a list of questions. I would say there are spoilers, but since there are absolutely zero twists, turns, or creativity in the script, there are no spoilers. Anyone who can answer these questions solely based on the film will receive a highly valued, Flickcast Certified No. Prize. Go ahead smarty pants, make my day.

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While on the red carpet of Universal Studio’s King Kong 360 3D premiere I happened upon the very lovely and enthusiastic Yvette Nicole Brown of NBC’s Community.  I thought that by the time she made it on over to us, she’d be bored silly of talking about a big, gruff gorilla with bad morning breath, so we talked Comic-Con instead.

Upon meeting the lively actress I couldn’t help but ask about my favorite TV episode of the entire year: Community’s “Modern Warfare. ” It was the best action movie spoof I have seen in quite some time.   She joyfully agreed.   I know many a guy who loves to quote from movies, and after watching “Modern Warfare,” I couldn’t help but quote from it with maniacal glee.  One quote in particular sums it up, ”Checkmate bitches! And tell the Drama Club their tears will be real today.”

We also talked about the blessed event known as Comic-Con.  She will be a Comic-Con newbie this year.  So, all those who make it to the mic to ask questions at the Community panel, I ask you be gentle.

Watch and enjoy the interview after the jump and keep on watching The Flickcast, because you never know what stars might pop up.

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To all who have survived the month of June by successfully traversing lines of blood-sucking twihards, I congratulate you. You can relax now because the steaming month of July is less about men of iron and teenagers who use SPF 60 and more about whiz kids, dreamers, and spies.

Movie studios may appear to be throwing grenades into your trench, but don’t let the eye-catching blue and orange of the movie posters fool you. These grenades are merely filled with smoke and a good amount of marketing slickness. They will explode in your face only when you yank the pin by paying $12. Then, they will have truly won the battle. Instead of succumbing to the propaganda, arm yourselves wisely with the reviews below.

Those in the know will hold their breath until August when the golden generation of action heroes team up to save the world, kick some ass before kicking the bucket, and get sweaty enough to take off their shirts- giving both men and women some very good reasons for sitting in an air-conditioned multiplex.

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Diane here and fresh off  the red carpet premiere of Universal Studios’ Hollywood latest attraction, King Kong 360 3D.  If you have a chance to swing on by this summer, it is worth the wait.

Yesterday while walking among a 360lb Bengal Tiger, a 13 foot Python, a feisty monkey, and tribal dancers who kept on telling me to touch their dinosaur bones I became entranced with the world of Skull Island and a gorilla who’s eaten one too many Big Macs.

I was not alone, The Office’s Craig Robinson, Oscar Nunez, and Kate Flannery, along with Kevin Smith, Yvette Nicole Brown of Community, Wayne Brady,Wanted and King Kong’s Thomas Kretschmann, and a very shy Christopher Lloyd were all there sampling the gourmet apps and reveling in a filmed introduction to the experience by none other than a slimmed down Peter Jackson in 3D.

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