This week’s pick is yet another John Carpenter classic. Kurt Russell stars as the first ever action hero of the 1980s in Escape From New York (1981). After success with Halloween and the horror classic The Fog, Carpenter’s next project would be a unique blend of science fiction, action, noir and a western. The result is one of the finest multi genre classics of its time.

Set in a dystopian future (now the past) the United States’ crime rate rises to an astonishing four hundred percent in 1988. To combat the growing crime rate, the United States becomes a totalitarian police state and the great city of New York is turned into the one prison for the whole country. A fifty-foot containment wall is erected around all of Manhattan Island, all the bridges and waterways are mined, and the United States Police Force patrols the wall perimeter to insure no one escapes. Once you go inside the prison, you never come out.

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In case you missed it in theatres (and chances are you did), the sci-fi thriller In Time, starring Justin Timberlake and Amanda Seyfried, comes to Blu-Ray and DVD* today.

The first thing you might notice about In Time is how good-looking it is. Of course, being an Andrew Niccol (Gattaca, Lord of War) joint, the film is stylish and immaculate, but that’s not what I mean. I am referring to the film’s entire cast being comprised of gorgeous young actors. With the exception of two young children, every character in the film is 25 years old.

No matter how many years they have behind them, everyone from grandmothers to mob heavies are played by actors in their mid-twenties to early-thirties. Combine that with Hollywood’s natural trend towards beauty, and the effect creates what can only be described as a “model” future.

You see, in In Time‘s vision of the future, genetics have been altered to give everyone’s life a predetermined length. At 25 years old, bodies stop aging but start counting down. Everyone gets a year, but time can be earned, traded, gambled, or stolen. It is, in fact, the only currency humanity has left.

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This week’s pick is the John Carpenter exploitation classic Assault on Precinct 13 that stars Austin Stoker, Darwin Joston, Laurie Zimmer, and Carpenter regular Charles Cyphers. Before Carpenter hit it big two years later in 1978 with the critically acclaimed financial blockbuster Halloween, his first commercial attempt came with Assault on Precinct 13.

Carpenter was a graduate of USC film school and had recently shot the now cult classic Dark Star which failed to give the young idealistic filmmaker the big break he was hoping for. Carpenter went looking for financial backers and found the CKK Corporation of Philadelphia, PA who gave Carpenter carte blanche to make whatever kind of film he wanted.

Carpenter hoped to make a Howard Hawks inspired western much like El Dorado or Rio Lobo. Due to funds in the range of only one hundred thousand dollars, Carpenter changed his mind and decided to make an action exploitation film instead.

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Texas Killing Fields is a strong, straightforward crime thriller which tells the story of three cops running the gauntlet in an attempt to solve two brutal crimes. But the film is particularly notable for its haunting tone and superlative acting.

Director Ami Canaan Mann does everything she can to give the movie an infectious gloom, an impressive imitation of the sprawling claustrophobia specific to Southern poverty. Mann, daughter of the legendary Michael Mann (who also co-produced the film), makes a lot of smart choices here, but none more crucial than the cast.

Jeffrey Dean Morgan and Sam Worthington bring their own unique intensity to their natural good cop/bad cop relationship, and a pre-Oscar nomination Jessica Chastain (The Help) brings a fiery quality to a supporting role. As usual, the 12-year-old Chloe Moretz shows remarkably advanced nuance for an actor her age.

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On February 13, DOOM is coming to New York City.

Co-presented by MTV Geek and Warner Home Video, the world premiere of JUSTICE LEAGUE: DOOM (check out the trailer here ) will be held on Feb. 13 at the Paley Center for Media in New York City.

The new DC Animated feature, based on the classic Mark Waid story “Tower of Babel”, reunites Justice League‘s Kevin Conroy (Batman), Michael Rosenbaum (Flash), Carl Lumbly (Martian Manhunter), and Susan Eisenberg (Wonder Woman) and also stars Tim Daly (Superman/Batman: Apocalypse) and Nathan Fillion (Green Lantern: Emerald Knights).

We’ve got an exclusive clip for you to take a look at after the jump, featuring a very nasty super villain gang taking down one famed caped crusader. JUSTICE LEAGUE: DOOM premieres on Blu-Ray and DVD February 28.

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The Flickcast recently got the chance to speak with Marshall Cook, whose new film Division III: Football’s Finest is now on Blu-Ray and DVD. Cook co-wrote, directed, edited, and starred in the film, which stars Andy Dick as an insane college football coach.

The Flickcast:  Congratulations on the movie; it’s hilariously funny. You clearly have a good sense of comic timing.

Marshall Cook:  Well, a lot of the supporting cast are writers, and it was a culmination of everyone’s work that went into this. I don’t have the ego to say I’m the funniest person here.

TF:  Did you write it with the actors you got in mind?

MC:  Yeah, pretty much all of them, except for a couple. Alison Haislip, who plays my love interest, auditioned and she was very similar to the girl it was based on; she had that guy’s girl personality.  Also, she’s just a solid actor. I’m really glad we got her.

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Catch .44 is the embodiment of style over substance.

The film looks great. Writer/director Aaron Harvey clearly has a good eye. If the budget is as low as he implies in the audio commentary, Harvey needs to marry his production designer and his cinematographer. A lot of the visual effects are a little clunky (think the fight sequences in Deadliest Warrior), but good for the budget (which bodes well for the future of indie film).

The acting is also very strong, which is not unexpected given a cast that includes veterans Bruce Willis, Brad Dourif, and Oscar winner Forest Whitaker. Most of the fun that can be squeezed from watching Catch .44 is seeing the actors play.

But the twisty crime thriller genre is all about story, and there just isn’t one here. Unlike The Usual Suspects and Reservoir Dogs, to which the marketing compares the film, Catch.44 doesn’t have any surprises, any secrets, or any tension. It’s mostly just people saying they are going to shoot each other and then, in fact, shooting each other.

The characters are poorly drawn and, with the possible exception of Whitaker’s confused psycho, unmemorable. Most have no arcs to speak of. The script doesn’t even keep you entertained with clever banter or intimidating tough-guy talk, another staple of the genre. The dialogue in Catch .44 is clumsy and lacking originality.

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This week’s pick is The Road Warrior (a.k.a. Mad Max 2: The Road Warrior) (1981). Mel Gibson dons his black leather uniform once again in this second installment of the franchise.

The Road Warrior begins with a narration sequence with an elderly man’s voice as it is shown to the audience the widespread pandemonium, which has steered the world towards nuclear Armageddon. Mad Max I shows the audience the beginning of the end. The Road Warrior picks up after the world has been destroyed and society hangs by a narrow thread.

Max roams the wasteland of Australia with his battle-torn black V-8 interceptor and his cattle dog foraging for supplies mainly food, and fuel for his gas-guzzling supercharger. Much like the first film, the first several minutes of the film offer an amazing chase sequence where Max is being pursued by a band of marauding punks led by the vicious Wez (Vernon Wells) who plan to kill Max and take his vehicle and what precious supplies he has left.

Max foils their attempt and wreaks two vehicles in an amazing crash sequence. Max commanders what fuel he can from one of the wreaked cars and fends off an attack by Wez who was shot in the arm with an arrow.  Collecting what he can Max sets off again with his dog and his even more damaged vehicle.

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The 50th anniversary of the longest running film franchise of all time is something to celebrate, and while at CES the first major release of that celebration was announced. Bond 50 is a comprehensive Blu-Ray collection of all twenty-two James Bond films, together for the first time in a single, high definition, collection.

The announcement was made by a who’s who of Bond creatives from the franchise’s storied history. Director’s John Glen, Martin Campbell and Micheal Apt, who together combined to direct eight of the films, were joined by Bond Girls Olga Kurylenko and Caterina Murino as they debuted the impressive new set.

This week’s Monday Pick is the 1979 action thriller Mad Max, a film that lunched one of the most lucrative franchises in film history. The Mad Max trilogy has spawned many imitations over the last thirty plus years, but they fail to add up to George Miller’s fantastic vision of the ultimate dystopian future.

Mel Gibson (who was virtually unknown at the time) stars as police pursuit man Max Rockatansky. He patrols the highways of the not too distant future Australia that is on the verge of complete anarchy and lawlessness. In the first installment of the series, Miller shows the audience that in this future, resources like food, water, and gasoline are becoming scarce and society is beginning to break down. The Main Force Patrol (MFP) is the uniformed highway safety enforcement whose main purpose is to stop marauding gangs who pose a threat to the society they are desperately trying to preserve.

The first ten minutes of Mad Max are filled with some of the most impressive and dangerous stunts ever performed in any film before or since. The MFP is in pursuit of an escaped convict who calls himself the Night Rider. Along with his girlfriend, the two take off in one of the force’s fastest V-8 pursuit vehicles and are successful in evading several pursuit units.

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2011 might go down as the year Hollywood finally figured out how to make a great prequel. Between the “X-cellent” X-Men: First Class and Rise of the Planet of the Apes we have seen two high profile franchises recieve a much needed quality boost back into the lime light.

The most impressive part of this movie is the performance of Andy Serkis as Caesar the ape. Millions of words have been written on the subject of his brilliant digital performance, and every single one of them speaks the truth. We are seeing the line between animation and performance blends so much that it is almost impossible to tell the difference.

This Blu-Ray presents the film, and a whole bunch of features that help you understand what exactly went into the astonishing effects work on the film. Of all the films that have come out in the last few years, this is one of the most worthy of a great set of features.

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Happy New Year and welcome to another year of your favorite films here at Monday Picks. This week’s feature to ring in the New Year is the 1972 Spanish horror classic Horror Express a.k.a. Panic on the Trans-Siberian Express. The film stars both Hammer Films greats Peter Cushing and Christopher Lee who battle an alien life form which has existed on Earth for millions of years.

The film opens in 1906 Manchuria where English naturalist and explorer Alexander Saxton (Lee) has discovered an ape-like creature that has been frozen for thousands of years. Convinced he has found the missing link, Saxton and his party crate up the fossil and prepare to transport the cargo by train to Moscow, Russia.

While in Shanghai, Saxton encounters his fellow Royal Society member Doctor Wells (Cushing) who also plans to board the train bound for Moscow. While under guard, Saxton’s crate is picked by a thief who turns up dead on the station platform, his eyes turned white. A crazed monk and spiritual advisor to a Polish Count believes Saxton’s cargo is unholy. Saxton dismisses the monk’s ranting as spiritual nonsense.

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