Last night during the season premiere of America’s Got Talent, all five of the NBC viewers were treated to an extended ‘super’ preview of The Amazing Spider-Man. Basically it super-sized the most recent trailer with an extended scene, some dubstep-ish cues and a couple of choice new shots.

The movie is in an odd place for the general public. We are not that far removed from the Raimi series, and despite the vocal internet backlash to the third film, it was a success. So Sony has to win over a skeptical public on top of the already difficult task of competing with this summer’s other two comic book goliaths.

To Sony’s credit this extended trailer marks the most interesting and inciting glimpse at their reboot. It showcases one of the most important aspects of Peter Parker that was almost missed completely in the Raimi films, the personality of Spider-Man.

Spider-Man is a wise-cracking, naive, and most importantly noble hero. There is a duality to Peter that is much more subtle than in a character like Batman, but is no less important. If the Marc Webb reboot can tap into that, we can all be in for a very pleasant surprise this summer.

Check out the full trailer after the jump.

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Most of us will be seeing The Avengers in a few days and The Dark Knight Rises trailer is still on everyone’s mind. So Sony wants to remind you all that they have a pretty big deal super-hero movie coming out too.

The new posters for Amazing Spider-Man are nothing particularly exciting, although the standing Spidy one ditches that all too familiar blue-tinted cityscape for a far more intriguing and realistic color scheme. In fact I think that one now ranks as my favorite of the posters for this flick.

The second of the new posters actually reminds me of those classy Dark Knight posters with Batman standing watch over a blue-tinted Gotham from inside an office building. The Spider-Man poster has what looks like a very similar blue-tinted city, but it looks more like he is busting through the glass. Might it be a subtle dig at The Dark Knight, or might I be reading way to much into a similar image? I vote the latter.

You can check out these two new posters after the jump, and don’t forget to catch The Amazing Spider-Man in theaters this summer.

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CinemaCon has been the source of many interesting and exciting movie news items in the past few days. One major player at the theater owner convention was Sony who brought with them lots of info on it’s 2012 slate.

The folks at ComingSoon.Net are reporting that Sony made it clear that they are looking ahead in regards to one of it’s marquee franchises:

Sony’s President of Worldwide Distribution Rory Bruer talked about Sony’s slate for 2013 and beyond and confirmed that James Bond would indeed be back in 2014 with the 24th movie in the franchise and the follow-up to Skyfall.

This is expected news, but still great to hear confirmed. Daniel Craig is signed on for a total of 8 Bond films, and after the MGM bankruptcy fiasco it began to look like we might not get to see them all. Now that we have confirmation that the films are back to a quick turnaround of every other year we should be seeing a lot of our favorite Super Spy in the coming decade.

Sony also showcased the first footage from Skyfall at the event. Early word is that it looks good, but the teaser footage was a bit to fast paced to get a true feeling of it. We should be seeing the first teaser some time soon ourselves, so keep an eye peeled to The Flickcast for all your Bond news.

After a very impressive run, The Hunger Games has finally fallen from the top spot of the box office. It held well again, dropping only 31% and bringing in an estimated $14.5 Million, but at the end of the day it was time for a new hit to take over champion duties, and Think Like A Man is a hit.

Bringing in $33 Million, Think Like A Man ranks as one of the biggest openings of the year. The movie surpassed the expectations and becomes another victory notch in Sony’s belt on the year. When you compare Think Like A Man’s opening with other like films it is ahead of nearly all of them. The strong weekend also ranks as Screen Gem’s third number one opening of the year.

Coming in at number two is the next in a seemingly endless line of romantic films hoping to rekindle The Notebook’s fervor. The Lucky One pulled in nearly $23 Million, which actually made more than Nicholas Sparks’ most famous adaptation. However, like another recent Sparks adaptation, Dear John, more money doesn’t translate to more popularity.

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With PAX East over, it’s now the time to countdown to the biggest show in the gaming world: E3. This 2012′s E3 has the potential to be one of the biggest in gaming history. As both the XBox 360 and PlayStation 3 have hit milestones in their lifecycles, could it be time for both Microsoft and Sony to reveal the latest entrants to the console market? Last year’s E3 revealed the Wii U to mixed feedback.

Nintendo appeared to be playing catch up to the power of both the 360 and PS3 by announcing power specs that are comparable to the current generation’s competitors with another gimmick controller. But what could this next generation of home consoles do to change the game and the way gaming is consumed? Truth be told, we don’t know and the rumor mill around the internet has only lead to widespread debate over possible problems caused by these new consoles as opposed to innovations brought on from them.

The next iteration of consoles will most likely not focus on simple graphic upgrades. Looking at games from the XBox 360′s and PlayStation 3′s launches and comparing them to the most recent releases has shown that these systems have not topped out yet in terms of their processing power and graphical capabilities. In the hands of the right developers, cutting edge visuals are still being developed for consoles and it is rare to see drastic differences between even the highest end PC games to their console counterparts. So while it is realistic that these new systems will have stronger processors with higher capabilities, the noticeable degree of improvement isn’t going to be as drastic as with previous generations.

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With The Hunger Games having such a strong opening last weekend and the big auction for Fifty Shades of Grey, Sony Pictures is looking for the next big trilogy and is currently the frontrunner to partner with Constantin films on the live action adaptation of Cassandra Clare’s The Mortal Instruments.

The first part of the series, The Mortal Instruments: City of Bones, is set in modern day New York City and centers around Clary, a seemingly ordinary teenager, who discovers she is the descendant of a line of mystical warriors known as Shadowhunters. These Shadowhunters are a secret cadre of young half-angel warriors locked in an ancient battle to protect our world from evil. Clary joins forces with a group of Shadowhunters who introduce her to a dangerous alternate New York called Downworld, which is filled with various deadly creatures including demons, warlocks, vampires, and werewolves.

Sony Pictures already has multiple franchises under its belt with the The Da Vinci Code and James Bond. They are also expected to go forward with the second installment in The Girl With The Dragon Tattoo franchise. Even with these heavy hitters, the company is looking to fortify its business with a huge trilogy. The studio was one of the most aggressive bidders for screen rights to the E.L. James trilogy Fifty Shades Of Grey.

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Last week I made mention that this weekend would be dominated by The Hunger Games. I never like to revel in such an easy victory, but for this week I will grant myself a little pardon.

The weekend was dominated by the new film that captured everyone’s hearts. The Hunger Games brought in a staggering $155 Million at the box office.  In just three days the film has already become the highest grossing film from Lionsgate productions ever.

The monstrous opening number is the third highest all time, coming in third behind Harry Potter and the Deathly Hallows Pt 2 and The Dark Knight. The number was also the highest among all non-sequels and non-franchises of all time.

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I like to make it a point to cover video game music as often as I can. I really think the entire industry is on the cusp of breaking down what little barriers are left and establishing itself as a thoroughly acceptable artistic medium.

So when I was given the chance to take a listen to London Music Works’ Essential Games Music Collection Vol.1 I was excited. Usually compilations like these are reserved for film scores but the quality of video game music has risen so high this release isn’t just warrented, it’s way over due.

Of course with any release like this there will be a heavier reliance on the newer and more popular themes to sell the album. Luckily that works in this release’s favor, as the industries most recent and most popular stuff is what people should be hearing.

The album does still try to strike a balance between the new and the old, but with only 13 tracks to deal with there is going to be a lot of music left for volumes 2 and beyond. The descending order of most recent to oldest also makes for a very interesting listening experience, a devolution on the industry, if you will.

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There is some good, some awesome, some sad and some well excepted news in this weeks box office results.

Coming in at number one for the weekend, 21 Jump Street makes a splash with $35 million, and it’s very good news. To see a successful TV adaptation that proves you can be R-rated, have a completely unexpected tone and still work is a wonderful trend starter for the industry.

Hollywood is a copy cat industry and if remakes and reboots have to happen, the only way you can maintain some artistic credibly is to bring something fresh to the table. Hopefully this success can grease the wheels with other creative folks and deliver something unexpected with these name brands. It will be interesting to see how the zany Dark Shadows is received in the wake of this win.

The well expected news comes in the form of our second place finisher, The Lorax. This Suess adaptation is performing well above initial expectations and is proving to have strong legs as it fell another soft 40ish percent to nearly $23 million. The Lorax will take a hit next week, but is well on it’s way to crossing the $200 million bar.

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Her name is Kara, she feels, she thinks, and she is scared.

That is basically the concept behind Quantic Dream’s recent concept video. Kara is an android being assembled and tested, something is slightly off and the rest you should watch for yourself.

For those of you who are unfamiliar with Quantic Dream, they are the developers responsible for Heavy Rain, a PS3 exclusive that pushed the boundaries of the typical game experience. Unfortunately, the Kara short has nothing to do with their next title.

The video was made to showcase the power of the Quantic’s new motion capture engine running real time graphics on a PS3. However, this is such a well fleshed out idea, one that holds so much weight and emotion that it would come as no surprise if this was an early glimpse at whatever new world Quantic Dream has up their sleeve.

Be awed by the video after the jump.

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It looks like CBS’ drama pilot Quean is over before it began. According to inside sources at Warner Bros TV, which produces the project with Joel Silver’s Silver Pictures, the decision has been made to pull the plug upon the advice of an outside legal firm.

Quean was supposed to be a crime procedural which centers on an edgy and independent hacker girl who teams up with a police detective to solve crimes. The pilot secured Jaume Collet-Serra (House of Wax, Orphan) as director, was written by The L Word creator Ilene Chaiken, and was moving to the casting stage when Warner Bros TV received a letter from Sony Pictures threatening a lawsuit over alleged similarities to The Girl With The Dragon Tattoo.

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Sony Pictures has just acquired the rights to Valiant Comics character, Bloodshot.

The protagonist of Bloodshot is Angelo Mortalli, a ruthless killer for the mob who is set up by the family and framed for a murder. He instead goes into Witness Protection, but is betrayed by an FBI agent guarding him, kidnapped and forcibly subjected to an experimental program in which his body is injected with microscopic computers called nanites.

They erase his brain and rebuild it and his body to be a weapon with superhuman strength and healing powers, known as Bloodshot. Bloodshot eventually escapes his makers and their control. He then seeks revenge on all who wronged him, and even though he is no longer the same person he once was, he tries to find his old identity and answers about his past.

The character of Bloodshot originated as a character for Valiant Comics in 1992 and appeared in over 70 issues, becoming the cornerstone of the Valiant Universe. Valiant was a leading comic company from 1992-1994, bringing unheard of competition for the two largest  comic companies in the world,  Marvel and DC. Unfortunately in 1994 investors pulled out of the company and it was sold to Acclaim Entertainment, who decided that the comics should no longer published, leaving the properties in limbo for almost 20 years.

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