Tuesdays are always pretty exciting, because as you may know, new Blu-Ray releases hit the shelves of your local retail store as well as the virtual shelves of online retailers like Amazon.com. Sorting out what’s hot and what’s not, that’s a bit of a chore so I’ve put together a brief synopsis of the notable releases for Tuesday, March 1st.

Available on Blu-Ray Today:

• 127 Hours Starring James Franco and Kate Mara
• Love and Other Drugs Starring Jake Gyllenhaal, Anne Hathaway, Judy Greer and Oliver Platt
• Burlesque Starring Cher and Christina Aguilera
• Faster Starring Dwayne Johnson and Billy Bob Thornton
• Pirates of the Caribbean Trilogy (7-disc set) Starring Johnny Depp, Kiera Knightly
• Out of Sight Starring George Clooney and Jennifer Lopez
• Cannes Man Starring Seymore Cassel, Francesco Quinn, Johnny Depp
• Waiting for Dublin Starring Andrew Keegan, Hugh O’Conor, Frank Kelly and Jade Yourell
• Bambi Walt Disney Diamond Edition

Wondering what’s releasing next week? Hit the jump for more of my picks for flicks hitting Blu-Ray on Tuesday, March 8th as well as some special deals and promos on this week’s new releases available only through Best Buy retail locations.

On the night of January 16th, Hollywood was split in twine after Ricky Gervais’ performance as the host of the evening’s events. One half felt that Gervais went over the line with his sardonic humor and felt that he was rude and crass, while the other half understood his sense of humor and realized he was doing his job as a “comedian.”

Now, continuing in his trend of bitterness, the original Office star has posted on his blog some suggestions to Oscar hosts James Franco and Anne Hathaway, in case they have time they need to fill.

Without further adieu, we present to you Ricky Gervais’ suggested script for this year’s Oscars. We’ve got what we think is a pretty good sample below, and check out the full script full of self-deprecating humor over at Gervais’ official blog.

JF
Thank you. I’m James Franco.

AH
…and I’m Anne Hathaway.

JF
You probably know me from 127 Hours where I play a man trapped in an enclosed space who decides he would rather cut his own arm off than stay where he was. Now that sounds “way out” but wait till half way through this fucking ceremony and you’ll start to identify with him.

This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

We all love LEGO. Everybody grew up with them, so they all hold a special place in our collective hearts. Except for those who grew up with Mega Bloks, but nobody liked those kids growing up anyway.

The world of LEGO has been celebrated more lately as franchises like LEGO Batman and LEGO Star Wars have taken over our consoles. Now we get even more of this fully manifested world as one cinema fan has captured some of our favorite Oscar nominated films and turned them into LEGO.

The remade scenes come from LEGO artist Alex Eylar, who has tons of creations over at MOCPaged. This site is completely dedicated to people making stuff out of their favorite LEGOs so it’s particularly awesome.

While you try to ponder that business model, take a look at some of our favorite Oscar nominated scenes after the jump and comment with guesses on which films these scenes are inspired from. Good luck!

The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

So yesterday, we ran part one of this post.  In case you missed it, here were my picks:

• Waiting for Superman
• Winter’s Bone
• The Company Men
• Rabbit Hole/Blue Valentine (tie)
• The Fighter

Now, without further ado, are the rest of my picks for best movies of the year.

5. The Kids Are All Right

This quirky drama won me over in no time. Annette Bening and Julianne Moore play a lesbian couple raising two children who were the product of an anonymous sperm donor. When the kids are old enough, they seek out and find their donor, who is played by Mark Ruffalo.

His character Paul is a perpetually laid-back restaurateur who drives a motorcycle and lives a bohemian lifestyle. The kids are instantly captivated, and develop a relationship with the guy, much to the chagrin of their uptight mom Nic (Bening).

I admire writer/director Lisa Cholodenko for her sensitive handling of the subject matter. A lesser director could have turned this into a slapstick farce, but ultimately the film is funny, touching, and wholly original.  It is also universally relatable.  Bening is a standout in the film for her performance.

I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

It’s a pretty big decision to choose the host of The Academy Awards every year. There have been some epic hosts in the past, and some pretty bad ones. One thing is for sure, it’s going to be hard to top last year’s picks of Alec Baldwin and Steve Martin. It seems like the Academy has made their choice, however, as word is coming out that James Franco and Anne Hathaway are currently booked for the event. Here’s the official press release.

“James Franco and Anne Hathaway personify the next generation of Hollywood icons— fresh, exciting and multi-talented. We hope to create an Oscar broadcast that will both showcase their incredible talents and entertain the world on February 27,” said Oscar telecast producers Bruce Cohen and Don Mischer. “We are completely thrilled that James and Anne will be joining forces with our brilliant creative team to do just that.”

Franco, who currently can be seen in “127 Hours,” will be making his second appearance on an Oscar telecast. His other film credits include “Eat, Love, Pray,” “Date Night,” “Milk” and “Pineapple Express.” Franco is also known for his portrayals of Harry Osborn in the “Spider-Man” trilogy.

When director Danny Boyle announced that he was going to take on the true story of mountain climber Aron Ralston, I thought he had gone crazy.  Boyle’s last film, Slumdog Millionaire, won eight Oscars, including Best Motion Picture and Best Director, and grossed over $350M worldwide.

The world was his oyster, so why would he squander his opportunity by tackling an unfilmable story?  If you recall, Aron Ralston was the hiker who survived a nasty fall while he was hiking in Utah.  His arm was pinned beneath an 800-pound boulder, and Ralston faced starvation, dehydration, and exposure to the elements.

After five days he made the decision to amputate his own arm in order to escape.  As if that weren’t bad enough, he then had to hike an additional eight miles to reach help.  Against insurmountable odds, Ralston triumphed, and became a poster boy for the strength of the human spirit. Sure, it’s a compelling story, but who wants to see a movie about a guy pinned under a rock for five days?

It was  surprising to find out that Unstoppable was indeed stoppable at the box office over the weekend.  The movie did extraordinarily well with critics and audiences alike, so its modest (but solid) take of $23.5 Million was a bit of a head scratcher. The Denzel Washington/Chris Pine action thriller is the fifth collaboration between director Tony Scott and actor Denzel Washington.

Megamind was the big winner of the weekend once again, adding another $30 Million to its two week total for a cumulative take of $89.8 M.  It dropped about 35% from its opening weekend, which is typical.  Megamind and Unstoppable both had per screen averages of around $7,000, which were the best of the top five this weekend.

The road comedy Due Date came in at third place with $15 Million.  Despite taking a 52% tumble from last weekend, the film is poised to break even with its budget. It has made $59 Million in two weeks, and its budget was $65 Million.

Skyline wasn’t screened for critics, and it has received some of the most scathing reviews of the year, but it still was able to scrape up $11.6 Million, good enough to place in fourth.