Welcome to another edition of The Pull List Comic Reviews! We’ve got a lot off good issues to get through, so let’s get to it. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

S.W.O.R.D. #1 – Marvel Comics – $3.99 US
Writer: Kieron Gillen
Artists: Steven Sanders, Jamie McKelvie
Score: 9.0

Spinning out of Joss Whedon and John Cassaday’s seminal Astonishing X-Men run, S.W.O.R.D. is the new title focusing on the organization entrusted to ensure that alien invasions are kept to a minimum. The Sentient World Observation and Response Department’s co-commander, Abigail Brand, has enough on her plate as it is, but having Henry Peter Gyrich – yes, THAT guy – as your co-commander simply can’t be a good thing.

After making a name for himself with the critically acclaimed Phonogram series, Marvel thought that writer Kieron Gillen would be able to handle the launch of a new, ongoing series that has a lot of ties to it, and boy were they right. The juggling parallels between what Agent Brand must endure and the various plot threads that Gillen must keep going wasn’t lost on me; in fact, I’d say it only added to the story’s flow. Imagine Men In Black done up right.

So new that he could be considered a rookie, artist Steven Sanders is anything but. Sharp, clean pencils fill this issue from cover to cover, and while his interpretation of how Beast looks takes a little getting used to, ultimately it’s nit picking on an otherwise near-perfect comic. His rendition of Gyrich, especially, should be noted, as the character has never looked more dick-ish.

About as entertaining as an issue can be, this first issue manages to draw you in with quirky moments – Beast’s lovesick commentary, Lockheed’s binge drinking – and stunning revelations – hello, Kitty! – made this an incredibly easy selection for our Pull of the Week.

OTHER PULLS:

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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