Following his success with Black Swan, director Darren Aronofsky has made the ambitious decision to have a biblical epic as his follow up film. The film is Noah, which will center on the biblical tale of Noah’s Ark. Due to his estimated $130 million budget, Aronofsky is looking to find a bankable star to get backing on his passion project.

Originally, He wanted Christian Bale to star, but Bale passed. Aronofsky looked at Michael Fassbender as a good replacement, but Fassbender claimed to be too busy.  Now Deadline is reporting that Darren has finally found his Noah, and it is Gladiator star Russell Crowe.  Even though no deal has been officially signed, an agreement with Crowe is said to be in place.  With Crowe seemingly in place, Aronofsky is now searching for the villain of the film and has his sights set on Liam Neeson.  The villain will argue against Noah’s faith as he builds a massive ship to weather the impending flood.

Paramount and New Regency want to start shooting Noah this summer for a 2013 release.

Aronofsky has already told his version of the story of the Bible’s Noah through a graphic novel with artist Nico Henrichon. The story is not a direct interpretation of the original biblical tale but a more fantastical vision of the story. Aronofsky has been dreaming of bringing this story to life since he was 13 years old.

Now John Logan is re-writing the film’s script and various studios are getting interested in co-financing the ambitious project.  For a sneak peak at the graphic novel, see the video after the jump. Pardon the French.

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This week on The Flickcast Chris and Matt are joined by Joseph Dilworth of Pop Culture Zoo and, of course, hilarity and informative discussion ensues. During the show all manner of new and recurring topics are discussed, dissected and otherwise examined.

Some of those topics include Emerald City Comic Con, Tron Legacy and potential sequels, Star Trek old and new, the Wolverine sequel without Darren Aronofsky, the renewal of Community and Fringe‘s rating slump, casting for various films including Kevin Costner as Pa Kent in Superman, X-Men First Class, Martin Scorsese’s The Dark Night and a whole lot more. And again this week, no Charlie Sheen. You’re welcome.

Of course, your hosts and guest also made some picks this week including Joseph’s dual picks of the movie Sourcecode and the new comic Vampirella, Matt’s pick of the movie Rubber and Chris’ pick of the new movie Limitless, featuring Bradley Cooper and Robert DeNiro.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook and MySpace or via email.

This was just too good to be true. A few months ago, it was announced that Darren Aronofsky had made his Sophie’s Choice between directing the upcoming Robocop reboot or working on the sequel for 20th Century’s X-Men spin-off X-Men Origins: Wolverine, titled simply, The Wolverine.

As amazing of an idea as it was to have an Oscar nominated director taking on one of Marvel’s most beloved characters, it was definitely too good to be true. It seems that Aronofsky has parted from 20th Century Fox and stepped down as director of The Wolverine. From EW.

In a statement issued by the studio, Aronofsky said, “It became clear that the production of The Wolverine would keep me out of the country for almost a year. I was not comfortable being away from my family for that length of time.” (The film was reportedly going to be set in Japan.) “I am sad that I won’t be able to see the project through,” continued Aronofsky, “as it is a terrific script and I was very much looking forward to working with my friend, Hugh Jackman, again.”

It looks as if this was a mutual break, however, as Fox is also pretty bummed.

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Just when you thought Hell’s Kitchen was safe from the grasp of Hollywood after 2003′s embarrassment to the genre which was Mark Steven Johnson’s Daredevil, it looks like the property may still be lucrative enough to garner a reboot.

Fox is so keen on the idea of rebooting the Man Without Fear, they’ve even signed Twilight: Eclipse director David Slade to take on the film.

From Variety: Slade has been considering several comicbook properties, including Fox’s “Wolverine,” but that gig wound up going to Darren Aronofsky (“Black Swan”). Though the film wound up spinning off “Elektra” with Jennifer Garner, studio had hoped “Daredevil” would earn more than its $103 million domestic take and launch a series of sequels.

Fox has been looking to redevelop the character since, but people close to the project say it’s not a reboot per se — more a continuation of the “Daredevil” saga. Studio has yet to hire a scribe, but writer would work closely with Slade.

Sadly, because Fox has been keeping the film in “pre-production” for years, they managed to retain the rights to Daredevil when Marvel was purchased by Disney. The same thing goes for The Fantastic Four, which the studio is also hoping to reboot.

One can only hope that Slade and the writer yet-to-be-decided will do a better job than the Affleck/Garner vehicle from 2003, but the most we can hope for is that we won’t get an ancillary Kevin Smith cameo. Fingers crossed.

Though it was upsetting to see Darren Aronofsky to walk away from helming a reboot of the classic 1980′s sci-fi franchise Robocop, we knew that him working on a sequel to X-Men Origins: Wolverine may be a better fit. Also, we were sure MGM would find someone to take on the half-cop, half-machine.

It looks like that creative team is finally coming together. MGM already announced that foreign action director Jose Padilha will be taking on the role of director for the upcoming film, and now news is coming in that the studio has hired Josh Zetumer to pen the script.

Who exactly is Josh Zetumer? Well from what Deadline has been able to dig up, he looks to be Hollywood’s next big thing, if we ever get to see one of his films.

Zetumer first got on the radar when he wrote the script Infiltrator, which made the Black List. That spy thriller script is set at Warner Bros as a potential starring vehicle for Leonardo DiCaprio.

He also wrote drafts of Dune when Peter Berg was going to direct that remake at Paramount, and he scripted a fourth installment of The Bourne Identity before Universal instead developed a spinoff with Tony Gilroy. Zetumer just turned in Vale, a supernatural action thriller script at Warner Bros.

So while Detroit is still battling with getting their real-life RoboCop statue to kick off, we could be seeing more of this celluloid version very soon. The next question then becomes: who will they get to play protagonist Alex Murphy aka RoboCop? We’re sure to get an answer soon enough.

I’ve seen some fan-created trailers and title sequences that easily rival the sort of stuff we see out of professional studios. And it only makes sense, given the lengths some fanboys will go to when it involves one of their fave series.

Gary Shore, is just that kind of fan. And good news for us: he loves Wolverine. So, while we wait patiently for Darren Aronofsky to film the next chapter of one of our favorite X-Men characters, Gary Shore has released a moody take on Logan that offers a tiny peek at how the next flick may unfold.

Shore, who happens to be a commercial and music video director, filmed some storyboards showing Wolverine battling those evil ninjas known as the Hand and managed to lay down a score that is both moody and ethereal.

But enough talking, let’s get to the watching, shall we? Hit the jump and watch this amazing fan creation for yourself.

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The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

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Today the Director’s Guild of America announced its nominations for Outstanding Directorial Achievement in feature films 2010. As the DGA nominations are traditionally considered an indicator of who might end up with the Oscar in the same category, these nominations, and the winner, are watched pretty closely.

The nominations are :

Darren Aronofsky, Black Swan
David Fincher, The Social Network
Tom Hooper, The King’s Speech
Christopher Nolan, Inception
David O. Russell, The Fighter

I’m a little surprised that the Coen brothers were not nominated for True Grit. They’ve won the award before three years ago, for No Country for Old Men, so I thought they may be nominated again this year. I would bet they were choice number six on the list and just didn’t make the cut. Besides, I think Fincher is a lock for this, and probably the Oscar as well, so it’s not such a bad thing.

The winner will be announced at the DGA’s annual awards dinner Jan. 29 at the Grand Ballroom at Hollywood & Highland. Who do you think will win, and who do you want to win?

So yesterday, we ran part one of this post.  In case you missed it, here were my picks:

• Waiting for Superman
• Winter’s Bone
• The Company Men
• Rabbit Hole/Blue Valentine (tie)
• The Fighter

Now, without further ado, are the rest of my picks for best movies of the year.

5. The Kids Are All Right

This quirky drama won me over in no time. Annette Bening and Julianne Moore play a lesbian couple raising two children who were the product of an anonymous sperm donor. When the kids are old enough, they seek out and find their donor, who is played by Mark Ruffalo.

His character Paul is a perpetually laid-back restaurateur who drives a motorcycle and lives a bohemian lifestyle. The kids are instantly captivated, and develop a relationship with the guy, much to the chagrin of their uptight mom Nic (Bening).

I admire writer/director Lisa Cholodenko for her sensitive handling of the subject matter. A lesser director could have turned this into a slapstick farce, but ultimately the film is funny, touching, and wholly original.  It is also universally relatable.  Bening is a standout in the film for her performance.

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I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

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By Shannon Hood / Originally posted on October 7, 2010

Darren Aronofsky has made a career of choosing interesting, non-traditional material and illuminating the unexpected aspects of his subject matter. Case(s) in point: The Wrestler (a down-trodden wrestler), Pi (mathematicians), Requiem For a Dream (middle-aged drug addiction), and now Black Swan (competitive ballet.)

His knack for taking something completely mundane and elevating it to something tense and dreadful is astonishing. Who would have ever thought that a movie about mathematicians could be exciting, much less sinister? It is no surprise that the man who brought us Pi delivers a dark, provocative, psychological drama, set in the cutthroat (who knew it?) world of competitive ballet.

Natalie Portman stars as Nina, a beautiful ballerina who dances for a New York City ballet company. Though technically gifted, she has never gotten her big break because the company’s arrogant art director thinks she is too bland to carry a performance.

The film opens with us being privy to some of the cattiness that takes place behind the scenes at the ballet. The troupe’s principal ballerina, Beth (Winona Ryder), is being forced into retirement at the ripe old age of 37. Nina finds it sad, and defends the dancer, while the other girls titter on about her age and diminished athletic ability. It’s immediately established that the women are highly competitive. There is no sense of camaraderie, everyone is out for themselves.

The perennial classic Swan Lake is set to be the season opener, and Beth’s departure leaves the principal role wide open. Director Thomas (Vince Cassel) pits the girls against one another as they audition for the coveted role of The Swan Queen.

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While director Darren Aronofsky may be focused on a certain metal-clawed mutant in the near future, he still has his upcoming supernatural thriller Black Swan hitting theaters in a matter of weeks.

The film stars Natalie Portman and Mila Kunis as rival ballerinas who vie for the top spot in a brand new New York City production of Swan Lake. As Portman tries to show her darker side, she literally begins to personify the Black Swan she’s trying to get the part of.

It’s an Aronofsky film, which means you can expect to see some of the insanely trippy and metaphoric visuals that you got in such films like Requiem for a Dream and The Fountain. To get you into that mindset, the studio has released a brand new “music video” for the film.

Check out the video after the jump, and be sure to catch Black Swan in theaters on December 3rd.

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