Big book franchises are all the rage these days, obviously. Harry Potter is now out of theaters, Twilight only has another year left in it, and now it’s time for a brand new franchise to take over Hollywood, in the shape of kids fighting to eat in a post-apocalyptic world.

For those who aren’t aware, here’s the film’s synopsis, based on the first book in the trilogy by Suzanne Collins.

Every year in the ruins of what was once North America, the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games. Part twisted entertainment, part government intimidation tactic, the Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains.

Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy. If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love.

The first teaser trailer doesn’t give us much (just a “tease”, if you will), but it’s certainly enough to get us excited for the film’s release on March 23rd, 2012.

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This week’s pick is director John Sturges’s classic World War II thriller The Eagle Has Landed. The film stars some of Hollywood’s best talent: Michael Caine (Col. Kurt Steiner), Donald Sutherland (Liam Devlin), Donald Pleasence (Heinrich Himmler), Robert Duvall (Col. Max Radl) Jenny Agutter (Molly), Anthony Quayle (Adm. Canaris), Jean Marsh (Mrs. Grey), Treat Williams (Capt. Clark), and Larry Hagman (Col. Pitts).

The Eagle Has Landed supposes the theory that a team of German commandos clandestinely enters England and kidnaps Prime Minister Winston Churchill (the least heavily guarded world leader) and hold him for ransom in order to make the British sue for peace, thus allowing the Germans to continue on as the masters of Europe.

Amazed by the rescue mission to free Italian dictator Benito Mussolini from his mountain prison, Hitler proposes the idea to kidnap Churchill. The high command brings in architect colonel Radl (Duvall) to devise the plan in how to kidnap Churchill. Radl settles on Col. Kurt Steiner (Caine) a decorated paratrooper whose anti-Nazi reputation and crack unit are just the ones to pull off a mission considered too risky.

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Todd Phillips may have control of the box office this June with Hangover Part 2, but this July definitely has Seth Gordon’s Horrible Bosses written all over it.

With a ginormous cast including Jason Bateman, Charlie Day, Jason Sudeikis, Jennifer Aniston, Colin Farrell, Kevin Spacey, and Jamie Foxx, you can expect lots of great things from this upcoming raunchy comedy. Here’s the synopsis:

For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers…permanently. There’s only one problem: even the best laid plans are only as foolproof as the brains behind them.

Like Office Space meets The Perfect Crime, you can expect some great moments with this outrageous cast. Check out the full trailer after the jump, and catch Horrible Bosses in theaters on July 8th.

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I don’t know how many of you remember movies from the early 1970s, or were even alive in the 1970s, but the period from 1969 to 1975 witnessed a wealth of gritty, nihilistic B-movie dramas.  The protagonists were often shady anti-heroes involved in some violent pursuit either above or below the law.

Easy Rider in 1969 probably spawned the genre (or Bonnie and Clyde in 1967), and was shortly followed by Dirty Harry (1971), Badlands (1973), Death Wish (1974), and my personal favorite, Dirty Mary, Crazy Larry (1974), among many others.  The genre died out about the time Smokey and the Bandit arrived in 1977, when a smirking Burt Reynolds and an over-the-top Jackie Gleason turned it into a southern-fried mockery.

This type of film was personified by Charles Bronson, the lead in Death Wish, who typified the craggy, mumbling, speak-little-but-carry-a-big-Magnum character that was often at the center of these movies.  Bronson, like Clint Eastwood, was never very likeable in his films, but he had an air of cold-blooded ruthlessness that made you cheer for him anyway, as the baddies he dispatched were always much more sinister (but much less charismatic) than he was.

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2010 may have been the year of the gun-toting action flick, but that doesn’t mean 2011 doesn’t get a little spillover. Expendables star Jason Statham is doing what he does best: shooting people while looking angry. This time, 3:10 To Yuma‘s Ben Foster joins in the fun as Statham’s would-be replacement. Here’s the synopsis:

Arthur Bishop (Jason Statham) is a ‘mechanic’ – an elite assassin with a strict code and unique talent for cleanly eliminating targets. It’s a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached.

His next assignment is self-imposed – he wants those responsible dead. His mission grows complicated when Harry’s son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop’s trade. Bishop has always acted alone but he can’t turn his back on Harry’s son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves.

Enough drama to justify some kick-ass gun fights? We think so as the newest red band trailer shows some of the films less family-friendly scenes. Check it out after the jump, and catch The Mechanic in theaters on January 28th.

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Based on the original film featuring Charles Bronson and Jan Michael Vincent, this new take on The Mechanic features Jason Statham as Arthur Bishop and Ben Foster as Steve — a master assassin and his apprentice. When his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop’s mission is clear: He wants those responsible dead.

His mission is complicated when Harry’s son Steve approaches him with the same vengeful goal and a determination to learn Bishop’s trade. Bishop has always acted alone but he can’t turn his back on Harry’s son. So, the two decide to work together and, of course, stuff starts to blow up.

To get you in the mood for the film we’ve got a new clip from it to share with you today. In it we get a look at the characters and how they are going to deal with on of the people who may, or may not, have had a hand in Harry’s death. Check out the clip after the jump.

The Mechanic, featuring Jason Statham, Ben Foster, Tony Goldwyn and Donald Sutherland, hits theaters on January 28.

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Many people believe Channing Tatum is a one-trick pony. To the contrary, the man has plenty of range. We’ve seen him as a soldier leading the fight against villainous terrorists, a soldier who carries his love through letters with Amanda Seyfried and a relieved soldier who is sent back into duty. Now, we’re getting something totally different as Tatum stars as a soldier on a mission to fight his father….in Ancient Rome.

A story like this is pretty epic, so we won’t take anything away from the official synopsis.

In 140 AD, two men – master and slave – venture beyond the edge of the known world on a dangerous and obsessive quest that will push them beyond the boundaries of loyalty and betrayal, friendship and hatred, deceit and heroism…The Roman epic adventure THE EAGLE stars Channing Tatum and Jamie Bell and is directed by Academy Award winner Kevin Macdonald. 20 years earlier, Rome’s 5,000-strong Ninth Legion, under the command of Flavius Aquila, marched north carrying their treasured golden Eagle emblem.

They never returned; Legion and Eagle simply vanished into the mists. Hearing a rumor that the Eagle has been seen in a tribal temple in the far north, Flavius’ son Marcus (Tatum), determined to restore the tarnished reputation of his father, is galvanized into action. Accompanied only by his slave Esca (Bell), Marcus sets out into the vast and dangerous highlands of Scotland – to confront its savage tribes, make peace with his father’s memory, and retrieve the hallowed Eagle.

Along the way Marcus realizes that the mystery of his father’s disappearance may well be linked to the secret of his own slave’s identity and loyalty – a secret all the more pressing when the two come face-to-face with the warriors of the fearsome Seal Prince (Tahar Rahim).

Plus side? Donald Sutherland. Check out the full trailer for the film after the jump and catch The Eagle in theaters on February 5.

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This week’s pick goes behind the lines of World War II France with the 1967 release of Robert Aldrich’s The Dirty Dozen. The film stars the legendary Lee Marvin as Major John Reisman, an American OSS (pre C.I.A.) operative chosen by Allied command to recruit, train, and drop twelve convicted American military prisoners into France before the Normandy invasion to wipe out a chateau full of German brass. Aldrich adapts E.M. Nathanson’s novel to bring one of the 1960s most successful war movies to the screen.

The cast is a who’s who of some of Hollywood’s best talent. Ernest Borgnine (Maj. Gen. Worden), Charles Bronson (Joseph Wladislaw), Jim Brown (Robert T. Jefferson), John Cassavetes (Victor R. Franko), Richard Jaeckel (Sgt. Clyde Bowren), George Kennedy (Maj. Max Armbruster), Ralph Meeker (Capt. Stuart Kinder), Robert Ryan (Col. Everett Dasher Breed), Telly Savalas (Archer J. Maggott), Donald Sutherland (Vernon L. Pinkley), Clint Walker (Samson Posey), and Robert Webber (Brig. Gen. Denton).

Major Reisman is selected for this mission due to his illustrious reputation for behind the lines action, but he is also well known for exceeding his orders and showing borderline insubordination for his superiors. Both General Worden and Denton tell Reisman that the twelve men have a temporary stay of their sentences for the mission.

Reisman knows fully well that it’s a suicide mission and asks the Generals to reconsider and that the only way for these men to go along with such a deal, is to pardon them for their crimes and that they be returned to active duty at their former ranks. It’s a tough sell, but Gen. Worden agrees and Reisman has just a few short months to train these convicts and turn them into an elite commando unit.

Most of the twelve men are serving long prison sentences, but five (Franko, Jefferson, Maggott, Posey and Wladislaw) are to be hung for murder. Reisman sells the promise of amnesty to these five, because they are the ones with the most to lose. Reisman tells them all that they are dependent of one another and that if any try to escape, fail to add up, or quit, they will all be sent back to prison.

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This week’s pick is the 1970 comedy classic M*A*S*H, from acclaimed director Robert Altman. M*A*S*H (Mobile Army Surgical Hospital) was adapted by screen writer Ring Lardner, Jr. and based on the hit novel from Richard Hooker about three military surgeons who are stationed three miles from the front lines during the Korean War. The film stars Donald Sutherland (Capt. Benjamin Franklin “Hawkeye” Pierce), Elliott Gould (Capt. John Francis Xavier “Trapper John” McIntyre), and Tom Skerritt (Capt. Augustus Bedford “Duke” Forrest).

Rounding out the supporting cast is Robert Duvall (Maj. Frank Burns), Sally Kellerman (Maj. Margaret “Hot Lips” Houlihan), Roger Bowen (Lt. Col. Henry Blake), Rene Auberjonois (Father John Patrick “Dago Red” Mulcahy), and Gary Burghoff as (Cpl. Walter “Radar” O’Reilly) who would later reprise his role in the hit television series which ran from 1972-83.

The release of M*A*S*H came at a very critical time when America was entering a new decade and the war in Vietnam was still raging on. M*A*S*H‘s dark humor and side-splitting dialogue is an allegorical look at Korea, yet reflected the country’s attitudes about Vietnam which was igniting riots in cities and on college campuses throughout the country. The three characters of Hawkeye, Trapper, and Duke are rebellious, womanizing, rule breakers who are conscripted into the army, yet quickly prove to their commanding officer Col. Blake that they’re the best surgeons in the whole U.S. Army.

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Kelly’s Heroes is a war film that has all the great elements of an old fashion, rousing epic that keeps your attention all the way through. Set in the late summer of 1944 as the allies swept across occupied France, Kelly (played by the ever cool Clint Eastwood) and his squad of screwball infantry men find out that the Germans are holding over sixteen million dollars worth of gold bars in a bank thirty miles behind enemy lines.

Tired of the politics of infantry life and the gross inefficiency of their Captain, Kelly and the rest of the squad run by tough sergeant ‘Big Joe’ (Telly Savalas), cook up a scheme to go behind the lines with three M-4 Sherman tanks to rob the bank. As the movie poster states: “They set out to rob a bank and damn near won a war instead.”

With Kelly’s Heroes, Eastwood began his second collaboration with director Brian G. Hutton, who had directed him a year earlier in the highly successful Where Eagles Dare (1969) — a movie which solidified Eastwood’s status as a major box office star. What makes Kelly’s Heroes such an interesting film is the fact that it was made in 1970 as the U.S. was beginning to downsize its presence in Vietnam.

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