Fans of NBC’s Chuck and ABC’s V it’s time to break out the champagne (or celebratory beverage of your choice). Why? Because both of these shows ave been renewed by their respective networks.

That’s right, both Chuck and V will be getting thirteen new episodes next season which will actually be season four for Chuck and season two for V. As a big fan of both shows I, for one, am thrilled with the news. I’ve been with Chuck since the beginning and was worried about the perpetual “on the bubble” show most of this season, just like last season when renewal was in question right up to the end.

That was the case with V as well, which took a very long hiatus after a short run and then came back to finish its season, which concludes next week. Fortunately, after a somewhat slow start, ratings for V have improved significantly, especially last week’s episode, while those for Chuck have remained steady but have not been spectacular.

Fortunately, Chuck has seemingly done well enough to get another go and now we know we get to enjoy both shows again next season. Great news indeed. Sadly, things are not so good for another freshmen show Flash Forward, which has seen its ratings steadily decline and has gone through a host of creative changes. The network has decided to pull the plug and it will not be coming back next year.

This is the last episode of ABC’s FlashForward we will see until March. Yeah, until MARCH. Can’t say I’m happy about that. Well, at least this episode went out on a bang.

We open on the mystery woman (Shoreh Aghdashloo), who informed Demetri Noh (John Cho) that he will be assassinated. She’s sitting at her desk, her own Mosaic chart laid out on the glass spread like a spider-web with a picture of  Cho with the number value: A561984. She is watching the classic A Christmas Carol.

A plane lands in Hong Kong, on it Benford (Joseph Fiennes) and Cho get off, discussing their plan to track down Aghdashloo.  They twice ignore calls from Wedeck (Courtney B. Vance) only to be met by someone with “Kid N Play” hair, who calls himself Marshall Vogel from the Hong Kong FBI office. Vogel tells the Dynamic Duo to get out.

Fiennes picks up his phone walking away to only get into an argument with Vance about going to Hong Kong. He gets into this argument so that if anyone goes down for disobeying orders it’s him [Fiennes] because Noh needs to keep his gun on him if he’s going to live past March 15.

Vance breaks one of his televisions only to have another one where a press conference is on at National Linear Project [NLAP] as it’s called, where a stooge announces Simcoe (Jack Davenport) who will address the crowd on the experiments he and Monaghan were doing on the day of the black out.  It gets hairy quick when this happens.

In this sequence, Davenport claims responsibility for the blackout and literally raises hell, saying their experiment was to reproduce the energies created by the Big Bang and may have contributed to the cause of the blackout. Total bedlam occurs when he says this: shots are fired, dogs and casts living together, mass hysteria!

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Whoops, somehow my DVR didn’t record last week’s episode and I missed it. But Agent Al Gough (Lee Thompson Young) kills himself to stop his particular future from happening. His future being he kills a single mother in an accident and he also wants to prove that you can change things by choosing to do so.

Regardless, this week’s episode has Simon (Dominic Monaghan) and Lloyd Simcoe (Jack Davenport) play a poker game, and whatever-his-name is Benford’s Sponsor finds his formerly dead daughter still alive.

While on vacation for their anniversary the Benfords (Joseph Fiennes and the wax model known as Sonya Walger) are playing around in some house on the beach, before Fiennes gets a call asking him to come in. The reason being is someone caught some video footage of a mugging and the people doing the mugging had a triple star tattoo that Fiennes recognizes as one of the guys trying to kill him on April 29.

Investigating, it looks like the people in the mugging take a case from the muggee before shooting this victim. The witness, who took the video, is now being hunted by the muggers who kill her roommate. Nothing really comes of this besides some more of the usual questions “is this going to come true/isn’t this/are we powerless to stop it?” It’s starting to get annoying.

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Marvel has a long list of comic-to-film projects that didn’t pan out so well. Ghost Rider is one of them. That may be the most diplomatic way I’ve ever put that. Ordinarily anything having to do with Ghost Rider has elicited a rage in me that leaves me angry. . . Hulk angry. So why am I so calm this time?

Well, as we’ve already covered here at The Flickcast, Ghost Rider is getting a sequel which could have been as craptastic as the first film. However, the script for the new movie is from one of my favorite writers David Goyer (Batman Begins, FlashForward).  Recently, MTV caught up with Goyer and asked him about the Ghost Rider sequel:

“It’s not exactly a reboot,” said Goyer, “I hate to say it’s more realistic, because he’s got a flaming skull for a head, but it’s a bit more stripped down and darker. It’s definitely changing tone. What ‘Casino Royale’ was to the Bond movies, hopefully this will be to ‘Ghost Rider.’”

I’m not sure Casino Royale is the best comparison to make, but I understand what Goyer is trying to say. Dropping all the baggage like Mephistopheles and his minions and focus on Johnny Blaze and his curse.  That’s definitely the way to go as there was way to much attention paid to peripheral nonsense in the first movie.

There was one other thing I found interesting about the interview.  Goyer states Ghost Rider 2 isn’t really a reboot but then says: “You don’t have to have seen the first film. It doesn’t contradict anything that happened in the first film, but we’re pretending that our audience hasn’t seen the first film.”

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This week we meet Dominic Monaghan’s character of Simon, but we do not get anything more than a  tease on how he and Simco killed 20 million people in their experiment with the blackout. So that mystery is extended, but at least we know who is responsible and how they got it. Also, Mark (Joseph Fiennes) meets the man who will replace him in the bed of his wife (Sonya Walger), and she finds out that Mark was drinking in his flash forward. All this and more in another innocuous episode of Flash Forward.

We open on a train ride coming from somewhere and going to Los Angeles. Here we have Monaghan’s character seducing a woman by explaining quantum physics, achieving something in three minutes the Big Bang Theory has been trying to do for however long that show has been on.

Following the last episode, Agent Janis Hawk survives her gun fight, but in having been wounded in her pelvis will never be allowed to bear children. So, this raises the question of how she will be pregnant come April 29, 2010.

The over coming thread throughout this episode is now that we know the future: will it actually happen? It seems like this episode seems to suggest no, not exactly. With Janis now not being able to give birth, and Simco’s super weird kid trailing the Benford’s super weird kid to their house, causing Simco and Olivia to finally realize their flash forwards was kind of ridiculous but creepy-cool. Creepy cool in a way that The Shining is creepy cool and those two kids are straight up creepy, with their chant over that doll of the Benford’s kid.

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Add another change of TV show leadership to the list that already includes CBS’s The Good Wife as, according to The Hollywood Reporter, Marc Guggenheim is stepping down as showrunner on ABC’s first season drama FlashForward. Even though the show recently got an order for 9 more episodes (what is known as the “back nine” in TV production) it will be David Goyer taking the helm from here on out.

According to the trade, reasons for Guggenheim’s departure are not clear. But what is clear is that the show, in spite of good ratings for its debut, has since slipped. For adults 18-49 the show had a 4.1 rating at its premiere and dropped to a 3.1 for its fourth episode. Not the way they hope numbers will go.

Initially, Guggenheim had been brought in after the pilot to replace FlashForward‘s co-creator Brannon Braga, who also co-created and ran Star Trek: Enterprise and Threshold, due to his departure to run the latest season of Fox’s 24. Goyer had worked alongside Guggenheim since that point to learn the ropes and will now step up for the next nine episodes.

To be honest, its not that unusual for showrunners to leave shows and go on to something else. It happens. Still, you have to wonder if the ratings had remained consistent, would we even be talking about this at all? My guess, probably not.

FlashForward airs Thursday at 8/7C on ABC.

This week’s episode opens on the day of the FlashForward in a park, with some weird-ass Bjork playing over the background. In this opening you witness everyone pass out, some planes explode and a bus drive into a pond.  In the bus, the blacked out people are drowning except for one guy who rescues a blonde.

And now this guy, Ned, is at the hospital being interviewed for some internal bruising by Dr. Olivia Benford and her resident surgeon Bryce who before the blackout was trying to kill himself. Bryce asks what Ned saw in his flash forward which was seeing himself as a black man, which is pretty strange considering Ned is about as white as Kenneth the Page from 30 Rock.

Cut to back at the Benford house where Joseph Fiennes does some Dad-humor with an egg that I didn’t really understand and Olivia makes a crack about him not exactly being the Shakespeare of Dad-humor. Considering his role as Shakespeare in Shakespeare in Love, this was a little cringe-worthy.

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As a new feature here on The Flickcast, Dave Press, who normally does our comic book recommendations, will be doing recaps of some of our favorite TV shows. Enjoy — Ed

The new Lost clone brought to us by Batman Begins writer David S. Goyer and Star Trek Deep Space Nine creator Brannon Braga is actually better than Lost. Which is really not hard to do. You know the premise: the entire planet blacks out for 137 seconds and everyone sees their individual futures for the date of April 29, 2010.

Joseph Fiennes, Shakespeare himself from the Oscar winning Best Picture Shakespeare in Love, leads a team of FBI agents that includes Seth McFarlane and “New Sulu” John Cho, to investigate the blackouts.

The first episode starts with Fiennes and his team encountering their blackouts. Fiennes, in his blackout, sees his board  in his office with various random and completely ridiculous names and numbers and pictures creating a mosaic of clues. As of the first episode his character is a recovering alcoholic, and as he drinks in his flash forward, his office is being invaded by Dead Presidents with machine guns and laser sights. Spooky.

Fiennes’s wife, played by Sonya Walger, sees herself with another man, which disturbs her and causes tenson between her and her husband. John Cho’s character doesn’t see anything, which frightens him to the point of thinking that he won’t be alive on April 29.

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Television network ABC has effectively staked their claim to rule Thursday nights, if the return numbers from The Hollywood Reporter are any indication. But instead of trying to make sense of those numbers, let’s break it down in a more digestible format, and what you really need to know is that ABC crushed the competition.

Both Grey’s Anatomy and the season premiere of Private Practice won their respective time slots while FlashForward tied with CBS’ Survivor in theirs, translating to an almost clean sweep. While most of the other shows couldn’t produce the same viewership, they managed to stay the course and not drop too much. CBS’ CSI: Crime Scene Investigations and The Mentalist, Fox’s Bones and Fringe and The CW’s Vampire Diaries and Supernatural all enjoyed different levels of success.

Left in the cold, however, is NBC and their sinking line-up of programming. Parks and Recreation, Community and SNL Weekend Update Thursday managed to produce poor numbers. Even fan-favorite The Office only managed to do “average,” leading to the former home of “Must See Thursday” placing fourth among the top-tiered networks.

The new kids on the television block are going to be just fine, if the early return numbers are any indication. According to The Hollywood Reporter, the debuts of new shows this fall have bucked the last two years’ trend of low premiere numbers. NBC’s The Jay Leno Show, Fox’s Family Guy spin-off The Cleveland Show, CBS’ NCIS: Los Angeles and ABC’s three-headed monster of Cougar Town, Modern Family and FlashForward have all benefited from large turnouts.

Even with the oncoming onslaught of new and “fan-favorite” programs, the CW’s Vampire Diaries continued to show promise. But not all shows are sitting pretty as the law of averages always seems to have an opinion on, well, everything. ABC’s Grey’s Anatomy – formally a ratings juggernaut – has shown signs of slipping, and you can include genre staples NBC’s Heroes and CW’s Smallville into that mix as well.

For whom the bell tolls? Fox’s Fringe and ABC’s Desperate Housewives have dropped to the point that their respective networks are beginning to sweat a bit, and the departure of William Petersen from CBS’ CSI: Crime Scene Investigations has had a similar effect on that show’s ratings. If returns don’t improve, these shows could end up like CW’s TBL: DOA.

A few months ago a mysterious ad appeared on ABC with stars Patrick Dempsey, Courtney Cox, Ed O’Neill, and Dominic Monaghan playing foosball. Not so mysterious, until viewers realized that Monaghan wasn’t currently cast in any ABC shows, after having left the cast of Lost. Rumors swirled. Well Lost fans, it doesn’t look like Dominic will be coming back to the island.

Instead, Monaghan will be joining the cast of the new ABC show, FlashForward, AP reports. The show takes place after the world suffers a massive blackout where everyone gets a glimpse of their future, and now have a choice to fight or embrace their fate.

Monaghan will star alongside Joseph Fiennes, Courtney B. Vance and Sonya Walger. The show premiers on Thursday, September 24th after Grey’s Anatomy.