It looks like DC Comics has decided to make a few changes to one of its most enduring characters. To commemorate the 600th issue of the Wonder Woman comic, the publisher has decided the character needs a makeover.

Wonder Woman‘s costume is being changed to reflect her new origin by the incoming creative team of J. Michael Straczynski and artist Don Kramer. The costume was designed by Jim Lee, one of the top comic artists in the industry who was also named co-publisher of DC Comics earlier this year.

“She’s been locked into pretty much the exact same outfit since her debut in 1941,” said Straczynski in the article . “If you’re going to make a statement about bringing Wonder Woman into the 21st century, you need to be bold and you need to make it visual. I wanted to toughen her up, and give her a modern sensibility.”

In addition, DC reportedly wants to make the character more contemporary and more suited for and “international film franchise.”

“The original costume was the American flag brought to life,” said Lee. “This one is a little more universal.”

In the rebooted origin story conceived by Straczynski, unknown forces have changed history by destroying Wonder Woman’s island home in the past. Now, she was raised in the outside world by a few surviving Amazons, giving her greater ties to both humans and Amazons. She is also less powerful than before, but her powers may return as things progress.

Check out larger versions of the new Wonder Woman after the break, courtesy of Deadline. Wonder Woman # 600 is out in comic stores today. Are you happy with the changes to Wonder Woman or do you think they should have left her alone?

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Welcome to the first edition of The Pull List Comic Reviews for 2010! This week both Blackest Night and Siege took center stage with numerous titles, but don’t worry as the Caped Crusader and the Wall Crawler make appearances, too. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Blackest Night #6 [of 8]
DC Comics – $3.99 US
Writer: Geoff Johns
Artist: Ivan Reis
Score: 9/10

When we last saw our heroes, well… let’s just say that some of them were no longer heroes. As black rings zoomed towards the Flash and Green Lantern, their friends and allies who had suddenly switched sides surrounded them. Superman. Wonder Woman. Green Arrow. And so on. With the universe slipping precariously into a never-ending pool of black, a new group of Lanterns have risen to the cause, and you won’t believe your eyes when you see who they are.

I’m starting to think that Geoff Johns should have been a major league pitcher as opposed to a writer, just with the sheer number of curve balls he’s thrown at readers throughout this series so far. Clearly outdoing himself, Johns put together a new group of Lanterns consisting of some of the most inspiring choices to date. The story beats keep pumping along, making the rapidly approaching ending all the more bittersweet.

Artist Ivan Reis continues to weave his magic in this series. Classic speedster moments? Check. Glorious double-page spreads? You bet. Jaw-dropping panels for significant moments? Of course! All this, and a slew of costume re-designs for the new Lanterns, just in case you didn’t know that Reis is drawing at a level that’s almost peerless. The art in this issue, and the series overall, can be summed up in one word: unparalleled.

The fifth installment of this mini-series received a Pull of the Week and a spot on the Best of 2009 list, so I wasn’t expecting an encore performance with this latest chapter. Shame on me. Both Johns and Reis raise the bar once again, and let the record show that, if this upward trend continues, I might not survive the series in its entirety. For sheer comic brilliance – and Lex Luthor! – this was easily the Pull of the Week.

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Welcome to another edition of The Pull List Comic Reviews! This week we have a shorter list, but as you know, it’s about quality, not quantity. Besides, all of your favorites are here, including a couple of surprises. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Wolverine: Under The Boardwalk one-shot
Marvel Comics – $3.99 US
Writer: Stuart Morre
Artist: Tomm Coker
Score: 8.5

About to board a plane for Alaska, Wolverine receives a mysterious text message asking him to go to Atlantic City instead. Stranger still is the reference to a man Logan hasn’t seen in 40 years, Phil De Blasio, a mafia underboss who tried to kill him last time they met. What transpired on that boardwalk all those years ago has found a way to catch up to him, much to Logan’s chagrin.

In this latest one-shot focusing on Wolverine, writer Stuart Moore crafts a mystery that takes the character from Atlantic City to Coney Island, searching for answers while being reminded that most of his memories contain violence for a reason. Where Moore differed from other recent writers of Wolverine-centric one-shots, however, is what made this issue work, and that is the fact that the writer never lost sight of how a haunted character like Wolverine really shouldn’t experience peace and closure.

Complimenting this wonderful story is the art by Tomm Coker. The artist, hands down, drew the nicest issue I’ve seen this week. A noir vibe that pulsates throughout, the art is every bit as scratchy and slashy as the character’s past has shown, and while the story centers more on inner reflections and whatnot, there’s still the occasional action shot that mirrors Wolverine’s famous savagery. Beautiful in every way, the art within this issue should not be passed up.

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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