This week’s pick is the 1941 Howard Hawks classic Sergeant York which stars Gary Cooper as the back woods Tennessee hero of World War I. The supporting cast include Walter Brennan (Pastor Pile), Joan Leslie (Gracie Williams), George Tobias (“Pusher” Ross), Ward Bond (Ike Botkin), Stanley Ridges (Maj. Buxton), Dickie Moore (George York), June Lockhart (Rosie York), and Margaret Wycherly (Mother York).

The film was adapted by Harry Chandlee, Abem Finkel, and actor/director John Huston, from York’s own memoirs about his experiences.

It was Alvin York himelf who insisted on Gary Cooper taking the role. Henry Fonda, Jimmy Stewart and Ronald Reagan were also considered for the part, but York still insisted that Cooper was the right choice for the role.

The film is an autobiographical account of York’s upbringing in the Cumberland Mountains of Tennessee where he is struggling to make enough money so that he may be able to buy a plot of land for himself. He is young, rambunctious, a drinker, and brawler who has good intentions, but is a burden on his poor family who share a tiny shanty.

Pastor Pile (Brennan) sees good in Alvin and tries to convince him to put his faith in god. Alvin is at first against the idea of religion and asks why he should trust in god. An epiphany overcomes Alvin one night after a night of hard drinking and fighting, which makes him change his ways and to put faith in the lord, in order to marry his sweetheart Gracie (Leslie) and acquire a piece of land in order to be a good husband and provider for her.

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Vera Cruz is a film that’s often name-dropped in the discussion of Great and Influential Westerns. Starring genre heavy-weight Gary Cooper and Burt Lancaster, every synopsis you’re likely to come across promises a film with adventure, a Mexican countess, and bromance. Don’t believe them.

Cruz is set in the midst of the Mexican Revolution of 1866, a time when mercenaries and adventurers crossed the border in search of profitable employment. In fact, it’s the very same setting as Two Mules for Sister Sara, and if fanfiction had existed in the good old days, someone would have written a sexy crossover. Thank goodness it didn’t.

The film wastes no time in setting up Ben Trane (Cooper) and Joe Erin (Lancaster) as that most reliable of Western archetypes — the broken down Confederate, and the daring mercenary. Their characters are rigidly defined within the first ten minutes over the matter of horseflesh. Trane shoots his injured horse because it’s suffering.

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