If you can forgive us the headline long enough for us to tell you the news, we would appreciate it. The search for a director to take on the Hunger Games sequel Catching Fire after Gary Ross decided to walk away is over.

The man Lionsgate has chosen to take up the torch and continue the blockbuster franchise is Francis Lawrence. Lawrence won the coveted gig after after other directors like Moneyball helmer Bennett Miller had to drop out due to a scheduling problem.

According to the report, he was always a top pick for Lionsgate but his deal finalized when others such as Miller had to drop out of contention. Additionally, Lawrence can get started right away so the film can get into production before star Jennifer Lawrence (no relation) has to head back to the Marvel Universe and suit up for the sequel to X-Men: First Class.

In case you can’t place the director’s name, his previous credits include Water For Elephants, I Am Legend and Constantine as well as music videos for Britney Spears, Jennifer Lopez and Green Day. So, he’s got some directing chops as we like at least two of his movies (no, not the one with RPat).

So, with the sequel to Hunger Games now seemingly on track, look for it to arrive in theaters late in 2013.

Now that Hunger Games shattered tons of records, making it the biggest film in the past few years, other studios are doing what they can to compensate for the massive train which will be the production of the rest of the Hunger Games trilogy.

The first in that line is Fox, as they’re moving the start time for production on Matthew Vaughn’s X-Men: First Class’s sequel. From THR:

Sources tell The Hollywood Reporter that Fox is informing talent agencies Thursday that the studio plans to begin shooting its in-development sequel to X-Men: First Class in January. That means Lionsgate could move forward with an August-September start date for the Hunger Games sequel Catching Fire without a conflict for Lawrence, who is set to star in both. 

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Now that The Hunger Games is such a huge success, it makes sense that Relativity Media will be focusing more of their media campaign for the horror film The House at the End of the Street on Games star Jennifer Lawrence. That tactic is pretty evident in the brand new trailer for the film just released.

In it, Lawrence is front and center as Elissa, daughter of single mom Sarah (Elisabeth Shue) who have come to small town America looking for a fresh start. Of course, things don’t go as planned and unexplainable events begin to happen, Sarah and Elissa learn the town is hiding a terrible secret: most of the people in the house next door to them were murdered.

As they learn more, things spiral out of control and they end up in mortal danger. Of course they do.

Actually this sound (and looks) like a pretty good premise for a horror/thriller. And let’s be honest, Shue and Lawrence make quite the mother/daughter team.

Check out the trailer after the break. Look for The House on the End of the Street to hit theaters on September 21.

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Lionsgate has released its first trailer for The Hunger Games, the Gary Ross-directed adaptation of the first of a trilogy of Suzanne Collins novels. In case you’re not familiar with the books and/or the upcoming film, here’s a bit of info directly from Lionsgate:

Every year in the ruins of what was once North America, the evil Capitol of the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games. A twisted punishment for a past uprising and an ongoing government intimidation tactic, The Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains.

Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy. If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love.

Will this be good? Who knows. At least they don’t seem to be taking the Twilight approach and making it incredibly cheesy, so at least that’s something.

Check out the trailer after the break. Look for The Hunger Game, which stars Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth, to arrive in theaters on March 23rd.

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Even though I’m not all that enthusiastic about the upcoming big screen adaptation of The Hunger Games, I know some of you are. And because I love and respect all our diligent readers, we’ve got brand new character posters from the film to share with you today.

The poster collection includes some of your favorite citizens of Panem: Rue (Amandla Stenberg), Cato (Alexander Ludwig), Haymitch (Woody Harrelson), Effie (Elizabeth Banks), Cinna (Lenny Kravitz), Katniss (Jennifer Lawrence), Peeta (Josh Hutcherson) and Gale (Liam Hemsworth).

In case you never read the book, here’s some info on the story:

Every year in the ruins of what was once North America, the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games.  Part twisted entertainment, part government intimidation tactic, the Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains.

Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy.  If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love.

The Hunger Games opens in theaters everywhere March 23rd, 2012. Click through for some larger versions of the posters after the break.

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Big book franchises are all the rage these days, obviously. Harry Potter is now out of theaters, Twilight only has another year left in it, and now it’s time for a brand new franchise to take over Hollywood, in the shape of kids fighting to eat in a post-apocalyptic world.

For those who aren’t aware, here’s the film’s synopsis, based on the first book in the trilogy by Suzanne Collins.

Every year in the ruins of what was once North America, the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games. Part twisted entertainment, part government intimidation tactic, the Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains.

Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy. If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love.

The first teaser trailer doesn’t give us much (just a “tease”, if you will), but it’s certainly enough to get us excited for the film’s release on March 23rd, 2012.

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For those keeping count, X-Men: First Class is the fifth film in the X-Men series and, chronologically, the first. It opens with the same sequence of a young Erik Lensherr in a Nazi concentration camp, wrenched from his parents and twisting the metal gates, as in the original X-Men film, but expands on the events immediately following: Erik is brought before Nazi scientist Sebastian Shaw (Kevin Bacon), who tries to harness Erik’s gift by promptly shooting his mother. Across the world, a young Charles Xavier, possessing the gift of mind-reading, catches the shapeshifter Mystique breaking into his family mansion.

Fast-forward to 20-some years later, it’s 1962 and Charles (now played by James McAvoy) is a prominent biologist at Oxford whose work focuses on genetic mutation; Mystique (Jennifer Lawrence) is working as a waitress and posing as Xavier’s sister; Lensherr (Michael Fassbender) is hunting down the Nazi scientists who killed his family; and Shaw is now leading a terrorist organization known as the Hellfire Club, aided by his henchmen Emma Frost (January Jones), who also has the power to read minds as well as morph into a sexy diamond, and the demonic-looking Azazel (Jason Flyming), who can teleport as well as impale victims on his pointy tail; finally, there’s Moira MacTaggert (Rose Byrne), a CIA agent who’s hunting down Shaw.

MacTaggert’s investigation uncovers Shaw and his merry band of mutants, which leads her to team up with Xavier and take the villains on aboard Shaw’s yacht, right in step with Lensherr. Shaw escapes, and MacTaggert, Xavier, and Lensherr head back to the CIA, where the three set up a mutant task force (the gathering of which is one of the movie’s best scenes) to save the world.

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Clips are flowing like water these days as we get closer and closer to the June 3rd release date of Fox’s X-Men: First Class from Kick-Ass director Matthew Vaughn.

We brought you some great clips showcasing the original team of mutants like Banshee, Havok, and Mystique, but now we’re giving Hank McCoy a.k.a. Beast some love.

From what we can gather from the clips we’ve seen, it looks like McCoy (played by About a Boy star Nicholas Hoult) and Mystique (played by the up and coming star Jennifer Lawrence) are set to be in a bit of a love story, which is interesting considering the shared color the two have in common.

Check out the clip after the jump of Beast and Mystique meeting for the first time, and be sure to catch X-Men: First Class in theaters on June 3.

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We got the God of Thunder out of the way, now it’s time to look to the rest of this jam-packed year of superhero films. Up next is potentially the most original of the year, as Kick-Ass’s Matthew Vaughn takes on the origin of the X-Men set in Cold War Era America with X-Men: First Class.

We got a glimpse at some of the members of the team like Beast, Havoc, and Banshee that gave us a bit of a hint on what the tone of the film was going to be. Needless to say, the rest of the film is still shrouded in mystery.

We do know that the film has a good amount to do with Kennedy and the Cuban Missile Crisis of the 1960′s, and that’s what sets up our clip. In it, McAvoy’s “Charles Xavier” and Jennifer Lawrence’s “Mystique” sit before a cabinet of shady government types and reveal their mutant abilities for the first time.

Check out how they react after the jump, and be sure to catch X-Men: First Class and all of its fun-loving mutants in theaters (and thankfully NOT 3D) on June 3rd.

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This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

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The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

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I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

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