As usual, the Hollywood brain trust has decided that instead of looking forward and creating some original work, they will instead look to the past for inspiration and take yet another great film and add it to the remake/reboot pile. The film in question this time, John Carpenter’s Escape from New York.

Granted, Escape isn’t exactly a classic in the strictest sense of the word, but it is considered by many, myself included, to be one of the best action/sci-fi movies of the last thirty years. So, much like Predators and so many others of late, I’m not exactly thrilled it will be receiving the reboot treatment.

That said, there is one potential bright spot here now that we know Breck Eisner will be handling the directing duties on the film. His recent work on The Crazies showed he’s got a lot of skills and my hope is that he’ll be able to do something really interesting and innovative with the Escape story.

In case you’re not familiar with the original 1981 film (which if you’re not, get familiar) it was set in a futuristic 1997 where a walled-off Manhattan island had been turned into a maximum-security prison. Air Force One, with the President on board, crashes on the island and newly captured super criminal and ex-war hero Snake Plissken (Kurt Russell) is coerced into a rescue mission. The new film will reportedly try to mix in an origin story for Snake with the story of the original film.

Continue Reading →

This week on The Flickcast Chris and Matt are joined by resident gaming expert John Carle for another round of discussions and debate. This week’s topics include the rather lame Superbowl ads, Smallville: Absolute Justice, Avatar being dethroned by Dear John, Betty White hosting Saturday Night Live, Microsoft stopping XBox Live for original XBox, reboots of Daredevil and The Thing and upcoming games such as Mass Effect 2 and the future of console gaming.

The boys also made some great picks this week including John’s pick of the animated X-Men series, Matt’s pick of Double Team with Jean Claude Van Damme and Mickey Rourke and Chris’ pick of John Carpenter’s 1982 horror/sci-fi classic The Thing.

As usual, if you have any comments, questions, critiques or offers of sponsorship, feel free to hit us up in the comments, on Twitterand at Facebook, MySpace or via email.

According to Heat Vision Blog, Mary Elizabeth Winstead (Grindhouse) and Joel Edgerton (Attack of the Clones) are set to star in the latest incarnation of The Thing, Universal’s take on “the shape-shifting alien who terrorizes a group of people in a remote facility.” Oh yeah, that one.

Winstead will play a Ph.D. candidate who joins a Norwegian research team in Antarctica after it discovers an alien ship frozen in the ice. When a trapped organism is freed and begins to kill, she is forced to team with a mercenary helicopter pilot (Edgerton) to stop the rampage. Matthijs Van Heijningen is directing the movie, which was written by Ronald D. Moore and Eric Heisserer.

Sadly, Van Heijningen has never directed a big budget feature film before, so he’s probably the best choice for this one. Yes, that was sarcasm.

The Thing has, of course, been made into a film at least twice before. The best (and best-known) of these is probably the John Carpenter version from 1982 which featured Kurt Russell as the titular “mercenary helicopter pilot.” That film was a contemporary remake of 1951′s The Thing From Another World, directed by Howard Hawks and featuring pre-Gunsmoke James Arness as the creature.

A March 15 start date in Toronto is planned with a very short theatrical run and swift trip to your local video store probably soon to follow.

As a big fan of horror movies and the zombie sub-genre, I really wanted to like George A. Romero’s Survival of the Dead and was prepared to give it the benefit of the doubt as much as possible. Although, my expectations were pretty low after Romero’s last two zombie movie efforts Land of the Dead and Diary of the Dead. Sadly, this film didn’t even manage to rise up to the level of my lowered expectations and is, instead, a heavily flawed and often very bad addition to Romero’s body of work.

Still, this is the man who basically invented the zombie film genre, so attention must be paid and respect given for his enduring legacy as one of this country’s innovative artists. But something has obviously gone a bit off kilter and the writer/director seems to have lost his way. I’m not sure how this phenomenon works exactly, but somewhere along the way a director seems to lose his vision.

After several great and innovative films the later films start to get worse and worse. Unfortunately, George Romero seems to have fallen into that trap, much like another acknowledged master of horror John Carpenter seems to. Look at Carpenter’s last few films and tell me they are as good as his earlier work in The Thing, Starman, Escape from New York and, of course, the original Halloween.

Continue Reading →