Since the arrival of affordable and professional level video editing and effects equipment, it’s become more and more common for a small fan film on the Internet to have as good or better visuals (and often a story) than many of the big Hollywood  films we usually see. That case is clear once again with the new short film Robots of Brixton by Kibwe Tavares.

The film takes an interesting look at a futuristic (and not very optimistic) world where robots not only rule, but have the same hardships as humans.

With some of the most unsettling and gorgeous visuals we’ve seen in a some time, Brixton runs a short 5 and a half minutes. However, that time will go by fast and once you’re done, you’ll want to watch it again.

Check out the full synopsis and short itself after the jump.

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Syfy has already hit it out of the park with reality shows like Destination Truth and Face Off, but there is one show that we can’t wait for, which returns next week. That show is, of course, Urban Legends.

We’ve got a sneak peek at the upcoming season 3 premiere, titled “Best Laid Plans”, but before we get to that, here’s a breakdown of what you can expect to see.

In the Syfy series, underscoring the art of storytelling, Urban Legends asks its viewers to decipher fact from fiction.  Three tall tales are dramatically recreated and the audience must decide which is real from these stories of astronomical proportion. In the sneak peek clip of the Season Premiere of Urban Legends, a man is held at gunpoint on his own living room floor by men that look to be on the SWAT team based on their gear and clothes.

The man being held against his will can’t figure out the reasoning for the invasion in his own home, and soon realizes his two dogs have been killed and his mother-in-law has been thrown to the ground.  He sees police standing outside of his house and realizes this is no ordinary invasion while trying to reason with the masked men in telling them he hasn’t done anything wrong and that he’s the mayor.  The masked men think he must be crazy for claiming such a thing, and it all leads to an unmarked box.

Enticed? Take a look at the preview after the jump and catch the upcoming premiere on Monday at 10/9C on Syfy.

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Last year, Niell Blomkamp’s District 9 changed how major studios looked at small science fiction projects. Before, ideas like “aliens in a dystopian future” were mostly reserved for direct-to-video productions. But now more and more studios are investing in scripts like these, hoping to ride the Avatar or District 9 success. Enter Jim.

The story behind Jim can be considered a little complicated, to say the least, so try to stay with the official synopsis, because it takes an interesting turn in the middle.

Being steadily crushed under the weight of debt, unemployment, and increasing isolation, Jim reaches a breaking point. Over a game of solitary Russian roulette he contemplates an unspeakable act of violence as a way of leaving his mark. He is stopped short by a vision of his deceased wife who convinces him that he should instead focus his remaining resources into an act of creation. Armed with his wife’s frozen eggs and a new resolve, Jim secures the services of a large biotech firm to help him create an heir who will be engineered to overcome the obstacles of common men.

Meanwhile in the distant future Niskaa, the leader of a group of genetically modified beings, controls a race of worker clones in a super-industrialized, post-human Earth. As he tries to restore his decrepit empire he comes face to face with a young clone that shows an unprecedented capacity for reason and empathy. Somehow connected to Jim via dreams, the clone manifests secrets of Nature that Niskaa has not accounted for…

The film comes from first-time writer/director Jeremy Morris-Burke, and looks like it could just be a new era for independent science fiction films. Check out the first trailer after the jump. Catch Jim in NY and LA theaters on October 8th and 16th.

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In a world of constantly evolving tech, SyFy’s Eureka stays ahead of the game. The writers seem to have an unending amount of innovations up their sleeves. Between the giant robot spiders, A.I. in the house of tomorrow, and cloud sculpting devices, the scientists at Global Dynamics are kept pretty busy.

That makes double for their new director, Douglas Fargo, played with an affable, geeky charm by Neil Grayston. Just like Fargo, Neil is curiouser than a cat when it comes to gadgets.

The Flickcast: What do you think of the future technology on Eureka that has actually come to pass?

Neil Grayston: I’m always blown away. Sometimes it’s funny if you look back at the first season, some of our “high-tech gadgets” have already been surpassed in the real world a billion times over. It’s like we were really on top of that, someone was really thinking back there. I like looking back and seeing what we maybe thought of before hand and then what the real world was actually leaps and bounds (developing). It’s kinda cool knowing what real scientists are doing and what they’re actually making up.

FC: Do you ever have trouble with the highly scientific, technical lines on the show?

NG: Those are the lines that I usually will…like sometimes I’m going to admit, I cheat, I have my little sides and I cut out just the little technical lines and I make them as small as possible and I hide them in my wardrobe so that you won’t see anything. And then just before a take I’ll just look them over.

I’m fine with the dialogue and the back and forth, but am I going to say a pulsating ionsphere photostar or is it a photographic pulsar ionsphere? You know it’s those little things that I can look up on Wikipedia forever and forever. Fortunately, the Wikipedia entries are written by people who know what those things mean.

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To all who have survived the month of June by successfully traversing lines of blood-sucking twihards, I congratulate you. You can relax now because the steaming month of July is less about men of iron and teenagers who use SPF 60 and more about whiz kids, dreamers, and spies.

Movie studios may appear to be throwing grenades into your trench, but don’t let the eye-catching blue and orange of the movie posters fool you. These grenades are merely filled with smoke and a good amount of marketing slickness. They will explode in your face only when you yank the pin by paying $12. Then, they will have truly won the battle. Instead of succumbing to the propaganda, arm yourselves wisely with the reviews below.

Those in the know will hold their breath until August when the golden generation of action heroes team up to save the world, kick some ass before kicking the bucket, and get sweaty enough to take off their shirts- giving both men and women some very good reasons for sitting in an air-conditioned multiplex.

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About a week ago a colleague of mine asked why in the world I wanted to go see The Box. I explained that I found the premise fascinating. What if you were told that if you pushed a certain button, you would get a million dollars, but there is a catch. When you push the button, somebody you do not know will die. What would you do?

Therein lies the premise of The Box. This is the third film by Richard Kelly, who garnered cult-like status with Donnie Darko (2001), then wide ridicule for his follow up Southland Tales (2006). Lots of movie types were looking toward this movie to determine whether Kelly is a gifted director, or a one hit wonder. I’m sorry to tell you after viewing this convoluted mess, it seems like a case of the director having no clothes. It’s one thing to be a little avant-garde  with your vision, another entirely to just throw weird crap in your movie and hope that it sticks.

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