That’s right, it’s time for a brand new episode of The Flickcast. Yeah, we’re making ’em as fast as we can. Deal with it.

On this week’s episode Chris and Joe discuss the new Ghostbusters, Star Trek: Beyond, Stranger Things, the best stuff from Comic-Con in San Diego including trailers for Wonder Woman, Justice League and Doctor Strange. Plus, the usual more, more and more.

Picks this week include Chris’ pick of Star Trek: Beyond and Joe’s pick of, well, the same thing. Yes, they liked it.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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Among Jason Statham movies, Homefront is right above the middle: It does what you’d expect, but it does it a bit better than what’s been done before.

Statham is Statham, so he’s the secretive outsider with his own code of ethics, and everyone around him is obsessed with violating that code. It’s not much different from The Transporter series or Parker, which came and went without struggle earlier this year in that it provides a venue for Statham to whollop, whomp, blow up, and canoodle with the film’s other residents. He still has his accent. He still kicks ass. He still has that weird charisma that really has yet to be explored.

Specifically, here he has a hit put on him by the drug-lord father of a kid who died in a DEA raid on a meth lab. Even though Statham was clearly trying to keep the kid alive, and the father watched as everyone but Statham gunned his son down, Statham has the rotten luck of being the one marked for death. Go figure.

I don’t know about you, but I wouldn’t want to meet the intense actor Michael Shannon in a dark alley. Although, from what we’ve heard (and seen) he’s actually a very nice guy who just plays twisted dudes for a living.

Speaking of twisted dudes, we’ve got a new trailer featuring Shannon starring in the movie The Iceman. The upcoming thriller sees Shannon playing “real-life hitman/family man Richard Kuklinski, a mob killer-for-hire who knocked off more than 100 men before begin caught in 1986.” The catch? His family had no idea what he did for a living. Icy indeed.

Ray Liotta, Wynona Ryder, Chris Evans and James Franco co-star. Look for The Iceman to arrive in theaters this May.

Until then, check out the new trailer after the break.

It’s the cycle of nature. Every year, the studios serve their finest for the holidays, projects chock full of high tone and blue chip casts. This year there was the usual deluxe assortment: literary adaptation (True Grit), drug addiction (The Fighter), madness and artistry (Black Swan), and physical disability, historical drama and royalty (The King’s Speech).

Then comes January. The good stuff runs out and they bring out the cheap wine, hoping we’re too drunk to notice. So we get the likes of Country Strong, Season of the Witch, The Green Hornet and The Dilemma.

Starring the peculiarly charmless Vince Vaughn as Ronny and Kevin James (The King of Queens) as Nick, his purported bosom buddy/business partner/mechanical genius (more on that later), The Dilemma also features as Jennifer Connelly (Beth) and Winona Ryder (Geneva) as their respective love interests, both actresses dark-haired, kohl-rimmed, wraith-thin and hard-faced.

Of course it’s totally preposterous that either woman would ever go out with the likes of Vaughn or James, and pigs will scrapbook before we see the likes of Jude Law movie-dating the likes of America Ferrara (the only female star under 50 who comes to mind who’s remotely overweight). But hey, that’s the glorious misogynistic magic of Hollywood.

By Shannon Hood / Originally posted on October 7, 2010

Darren Aronofsky has made a career of choosing interesting, non-traditional material and illuminating the unexpected aspects of his subject matter. Case(s) in point: The Wrestler (a down-trodden wrestler), Pi (mathematicians), Requiem For a Dream (middle-aged drug addiction), and now Black Swan (competitive ballet.)

His knack for taking something completely mundane and elevating it to something tense and dreadful is astonishing. Who would have ever thought that a movie about mathematicians could be exciting, much less sinister? It is no surprise that the man who brought us Pi delivers a dark, provocative, psychological drama, set in the cutthroat (who knew it?) world of competitive ballet.

Natalie Portman stars as Nina, a beautiful ballerina who dances for a New York City ballet company. Though technically gifted, she has never gotten her big break because the company’s arrogant art director thinks she is too bland to carry a performance.

The film opens with us being privy to some of the cattiness that takes place behind the scenes at the ballet. The troupe’s principal ballerina, Beth (Winona Ryder), is being forced into retirement at the ripe old age of 37. Nina finds it sad, and defends the dancer, while the other girls titter on about her age and diminished athletic ability. It’s immediately established that the women are highly competitive. There is no sense of camaraderie, everyone is out for themselves.

The perennial classic Swan Lake is set to be the season opener, and Beth’s departure leaves the principal role wide open. Director Thomas (Vince Cassel) pits the girls against one another as they audition for the coveted role of The Swan Queen.

While director Darren Aronofsky may be focused on a certain metal-clawed mutant in the near future, he still has his upcoming supernatural thriller Black Swan hitting theaters in a matter of weeks.

The film stars Natalie Portman and Mila Kunis as rival ballerinas who vie for the top spot in a brand new New York City production of Swan Lake. As Portman tries to show her darker side, she literally begins to personify the Black Swan she’s trying to get the part of.

It’s an Aronofsky film, which means you can expect to see some of the insanely trippy and metaphoric visuals that you got in such films like Requiem for a Dream and The Fountain. To get you into that mindset, the studio has released a brand new “music video” for the film.

Check out the video after the jump, and be sure to catch Black Swan in theaters on December 3rd.

Darren Aronofsky has made a career of choosing interesting, non-traditional material and illuminating the unexpected aspects of his subject matter. Case(s) in point: The Wrestler (a down-trodden wrestler), Pi (mathematicians), Requiem For a Dream (middle-aged drug addiction), and now Black Swan (competitive ballet.)

His knack for taking something completely mundane and elevating it to something tense and dreadful is astonishing.  Who would have ever thought that a movie about mathematicians could be exciting, much less sinister?  It is no surprise that the man who brought us Pi delivers a dark,  provocative, psychological drama, set in the cutthroat (who knew it?) world of competitive ballet.

Natalie Portman stars as Nina, a beautiful ballerina who dances for a New York City ballet company.  Though technically gifted, she has never gotten her big break because the company’s arrogant art director thinks she is too bland to carry a performance.

The film opens with us being privy to some of the cattiness that takes place behind the scenes at the ballet.  The troupe’s principal ballerina, Beth (Winona Ryder),  is being forced into retirement at the ripe old age of 37. Nina finds it sad, and defends the dancer, while the other girls titter on about her age and diminished athletic ability.  It’s immediately established that the women are highly competitive.  There is no sense of camaraderie, everyone is out for themselves.

The perennial classic Swan Lake is set to be the season opener, and Beth’s departure leaves the principal role wide open. Director Thomas (Vince Cassel) pits the girls against one another as they audition for the coveted role of The Swan Queen.

To be honest, we don’t know a lot about director Ron Howard’s latest film The Dilemma. Sure, it stars Vince Vaughn, Kevin James, Jennifer Connelly and Winona Ryder and looks to be pretty funny, but you just never know.

Fortunately, to help decide if this one’s worth a look we’ve got a brand new trailer for the film to share with you (and us) today. In it, Vaughn’s character discovers that his best friend (James) doesn’t really have the perfect marriage after all when he sees the man’s wife with someone else. Yes, that someone else is tanned and tattooed Channing Tatum. But hey, what are you gonna do?

Actually, that’s the question that plagues Vaughn in the film: What is he going to do? Does he tell his friend or let it go? Quite a dilemma. See what I did there?

The Dilemma is scheduled to hit theaters in January 2011. Check out the trailer after the jump.

A new teaser trailer for the highly anticipated film Black Swan has been released and is up over at Apple Trailers. Aronofsky will direct a primarily female cast that includes Natalie Portman, Mila Kunis, Barbara Hershey, and Winona Ryder.

I’ll admit that I thought a psychological thriller set in the world of competitive ballet seemed pretty silly, but this trailer has me sold. Portman plays Nina, a ballet dancer who has been chosen to replace the principal dancer in Swan Lake. Just as she is settling into her new role a new dancer, played by Mila Kunis, shows up and lots of eerie things start unfolding.

The film plot has been tightly guarded, so that is about all I can tell you. What do you suppose is going on with the whole skin condition? How does that factor in? We’ll have to wait until December 1st to find out. The film will make a few festival stops at the Toronto Film Festival and the Venice Film Festival prior to its official release.

I find the career trajectory of Darren Aronofsky so interesting. He is one director who is never going to be pigeon-holed into one genre. His filmography is amazing. He started with Pi, which blew my mind, then moved on to Requiem for a Dream, The Fountain, The Wrestler, and now Swan Lake.

He’s a great talent, and he has yet to commit a career misstep, so I can’t wait to see what he does with this one. Check out the new teaser after the break.

Its probably only a matter of time before Hollywood studios remake or reboot each and every movie and tv show that’s been made in the last thirty years. Its inevitable as original ideas and creativity dry up and are replaced more and more with new projects obviously pitched during a heated ten minutes between rounds of golf at the Wilshire Country Club.

Case in point this time is the planned reboot of director Michael Lehman’s classic black comedy Heathers which, according to Variety, Fox, Sony TV and Lakeshore Entertainment are planning on doing. Why you may ask? Well, my personal favorite quote from the Variety piece illustrates my earlier point perfectly.

“We had the title, and talked about doing a film remake at times,” said Lakeshore prexy Gary Lucchesi. “But doing it for TV seemed like a fresh and original idea.”

So, taking what was once a movie and making it a TV show is what passes for “fresh and original” in Hollywood these days? Awesome.