Remember way back in 2009 when we told you Guy Ritchie was going to direct the big screen adaptation of the DC comic series Lobo for Warner Bros? Well, as you probably know, that never happened and the project was put on the back burner. . . until now.

What sparked this resurgence? The project has a new director attached and that man in Brad Peyton, who’s previous credits include the recent hit  Journey 2: The Mysterious Island. The deal was reportedly finalized just today for him to rewrite and direct the movie.

In case you’re not familiar with Lobo, the character first appeared in Omega Men #3 and was created by Roger Slifer and Keith Giffen. The story concerns a seven foot, blue skinned, heavily muscled anti-hero and interstallar bounty hunter who comes to earth in search of some fugitives intent on destruction. Once here, he teams up with a small town teenaged girl to help stop the mayhem and in the process learns a little something about humanity.

With Peyton now on board, we can expect to see the Lobo adaptation hit multiplexes late next year or in early 2014.

There are few long form comic book stories that really feel like a single cohesive whole. It is just hard to maintain total continuity in style and storytelling over more than a half a decade’s worth of single issues.

Brian K. Vaughn and Pia Guerra were able to accomplish that difficult feat with their epic series Y: The Last Man. A tale told over several years and 60 total issues, that details the last male on earth, and his pet monkey. The comic series is one of the great achievements in comic book storytelling, and is ripe for an adaptation.

The problem is that such an large tale needs more than two hours to tell, and that has slowed the adaptation process down considerably. New Line has been reluctant to sign off on a trilogy of films, but they are still very eager to move forward with a single Y: The Last Man film.

The Hollywood Reporter is reporting that New Line has brought in two new writers to take a new stab at the adaptation:

Writing duo Matthew Federman and Stephen Scaia are in final negotiations to write New Line Cinema’s adaptation of the acclaimed Vertigo comic book… The duo is somewhat new to the feature world but are hot out of the gate – Y is the second studio job in five months after booking Sony’s untitled Zorro origin project — but they have plenty of genre TV credits. Federman and Scaia were writer-producers on Charlie’s Angels, Human Target, Warehouse 13 and Jericho.

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With the “found footage” movie Chronicle making so much money at the box office, especially in relation to how much it cost, it was pretty much inevitable a sequel was going to be made. Fortunately, Fox seems to be playing this one smart and has brought back Max Landis, the writer of the first Chronicle, to pen the sequel.

In case you’re not familiar with Chronicle, it featured actors Dane DeHaan, Alex Russell and Michael B. Jordan playing three high school friends who gain superpowers. Unfortunately, as cool as that may sound, things don’t go exactly as they hoped.

Soon, the trio find their lives going out of control and friendships tested as they explore the dark side. Didn’t they ever see Spider-Man? Great power, great responsibility, that kind of thing? Kids today.

Anyway, Landis will reportedly be working on the sequel as his next project after recently selling projects to both Ron Howard and Disney. Fox is looking at a 2013 release for the Chronicle sequel.

There has been talk of a third Bill And Ted film for quite some time. A few weeks ago it was stated by Alex Winter that the script has been written, by the original writers no less, and is waiting on a green light. Winter intially made this proclamation at a screening of his cult classic film Freaked, but it didn’t really register.

Yesterday Winter actually re-affirmed the news via a twitter back and forth:

@kelly_carlin: is it true? Bill & Ted’s 3? > Hey Kelly. -Script done? Check. -We love it? Check. -Green light? Working on it!

That’s so totally awesome! Knowing that there is a completed script, written by the guys that did the originals, and loved by at least half of the original Wyld Stallyns is most excellent news indeed.

Part of what makes this story so fun, beyond the reaffirmation of a completed script, is that Kelly Carlin, to whom Winter was responding, is George Carlin’s daughter. There is an awesome symmetry to the impetus of this story comes from Rufus’ daughter herself.

Here’s hoping that the powers that be decide to put a little money down and give us a chance to take another wild ride with the saviors of humanity. San Dimas High School football Rules!

The Muppets was one of the best films of last year. An amazing mix of nostalgic respect, unrelenting optimism and brilliant songs that rank among the very best in the franchise. A sequel to such a successful film is inevitable.

The Vulture is reporting that the deal for said sequel has already been made, but one key element of the first film is thus far absent:

[Jason Segel] won’t be returning to the keyboard. Segel, a star of How I Met Your Mother — now in its eighth season — has a burgeoning film career, and Disney insiders tell Vulture that between his commitment to the CBS sitcom, his other feature-writing efforts, and promotional work for Five Year Engagement (due out this coming April) and Judd Apatow’s This Is Forty (in December), there won’t be time to collaborate on a Muppets sequel.

This only means he might not be apart of the writing stage, but with Nicholas Stoller (his original co-writer) and director James Bobin signed on the original flare should still be present. The news also doesn’t mean Segel couldn’t star in the sequel either, so it is possible this is only a minimal, semantics based departure.

So good, potentially great, news for Muppet fans out there, but we hope once they move forward with the movie they bring back Bret McKenzie too. His song stylings fit the Muppets perfectly.

The original Vacation movie is a bona fide classic. The film was made during the primes of Chevy Chase, John Hughes and Harold Ramis, three of the most prolific names in 80s pop culture. It spawned a hit and miss franchise that most people remember fondly to this day. So this news was inevitable.

The Hollywood Reporter has announced that the guys who wrote Horrible Bosses, John Francis Daley and Jonathan Goldstien, have turned in a script for a new Vacation movie and New Line is keen to give the duo the chance to direct too.

Daley and Goldstein’s Vacation script, first set up in 2009, plays like both a sequel and a reboot of the franchise that began with the 1983 Harold Ramis-directed comedy National Lampoon’s Vacationand continued with European Vacation, Christmas Vacation and Vegas Vacation.

A now grown-up Rusty Griswold, the son of the Chevy Chase character in the original series, experiences a misadventure with his own family.

With Twilight coming to an end and with Harry Potter already over, the world of young adult fiction franchises is looking pretty thin. The next series to take a stab at filling the void left by sexy vampires and teen wizards is The Hunger Games. The books are widely popular and the upcoming films are headlined by hot and talented young actors who could carry a series for a few years, so it behooves the studio to hedge their bets and begin working on the sequel as soon as possible.

TheWrap.com recently revealed that the studio has brought on writer Simon Beaufoy, whose credits include The Full Monty and Slumdog Millionaire, to begin work on adapting the second novel in the series. This isn’t exactly a huge surprise as a November 2013 release date has already been penciled in for the second film.

Director Gary Ross is supervising the script writing process as he plans on jumping into the sequel as soon as he is done with his work on the first film. Beaufoy is a very interesting choice who has had great success with recent adaptations winning an Oscar for his adaptation of Slumdog Millionaire and receiving another nomination for his work on 127 Hours. You can say what you want about a film that is aiming for the Twilight audience, but you have to give them props for using quality, talented people.

Even though this website could technically be called a “Blog” and those of us who contribute to it are known as “Bloggers,” we like to think of ourselves as writers. So, when other writers get recognized, as they have by the Writer’s Guild of America’s nominations for it’s awards today, we take notice.

We also take notice when movies that seem an odd choice for awards get nominated anyway. We will leave it to you, good readers, to decide which of the following nominees for Writers Guild awards seems a bit out of place.

Winners will be announced at the 2012 Writers Guild Awards on Sunday, February 19, 2012, during simultaneous ceremonies in Hollywood and New York. Check out all the nominees (and more) from the official press release:

ORIGINAL SCREENPLAY

50/50, Written by Will Reiser; Summit Entertainment

Bridesmaids, Written by Annie Mumolo & Kristen Wiig; Universal Studios

Midnight in Paris, Written by Woody Allen; Sony Pictures Classics

Win Win, Screenplay by Tom McCarthy; Story by Tom McCarthy & Joe Tiboni; Fox Searchlight

Young Adult, Written by Diablo Cody; Paramount Pictures

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Even though this is technically a blog, we like to think of ourselves primarily as writers here at The Flickcast. Many of us have even been paid to write over the years and you can bet that pretty much everyone here has one or two screenplays, comic books or other literary works they are currently working on. It’s just the nature of things.

So, when the Writer’s Guild of America announces the nominations for outstanding writing for Television, we take notice and bring you all the details. That’s especially true when the top nominees are shows we really like.

One such show is Showtime’s freshman drama Homeland, which received 3 nominations including best drama series, best new series and best episodic drama. Homeland tied with perennial favorites Modern Family, Breaking Bad and Boardwalk Empire for the most nominations.

In addition to Homeland, Game Of Thrones, The Killing, New Girl and the Matt LeBlanc comedy Episodes all received nominations with Showtime getting a first time record of six for its shows. You may be wondering where Mad Men is in all of this?

Sadly, as the fifth season of the show was delayed, it didn’t make the cut for eligibility for this year’s awards. That’s probably okay as it gives a few other shows, like Homeland and Game of Thrones, a chance to shine. Can’t have Mad Men taking up all the awards, now can we?

The winners will be announced at the 2012 Writers Guild Awards on Feb. 19, 2012, at simultaneous ceremonies in Los Angeles and New York. Click through for the full list of nominee.

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One of the most useful applications I use every day on the Mac has now arrived for Windows. That’s right Windows-using writers Scrivener is now available to you.

No matter if you’re writing the next great American novel (something for National Novel Writing Month perhaps?), research paper, script or any long-form text document that involves more than hammering away at the keys until you’re done, Scrivener, made by the fine folks at Literature & Latte, can help you get your work done. The multi-featured program excels at helping you collect research, bring order to fragmented ideas and avoid shuffling index cards in search of that elusive structure.

Scrivener can help you from the moment an idea comes into your imagination until the final finished pages are output. In short, it pretty much does everything for you except the actual writing.

Unfortunately, that will still be up to you. The rest you can leave to Scrivener.

As someone who uses this app daily (the Mac version) I can safely say it really helps me get my work done. Without it, I would be back to posting index cards to cork boards and trying to make things work that way. I like the 21st Century’s technological advancements and I like Scrivener.

Scrivener requires Windows XP, Vista, or 7 (32 or 64 bit). 1GB RAM; 1ghz Processor; 100mb disk space; 1064 x 786 screen.

According to Deadline, a biopic of writer and  Twilight Zone creator Rod Serling is in development by Andrew Meieran and his Bureau of Moving Pictures company. About time, I say.

“Rod Serling was one of the true visionaries in television history,” Meieran said. “He single-handedly broke the mold and established television as a powerful artistic medium capable of changing the world when used wisely.”

To be honest, I’m surprised it took this long to get a movie about Rod Serling off the ground. The man is a genius and true visionary with a story that’s sure to be highly interesting and entertaining.

To prove that point, here’s but a sample of that life (as summarized by the Deadline article):

Serling spent his youth as an Army paratrooper and member of a demolition squad during WWII. He was stationed in the Philippines and his experiences would help shape much of what he wrote about in later life.

He worked his way into radio and then became a TV writer who found his niche with the CBS series Twilight Zone, a series that elevated scripted television with thought-provoking science fiction tales, each with a great and unexpected plot twist. The segments have influenced a legion of TV and feature writers to this day.

Influential to say the least. Now that this is going, the real question is who should play Serling? Any votes for your favorite actor?

In a somewhat surprising move, it seems AMC’s breakout hit series The Walking Dead has decided to let go of its writing staff. In addition, it is still debatable if the series will hire a new staff for the second season. Instead, series Exec. Producer Frank Darabont may decide to proceed without a writing staff and work with freelancers and/or write the second season’s thirteen episodes himself.

While this may seem like an odd decision given the fact that the show has been so successful, it’s not that hard to believe. After all Darabont wrote two of the first six episodes himself and comic book creator Robert Kirkman wrote one as well. The others were written by freelancers and then reportedly rewritten by Darabont. So it would seem the writing staff wasn’t doing that much work anyway.

No final decision on this has reportedly been made but it would appear Darabont and AMC have some time to figure it out given that the network may wait to bring the show back until next year during Halloween. So that means we may end up having to wait almost a year for the show to return. Plenty of time for Darabont, Kirkman and some freelance writers to crank out thirteen episodes.

I don’t know what bothers me more that the show let go of its writing staff or that it won’t be back, potentially, until next October. Both seem like questionable decisions with the waiting almost a year seemingly the worse one. Still, this may open up opportunities for writers to get their stuff read so I’m all for that. Guess I’ll polish up that Walking Dead spec script and send it on over.

Do these sound like bad ideas to anyone else? Sound off in the comments.