Great news fans of post-apocalyptic action, the entire Mad Max trilogy is finally hitting Blu-ray this Summer in one awesome box set. That’s right, all three movies, including Mad Max, The Road Warrior and Beyond Thunderdome, are getting the Blu-ray, box set treatment.

There’s no word yet on what special features the trilogy box set will contain, but you can bet it will likely have lots of behind-the-scenes goodies, making-of videos, photos and more for you to enjoy. Plus, expect interviews with the filmmakers and probably Mad Max himself, Mel Gibson, to grace the set too.

Of course, this isn’t the first time Mad Max or The Road Warrior have graced a Blu-ray release. This is, however, the first time Beyond Thunderdome has and is also the first time all three movies have been put together and given this kind of box set treatment.

So, if you’ve been waiting for an excuse (and an opportunity) to get all three of these great movies on Blu-ray, looks like this might be a great time to do it. The collection is currently priced at $49.99 and will hit store shelves on June 4th.

The final season of Spartacus: War of the Damned begins January 25^th on Starz.  That’s tonight! We left off last season with Spartacus and his merry band of rebels facing the full might of the Roman legion, which are not against pulling shenanigans.

I was more than happy to sit down with Manu Bennett, who plays the undefeated Gaul and Spartacus BFF, Crixus.  Manu was passionate, assured, and especially candid as he spoke about his former co-star Andy Whitfield and what awaits Crixus in the new season. Generous to a fault, he also shared some spoils of war. (Note: This interview contains spoilers.)

The Flickcast: “Be Here Now” is emblazoned on your shirt.  Can you talk about why the phrase “Be Here Now” is important to you?

Manu Bennett: “Be Here Now” was a tattoo Andy [Whitfield] had on his forearm when he was going through his cancer treatment.  There’s a documentary that’s going to be coming out soon.

Rather than not being in the know about what happened to Andy, this documentary is for people who are really interested in the show and really fell in love with Andy and I know there’s so many people out there who did. I’m sure Andy would have liked everyone to go and watch this documentary to see what cancer can destroy in this life.

This week’s Christmas pick is the 1987 buddy cop classic Lethal Weapon. The film stars Mel Gibson, Danny Glover, and Gary Busey.

Being the first film in the successful movie franchise, Lethal Weapon is not just a classic action film, but it’s also a Christmas film as well. The film centers around two L.A.P.D. detectives who are reluctantly partnered together in order to solve a murder that was disguised as a suicide.

Roger Murtaugh (Glover) is an aging officer who has just celebrated his fiftieth birthday and is looking forward to an early retirement. Martin Riggs (Gibson) is a burnt out, borderline psychotic officer who is grieving over the recent death of his wife.

After an undercover drug bust in which Riggs’ life was in jeopardy, Riggs’ superiors have him transferred to homicide where he is partnered with Murtaugh who is aware of Riggs’ illustrious reputation. Both men see this new partnership as an inconvenience and are less than thrilled to work with one another.

George Romero’s second chapter in his Living Dead series, Dawn of the Dead (1978), picks up after the events of Night of the Living Dead (1968). Dawn of the Dead is a fantastic, gory and at times satirical look at America and especially at American consumerism. Despite it gruesome effects, many consider Dawn to be of the greatest horror films ever made and it still continues to hold records for its popularity in pop culture and rankings among film critics.

Set not too far after the events of Night of the Living Dead, Dawn opens where the United States (and possibly the entire world) has succumb to a phenomenon which has caused the bodies of the recently dead to return to life and to pray on the flesh of the living.

In celebration of October and all things associated with Halloween, horror, and the macabre, this week’s pick is the John Landis comedy/horror classic An American Werewolf in London (1981). The film stars David Naughton, Griffin Dunne, and Jenny Agutter.

After making a name for himself in Hollywood with such comedy classics as The Kentucky Fried Movie (1977), Animal House (1978), and The Blues Brothers (1980), director John Landis’ next project would further solidify him as one of Hollywood’s newest breed of film makers. An American Werewolf in London is a tongue-in-cheek film that has always been considered a comedy, but Landis says that it’s a horror film with comedic elements.

Landis had come up with the concept of the film while he was a production assistant in Yugoslavia working on the classic war film Kelly’s Heroes in 1970.  While driving through the Yugoslavian countryside, Landis and his driver/interpreter came to a crossroad where they witnessed a gypsy funeral. Landis and his driver watched as these gypsies performed rituals over the dead man’s corpse in an attempt to make sure that he didn’t come back to life and caused mischief.

The Avengers is a phenomenal movie, there is not a whole lot more hyperbole we can throw onto the film at this point. So as the Blu-Ray release approaches we must find another angle in these news items. Thankfully a recently released alternate opening has been released over on Yahoo! for us all to marvel at.

I say we are thankful because this alternate opening provides us with something  substantial to say about the film that has already had so much said about it. The alternate opening is actually not all that good, or more precisely not as good of a way to start the film. Compared to the ‘jump right in’ action of the eventual opening, this concept takes a ‘teasing look forward at the end’ approach.

So with out heaping even more praise on the final film, we are now able to appropriately shower Joss Whedon and his editorial staff for making the right cinematic decision. Other than to pat the filmmakers on the back for a cut well done there is not much else in this minute and a half clip that feels all that important.

We know there is a ton of deleted content that would have made it to the film if an over three-hour Avengers film was feasible, but this scene is not a part of that promised quality content, which is ultimately why it was released in advance of the Blu-Ray.  To give us a tease of what is to come when we all pick up our copies September 25th.

So take a look at the alternate opening after the jump, and keep your eyes peeled to The Flickcast as this release creeps closer.

This week’s Monday Pick comes to us from the wonderful world of the king of Independent cinema, Mr. Roger Corman, who produced the low-budget version of Jaws, and that movie was the Joe Dante classic Piranha (1978). Cashing in on the “animals run amok” craze of the late 1970s, Dante and screenwriters John Sayles and Richard Robinson crafted a truly unique horror film that quickly gained a huge cult following.

The film centers around a young woman named Maggie McKeown (Heather Menzies) who is hired to find two missing teenagers who were hiking in the vicinity of Lost River Lake. Maggie enlists the help of a backwoods drunk named Paul Grogan (Bradford Dillman) to be her guide and to help her find the two missing teens. Paul and Maggie’s search brings them to an abandoned military installation with a giant pool filled with salt water. Maggie and Paul enter the facility and find a series of mutant specimens and preserved experiments. Maggie finds the master control in order to drain the pool and see whether or not the teens possibly drowned. Maggie pulls the lever and is suddenly attacked by the facility’s caretaker who is knocked unconscious, as he was trying to stop the pool from draining.

Maggie and Grogan take the man back to Grogan’s cabin where he has sustained further injuries after he crashed Maggie’s jeep in an attempt to flee. The man is tied down to a bed and is frantic when he awakens and learns that the pool had been drained. Grogan decides to take the injured man down river in a homemade raft. As the three trek down river, the man introduces himself as Dr. Robert Hoak (played by Dante alumni Kevin McCarthy) a military scientist who explains that the pool was filled with genetically engineered piranhas for a project codenamed Operation: Razorteeth, a plan which was to introduce the deadly strain of fish that could survive in the coldwater river systems of North Vietnam.

This week’s pick is the 1979 Roger Corman cult classic Rock ‘N’ Roll High School which features the legendary NYC punk rock band The Ramones in their first ever feature film. Corman alumni Allan Arkush who began his career with Roger Corman’s New World Pictures in the mid 1970s directed the film. Corman’s company helped launch numerous careers for many directors like Joe Dante, Martin Scorsese, Francis Ford Coppola, Peter Bogdanovitch, Jonathan Demme, Ron Howard and the Zucker brothers.

P.J. Soles stars as Riff Randall, a rebellious teenager who challenges the authority of Vince Lombardi High School’s newest principle, Evelyn Togar (Mary Woronov) who rules over the school with an overwhelming hatred of rock ‘n’ roll music and will stop at nothing to keep it from disrupting the students. When Riff learns that The Ramones are coming to town to play a concert, she plans to get backstage and deliver to Joey Ramone a song she wrote titled “Rock ‘N’ Roll High School”.

Soon after learning that many of the school’s students will be attending the concert, principal Togar confiscates Riff and her best friend Kate’s tickets thwarting any attempt Riff has at getting her song to The Ramones. At the same time, High school jock Tom Roberts (played by tennis player turned actor Vince Van Patten) hires the school’s business guru Eaglebauer (Clint Howard) to be his dating consultant in an attempt to get a date with Riff Randall.

Jaws (1975) is the first summer blockbuster and is considered by critics and fans alike as one of the greatest films ever made. After success with the TV thriller Duel (1972) and his first theatrical release of The Sugarland Express (1974), director Steven Spielberg set out to adapt Peter Benchley’s novel about a Great White shark which terrorizes a small New England beach community. The screenplay was co-written by Benchley, actor-writer Carl Gottlieb (M*A*S*H*), and an un-credited John Milius who helped with some of the film’s most memorable dialogue like “You’re gonna need a bigger boat” and the legendary U.S.S. Indianapolis speech.

The film opens with one of the greatest sequences ever shot. A young woman leaves a bonfire beach gathering to go skinny-dipping in the ocean while being chased by an inebriated young man. The young man ends up passing out in the surf while the woman swims out to the middle of the channel. An underwater low angle shot represents the point of view of the shark as it begins to stalk its prey. John William’s haunting score builds as the young woman is thrashed around and is pulled under by the shark. This scene did to ocean night swimming, what Psycho (1960) did for women’s showering.

Director Walter Hill’s The Warriors (1979) is a contemporary urban drama with all the traits of a western. Hill adapted the screenplay from the novel written by Sol Yurick in 1965. The film follows a group of nine gang members from Coney Island who trek up to the Bronx where thousands of other rival gang members have gathered for a summit held by a man known as Cyrus, the head of the most powerful gang in the city who plans to unite all the New York City gangs together as a crime syndicate.

The opening of the film is a series of montages that follow the Warriors as they take numerous subways from Coney Island to the Bronx. Other gangs are also shown as they too make their way to the meeting. Once the Warriors arrive at Van Cortlandt Park, the Warriors make their way to the front where Cyrus delivers a speech where he plans to unite all the gangs in an attempt to control New York. Cyrus demands that all the gangs put aside their differences and secure each city borough, and then create a collective organization that can battle not only the police, but the mafia as well.

Lawrence of Arabia (1962) is one of the greatest films ever made and a tie for my number one favorite film alongside Dr. Strangelove (1964). It is one of director David Lean’s most lasting legacies in Hollywood and a truly epic one-of-a-kind film. It was a film that was the inspiration to future filmmakers Steven Spielberg, Sam Peckinpah, Martin Scorsese, and George Lucas.

I first saw the film at the age of twelve when my father took me to the Ziegfeld Theater in New York City in 1989 for the film’s restored re-release. My father told me that it was his most favorite film and that I was very privileged to see it on the big screen. I will never forget when the lights dimmed and Maurice Jarre’s score played before the opening credits of the film. It was the first film that I can remember where my eyes were completely fixed to the screen in fear that if I turned away for a spilt second that I might miss a pivotal moment.

As I began rummaging through the popcorn bag, I looked over to my father who smiled and gave me a wink. My experience seeing the film on the big screen was like for so many others, a film, which made me want to become a director and it solidified my love of cinema from that moment forward.

As skeptical as I was when Ben Affleck took his first turn as director, he managed to prove himself more than adequate to the task with his first film Gone Baby Gone. Now with his latest directorial effort, The Town, he proves once again that all those years spent working with other directors, with a bit of his own talent thrown in, is more than enough to craft a suspenseful and entertaining crime thriller.

As this is a review of the Blu-ray Ultimate Edition of the film and not a full review of the film itself, suffice it to say I enjoyed The Town enough to watch it more than once. In fact, I’ve seen it at least three times. First, in a theater. Then, on Blu-ray and then again on Blu-ray in this Ultimate Collectors’s Edition.

The cast is excellent, especially Jeremy Renner and, somewhat surprisingly, Blake Lively. I also enjoyed watching Jon Hamm’s performance and, sadly, one of the last onscreen appearances of Pete Postlethwaite. Affleck is also quite good in the movie and has matured as an actor. At this point I can almost forgive him for Daredevil. Almost.