Seasons Greetings! This week’s Christmas pick is the 1990 action sci-fi classic I Come in Peace (a.k.a. Dark Angel). International action star and He-Man type (no pun intended) Dolph Lundgren stars as a Houston, Texas cop who tracks down an alien who is killing people in order to harvest the universe’s most powerful narcotic. You may be saying to yourself “That’s really the plot?” and yes, it is. The film also stars Brian Benben (from the HBO classic comedy series Dream On), Betsy Brantley, Matthias Hues, and Jay Bilas.

Jack Caine (Lundgren) is a cop who disregards proper procedure in order to get the job done. While on a routine drug bust to catch a syndicate of yuppie criminals known as the White Boys, Caine’s partner is killed when he is discovered as a cop while trying to entrap them.

George Romero’s second chapter in his Living Dead series, Dawn of the Dead (1978), picks up after the events of Night of the Living Dead (1968). Dawn of the Dead is a fantastic, gory and at times satirical look at America and especially at American consumerism. Despite it gruesome effects, many consider Dawn to be of the greatest horror films ever made and it still continues to hold records for its popularity in pop culture and rankings among film critics.

Set not too far after the events of Night of the Living Dead, Dawn opens where the United States (and possibly the entire world) has succumb to a phenomenon which has caused the bodies of the recently dead to return to life and to pray on the flesh of the living.

This week’s Monday pick is the 1982 horror classic Alone in the Dark which was the debut film from Jack Sholder (A Nightmare on Elm Street 2: Freddy’s Revenge (1985), The Hidden (1987), and By Dawn’s Early Light (1990). The film stars Jack Palance, Martin Landau, Dwight Schultz, and Donald Pleasence.

Alone in the Dark is one of the most intelligent and generally frightening horror films that came out in the early 1980s, a time where cinema was oversaturated with slasher films like the Halloween or Friday the 13^th franchises. Jack Sholder and fellow writers Robert Shaye and Michael Harrpster created one of the greatest cult horror films that would go on to influence a whole new generation of fans and filmmakers.

Dr. Dan Potter (Dwight Schultz, Murdoch from TVs The A-Team) is hired as a replacement psychiatrist for an institution known as the Haven. The hospital’s owner is Dr. Leo Bain (Pleasence), an unorthodox shrink whose very lenient approaches to the treatment of his patients is met with astonishment by Dr. Potter. Dr. Bain refers to his patients as “voyagers” individuals who are having trouble adapting to an already insane world.

As the two men walk the grounds, Bain shows Dr. Potter the third floor of the hospital where four of the most dangerous “voyagers” are contained with an elaborate electrified security system.  The four men who reside on the third floor are former POW and paranoid schizophrenic Frank Hawkes (Palance), pyromaniac and former preacher Byron Sutcliff (Landau), Obese child molester Ronald Elster (Erland Van Lidth), and Skaggs aka ‘The Bleeder” (Phillip Clark) who hides his face throughout the whole film.

In celebration of October and all things associated with Halloween, horror, and the macabre, this week’s pick is the John Landis comedy/horror classic An American Werewolf in London (1981). The film stars David Naughton, Griffin Dunne, and Jenny Agutter.

After making a name for himself in Hollywood with such comedy classics as The Kentucky Fried Movie (1977), Animal House (1978), and The Blues Brothers (1980), director John Landis’ next project would further solidify him as one of Hollywood’s newest breed of film makers. An American Werewolf in London is a tongue-in-cheek film that has always been considered a comedy, but Landis says that it’s a horror film with comedic elements.

Landis had come up with the concept of the film while he was a production assistant in Yugoslavia working on the classic war film Kelly’s Heroes in 1970.  While driving through the Yugoslavian countryside, Landis and his driver/interpreter came to a crossroad where they witnessed a gypsy funeral. Landis and his driver watched as these gypsies performed rituals over the dead man’s corpse in an attempt to make sure that he didn’t come back to life and caused mischief.

This week’s Monday Pick is the 1984 multi genre classic The Adventures of Buckaroo Banzai Across the 8th Dimension. Director/screenwriter W.D. Richter (Dracula (1979), Invasion of the Body Snatchers (1978), Big Trouble in Little China) created one of the weirdest and most beloved cult classics of the 1980s.

Peter Weller (Robocop) stars as the multi talented neurosurgeon, physicist, rock musician and comic book hero Buckaroo Banzai who battles aliens know as Red Lectroids from the Planet 10 who plot to take over the Earth. Buckaroo Banzai’s character was influenced by the 1930s pulp novels of Doc Savage, much like Lucas and Spielberg’s Indiana Jones that was influenced after the literary adventure character of Allan Quatermain.

Buckaroo Banzai has always been a favorite of mine since I first saw it in theaters in the summer of 1984. It’s a very interesting/hard film to describe to anyone who has never scene it. The premise is beyond absurd but that’s what makes the film so lovable. Banzai and his team of do-gooders known as The Hong Kong Cavaliers (a version of Doc Savage’s Fabulous Five) battle the evil Red Lectroids under the command of Lord John Whorfin (yes an alien leader named John) played to psychotic perfection by John Lithgow, who is actually an Italian physicist known as Dr. Emilio Lizardo. Yeah, it’s a little confusing but when you watch the film it all comes together.

Do you remember those Puppet Master movies? Those awesome B-flicks that involved iconic little puppets like Blade during various gory adventures, some times through time itself. They were made by Full Moon Features who are carrying a touch for low budgets horror cinema in much the same way Rodger Corman did decades ago.

The go-getters over at Evil Puppets, one of the last bastions of puppet-based cinema appreciation in the world, recently was invited to the set of the tenth Puppet Master film where they were able to see first hand some awesome horror puppetry action:

Alright fans of evil puppets and ankle biting demons from beyond, lend us your eyes!  Full Moon Features was kind enough to invite Anthony Sant’Anselmo, founder of ‘Evil Puppets’ to capture exclusive, behind-the-scenes coverage on the now in-production ‘Axis Rising: Puppet Master X’! … Say what you will about some of the films Full Moon has put out, but you cannot deny the endless well of creativity and originality that [Charles] Band’s companies has encompassed over the years

Check out a full gallery of rather snazzy set pictures after the jump.

This week’s Monday Pick comes to us from the wonderful world of the king of Independent cinema, Mr. Roger Corman, who produced the low-budget version of Jaws, and that movie was the Joe Dante classic Piranha (1978). Cashing in on the “animals run amok” craze of the late 1970s, Dante and screenwriters John Sayles and Richard Robinson crafted a truly unique horror film that quickly gained a huge cult following.

The film centers around a young woman named Maggie McKeown (Heather Menzies) who is hired to find two missing teenagers who were hiking in the vicinity of Lost River Lake. Maggie enlists the help of a backwoods drunk named Paul Grogan (Bradford Dillman) to be her guide and to help her find the two missing teens. Paul and Maggie’s search brings them to an abandoned military installation with a giant pool filled with salt water. Maggie and Paul enter the facility and find a series of mutant specimens and preserved experiments. Maggie finds the master control in order to drain the pool and see whether or not the teens possibly drowned. Maggie pulls the lever and is suddenly attacked by the facility’s caretaker who is knocked unconscious, as he was trying to stop the pool from draining.

Maggie and Grogan take the man back to Grogan’s cabin where he has sustained further injuries after he crashed Maggie’s jeep in an attempt to flee. The man is tied down to a bed and is frantic when he awakens and learns that the pool had been drained. Grogan decides to take the injured man down river in a homemade raft. As the three trek down river, the man introduces himself as Dr. Robert Hoak (played by Dante alumni Kevin McCarthy) a military scientist who explains that the pool was filled with genetically engineered piranhas for a project codenamed Operation: Razorteeth, a plan which was to introduce the deadly strain of fish that could survive in the coldwater river systems of North Vietnam.

This week’s pick is the 1979 Roger Corman cult classic Rock ‘N’ Roll High School which features the legendary NYC punk rock band The Ramones in their first ever feature film. Corman alumni Allan Arkush who began his career with Roger Corman’s New World Pictures in the mid 1970s directed the film. Corman’s company helped launch numerous careers for many directors like Joe Dante, Martin Scorsese, Francis Ford Coppola, Peter Bogdanovitch, Jonathan Demme, Ron Howard and the Zucker brothers.

P.J. Soles stars as Riff Randall, a rebellious teenager who challenges the authority of Vince Lombardi High School’s newest principle, Evelyn Togar (Mary Woronov) who rules over the school with an overwhelming hatred of rock ‘n’ roll music and will stop at nothing to keep it from disrupting the students. When Riff learns that The Ramones are coming to town to play a concert, she plans to get backstage and deliver to Joey Ramone a song she wrote titled “Rock ‘N’ Roll High School”.

Soon after learning that many of the school’s students will be attending the concert, principal Togar confiscates Riff and her best friend Kate’s tickets thwarting any attempt Riff has at getting her song to The Ramones. At the same time, High school jock Tom Roberts (played by tennis player turned actor Vince Van Patten) hires the school’s business guru Eaglebauer (Clint Howard) to be his dating consultant in an attempt to get a date with Riff Randall.

This week’s pick is Death Wish (1974) which stars Charles Bronson as a vigilante who cleans up the seedy streets of New York in this classic tale of revenge. The film was based on the novel written by Brian Garfield and boasts a great score from famed musician Herbie Hancock.

Bronson stars as Paul Kersey an architect whose family is brutally attacked by vicious hoodlums. His wife is murdered and his daughter is raped and left for dead in their own apartment. Without any leads and the inability of his daughter to make a positive ID due to her catatonic state, the police are powerless to do anything. Paul is devastated and begins to adopt a new sense of self-preservation.

The film takes a while to build up momentum but when it does, it really gets going. Trying to put the incident behind him and get on with his life and his work, Paul is sent to Arizona by his boss to oversee a new land development deal. Paul arrives in Tucson, Arizona and is met by Ames Jainchill (Stuart Margolin) who shows Paul the land where he wants to develop property. After witnessing a mock gunfight at an old movie set in Tucson, Ames takes Paul to a gun club where Ames is impressed with Paul’s deadeye shooting.

Director Walter Hill’s The Warriors (1979) is a contemporary urban drama with all the traits of a western. Hill adapted the screenplay from the novel written by Sol Yurick in 1965. The film follows a group of nine gang members from Coney Island who trek up to the Bronx where thousands of other rival gang members have gathered for a summit held by a man known as Cyrus, the head of the most powerful gang in the city who plans to unite all the New York City gangs together as a crime syndicate.

The opening of the film is a series of montages that follow the Warriors as they take numerous subways from Coney Island to the Bronx. Other gangs are also shown as they too make their way to the meeting. Once the Warriors arrive at Van Cortlandt Park, the Warriors make their way to the front where Cyrus delivers a speech where he plans to unite all the gangs in an attempt to control New York. Cyrus demands that all the gangs put aside their differences and secure each city borough, and then create a collective organization that can battle not only the police, but the mafia as well.