For the record, I am not a ‘tween girl. In fact, I’m no kind of girl at all. Perhaps that’s why I just don’t get the whole Twilight phenomenon.

The books are not very well written, the story is cliche’ and the characters are drawn from the worst sort of tepid, melodramatic sources. Still, it is hugely successful as a book a movie series. Maybe ‘tween girls know more than I do? Who knows.

Whatever the reasons, Twilight is huge and the final filmic installment of the franchise is almost upon us. That means, of course, promotional material.

This time around said promotional material takes the form of a new teaser trailer for Breaking Dawn Part 2. This particular one shows us the trio and how things have changed for them, but in other ways, have stayed pretty much the same. Oh, and Bella needs a snack.

Check out the new teaser after the break. See what all the fuss is about when The Twilight Saga: Breaking Dawn Part 2 hits theaters on November 19.

Silva Screen Music is a class outfit, they release really good music and great collections from some of the top composers and movies of today. In the past we looked at their collections of music from Hans Zimmer and James Horner, as well as a well put together a great best of album from the Transformers trilogy. Today we take a peak at their big end of the year release, ‘Film Music 2011’.

This collection, performed by the City of Prague Philharmonic and London Music Works, is a highlight reel from the most high profile film scores of the year. The music chosen for this set  isn’t necessarily the very best music of the year, but it is certainly a snap shot of what 2011 was for film and film music. We are in award season, so we will have plenty of lists and collections of the “best” music, but in this album you will find tracks that rank among many fan’s “favorites” of the year.

Interestingly enough, many of the movies represented on this album are scores I have previously reviewed, but only twice are one of my favorite tracks actually on this album. At first this caused me to roll my eyes and dread the listening experience. Not because I disliked the tracks, but because I felt they were passing over the better tracks for more obvious and less interesting choices.

It turns out even decades of laughter through the form of hundreds of felt puppets can’t beat the Kristen Stewart pregnancy movie. After having one of the most intense marketing campaigns that Disney has ever executed for The Muppets, Breaking Dawn Pt. 1 still managed to beat the film in the box office by over $10 million during the holiday weekend.

The vampy melodrama got the #1 spot for the second weekend in a row with $42 million this weekend, while Muppets (which made $42 in total since it opened on Wednesday) was only able to pull in an estimated $29 million. It looks like vampires really are more popular than singing frogs and pigs. Shame.

Also hitting theaters this weekend, Sony’s Arthur Christmas fell flat with an estimated $12.7 opening weekend. Speaking of falling flat, Scorsese’s Hugo had an even weaker opening, as it came in 5th place with just over $11 million.

These films could very well do better as we draw closer to the holidays, but don’t expect to see much in the form of sequels for these family classics. Those films may not have performed as well as they could have, but what did was the Weinstein’s My Week with Marilyn which pulled off just over $2 million for its first weekend.

As if it were a surprise. The penultimate film in the Twilight saga, Breaking Dawn: Part 1, opening in just over 4,000 screens across the nation, managed to pick up just under $140 Million in the domestic box office. It also got just over $280 Million worldwide.

With a production budget of $110 Million, and making $15 Million more than the opening weekend of Harry Potter and the Deathly Hallows Pt. 1, Summit is sitting pretty high and mighty at this point. Also opening this weekend, Warner’s Happy Feet Two, which came in at #2 with $22 Million.

As expected, the rest of the box office took a bit of a hit due to all the vampire-on-werewolf action. Last weekend’s #1 hit Immortals took more than a 60% drop and only grossed an estimated $12 Million. Adam Sandler’s unfortunate new flick Jack and Jill came in right behind with just under $12 Million.

We expect Breaking Dawn to continue its success throughout the week, and possibly next weekend. Disney’s Muppets opens wide on Thanksgiving Day, so don’t expect to see the Twilight kids walk away completely unscathed after Kermit has his way with them.

This week’s Film Score Friday is going to stretch the concept a bit. The Twilight Saga: Breaking Dawn actually has an original soundtrack, not a full score release as of yet, but I did want to branch out a little bit. Plus there is a single track of original score on the album, hooray for loop holes!

The album is a collection of pop songs that either appeared in the film or were inspired by it. Soundtracks like this are a very interesting proposition, it is very possible to arrange a fantastic set of songs that both evoke the film and make for a great listening experience. In fact my first introduction to the world of film scores was through soundtracks like this one.

Now I am far from Twilight’s target audience, but I have seen all the films so I know what to expect going into this album. These are going to be a collection of songs that are harmless, sappy and most of them will probably sound the same, right?

Well, a funny thing happened on the way to me writing this, I actually started to really like some of these songs. Mayhaps I have grown soft in my young age, but some of these songs are actually damn catchy. Also, and much more importantly, the songs actually work really well in the context of the film.