Laurel brings Sara’s body to Oliver’s hideout. The others walk in to see Sara dead. Oliver is the only one who seems to be holding back his emotions.

Oliver promises Laurel that he’ll find Sara’s killer, and Laurel offers/demands to help. Oliver won’t let her, telling her to take care of her family. Laurel decides to hold off on telling Quentin, as she fears the news may kill him.

Oliver goes to the spot where Sara was killed to try and find some clues. Diggle shows up to let him know he has his back. Felicity calls them to let them know Quentin has called for the Arrow. When Oliver shows up, Quentin informs him of a fake archer that is murdering people in town. Quentin has no idea that his own daughter is one of the victims.

Felicity confronts Ray, who keeps trying to woo her to work for him. He even bought the company that owns the tech store she works at. With his statement that she’ll either work for him at Queen Consolidated or at the tech store, Felicity quits.

Based on some details Oliver strong-armed out of a drug dealer, the team is able to determine that the fake Arrow is a man named Simon Lacroix, AKA Kimodo. They hack Lacroix’s phone and are able to determine his location. Oliver heads there and chases Lacroix away on his motorcycle.

Finally, Arrow is back! After a second season that dragged a bit in the middle, but did a great job of picking up the pace at the end, season three begins at least 9 months after the events that concluded season two ended.

Detective Lance is now Captain, and has been pulled from active duty due to his heart condition. He has also publicly thanked The Arrow, and has decommissioned the anti-vigilante task force. Diggle and Lyla are having a baby, and she is due at any time. Roy has fully embraced his role in the team, and has managed to keep himself under control. Felicity and Oliver’s “relationship” has at least grown to not so obvious flirting, and Oliver and Laurel are working together (“You catch ‘em, I cook ‘em” as she said).

Things are going so well, that Oliver has a lot more free time, and Felicity is helping him prepare a speech for the Board of Queen Consolidated to try and buy the company back. Felicity has picked up a job at a tech shop. Diggle even convinces Oliver to finally take Felicity out on a date.


With comic properties being snatched up by movie studios like lucrative hotcakes, a Luna Brothers film project is clearly inevitable. With their cinematic style, self-contained stories, and strong emotional centers, Joshua and Jonathan Luna’s titles are a perfect fit for the silver screen.

Probably the best thus far, a very original and dark superhero tale called simply The Sword could make an amazing, violent, and beautiful modern fantasy film. Of course, the cast would have to be as moving as the source material. Here are my humble suggestions for a movie adaptation of The Luna Brothers’ The Sword.

While DC is currently scratching their collective heads to figure out how to beat out Marvel Studios and their plan for world domination, they’ve had a few busts of recent history. Films like Green Lantern and Jonah Hex were pretty big flops, but nowhere near as much as the critically panned reboot/sequel hybrid Superman Returns from X-Men director Bryan Singer.

The film was panned by most fans, made some money, and did absolutely nothing for the franchise (unless you consider calling for yet another reboot a few years later “progress”). After a few years, it turns out there are still a few secrets that have yet to be uncovered about the film.

As it turns out, there was a $10 million opening sequence for the film that was shot and rendered in which Routh’s Kal-El returns to a dead Krypton to see if there is any semblance of life from his once lively home planet. Short answer: there isn’t.

No dialogue, lots of slow shots of deep space, and Routh looking all sweaty. Overall, it’s probably a good thing this scene wasn’t in the film, but the fact that Singer and his team once thought this was a good idea should remind us that this film was probably no good from the get-go.

Take a look at the 5-minute long opening after the jump, and let’s hope this trend doesn’t continue with Zack Snyder’s upcoming Man of Steel reboot.

Look, up in the sky! It’s a bird, it’s a plane, no it’s…a definitive blu-ray collection of Superman movies?

2011 is a year filled to the brim with superhero cinema and the folks over at Warner Home Video think that now is the perfect time to roll out the most comprehensive high-definition collection of Superman films of all time. Combining all four movies with Christopher Reeve and 2006’s reboot-ish Superman Returns, this set promises to be the ultimate collection of Superman’s first cinematic era.

Boasting both Donner extended cuts of the first two films and over 20 hours of special features, this release is as stacked as could possibly be. There is a lot of similarity in this Blu-Ray’s feature list and the Ultimate Collector’s DVD set that came out in 2006, however, several of the key features have been converted to HD, including the Donner cuts and the wonderful Look, Up in the Sky! documentary.

A full list of features and the Blu-Ray anthology’s trailer can be found after the jump.