by Lou Devito, Apr 2 2013 // 1:45 PM

April Fools Day is usually a day that brings tons of fake news, including trailer releases (like that Legend of Zelda trailer that will never be made into a movie *sadface*). But this year, April 1st was the release date of the red band trailer for the unbelievably star-packed action comedy This Is The End starring James Franco (who has had an already packed 2013 with the release of Spring Breakers and Oz The Great and Powerful), Seth Rogen, Emma Watson, Jonah Hill, Danny McBride, Jay Baruchel, Craig Robinson, and that’s just the supposed “main cast.” From just watching the trailer, expect appearances by Michael Cera, Rihanna, Kevin Hart, Aziz Ansari, Jason Segel, Paul Rudd, Mindy Kaling, and more. Holy freaking casting!
The main plot of the movie is simple: James Franco is throwing a kick-ass party and invites all his friends (because celebrities always party with tons of other celebrities) to have a crazy good time. Until the apocalypse happens. Los Angeles is engulfed in fire and brimstone, monsters and aliens are running rampant, people are looting and killing, mass hysteria basically.
Eventually, the main cast barricade themselves in what’s left of Franco’s house and try to survive. At one point, Emma Watson breaks in with an ax (a freaking AX) to try her hand at some looting, which looks to be successful based on the apparent self-testimonial video that is shot by the guys who are documenting what’s going on during the end of days.
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Posted in: Action · Comedy · Movies · News · Trailers
Tagged: Aziz Ansari, Columbia Pictures, Danny McBride, Emma Watson, Evan Goldberg, James Franco, Jason Segel, Jay Baruchel, Jonah Hill, Kevin Hart, Michael Cera, Mindy Kaling, Pineapple Express, Rihanna, Seth Rogen, Superbad, This Is The End, Trailers
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by Nat Almirall, Jan 12 2013 // 11:00 AM

On May 2, 2011, special forces from the United States stormed Osama bin Laden’s compound at Abbottabad, Pakistan. That I had to look up the precise dates and location and confirm that they were our own special forces (and not, say, some coalition) testifies to my ignorance. However, I don’t think I’m alone in not knowing the full details of Operation Neptune Spear (yeah, looked that one up, too), and Kathryn Bigelow’s (The Hurt Locker) Zero Dark Thirty offers a glimpse into the operation and an overview of what’s been called “The Greatest Manhunt in History.”
We know the details of 9/11 – what happened, where it happened, and who was responsible – the how and why are still debated, but they’re fairly established – and Bigelow begins with this common ground, opening the film with some of the calls made on that day. There’s no image – no footage of the planes crashing or anchormen reporting or families weeping or rescue workers toiling or world leaders speaking or terrorists threatening. Just the calls.
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Posted in: Columbia Pictures · Movies · Reviews
Tagged: Christ Pratt, Columbia Pictures, Cott Adkins, Edgar Ramirez, Fares, Frank Grillo, Harold Perrineau, James Gandolfini, Jason Clarke, Jennifer Ehle, jessica Chastain, Joel Edgerton, Kathryn Bigelow, Kyle Chandler, Mark Boal, Mark Duplass, Mark Strong, Ricky Sekhon, Stephen Dillane, Taylor Kennedy, Zero Dark Thirty
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by Jonathan Weilbaecher, Apr 12 2012 // 2:45 PM
Quentin Tarantino is a filmmaker most cinephiles adore. He is a film fan a heart, so his films are a celebration of the many cinematic influences inside of him, which usually makes for a fun time at the cinema. His newest film, Django Unchained, is filming right now, but the first official poster has found it’s way online for us all to ogle at.
The poster has an incredibly simplistic design that is a throw back to the Saul Bass posters of yesteryear. This subtle, retro design is a perfect way to sell this slavery era exploitation film to us Tarantino fans, but we can’t help but shake the notion that Jamie Foxx and Leonardo DiCaprio will figure heavy in the main marketing push of the film.
A star like Brad Pitt was able to help Inglorious Basterds become one of Tarantino’s most successful films. So the studio must be licking their chops to see what star power of this film can add to the bottom line.
Speaking of the stars of the movie, a little casting tidbit for Django also came in today. The great Walton Goggins, currently of Justified fame, has joined the cast as one of DiCaprio’s slave wranglers. That is one of the best sentences I have ever had the pleasure of writing.
Check out the full new poster after the jump.
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Posted in: Action · Announcements · Columbia Pictures · Movies · News · Posters · Weinstein Co.
Tagged: Columbia Pictures, Django Unchained, Jamie Foxx, Leonardo DiCaprio, News, Poster, Quentin Tarantino, Saul Bass, The Weinstein Company, Walton Goggins
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by Jonathan Weilbaecher, Mar 27 2012 // 1:45 PM
Ok, what the heck happened! Why are there suddenly official teasers for upcoming teasers. Seriously, we are getting official commercials for commercials now. It really begs the question ‘what’s the point?’.
Of course the flip side of that is we do get to see our first glimpse of the updated, re-adapted version of Total Recall a week ahead of the first actual teaser. For those of you new to the movie, here is the synopsis:
For a factory worker named Douglas Quaid, even though he’s got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life – real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man. Finding himself on the run from the police – controlled by Chancellor Cohaagen, the leader of the free world
This new version of Total Recall is exactly how you handle a modern remake. You taken the source material, and give your creative team’s the chance to adapted it in their own way, in their own style. We will no doubt get a film that feels in some ways similar to the ’80’s classic, but it should also feel new and alive in it’s own way.
Check out the teaser for the trailer after the jump.
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Posted in: Action · Adaptation · Columbia Pictures · Movies · News · Reboots and Remakes · Sci-Fi · Trailers · Video
Tagged: Adaptation, Collin Ferrell, Columbia Pictures, News, Sci-Fi, Teaser, Total Recall, Trailer, Video
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by Jonathan Weilbaecher, Mar 19 2012 // 7:30 AM
There is some good, some awesome, some sad and some well excepted news in this weeks box office results.
Coming in at number one for the weekend, 21 Jump Street makes a splash with $35 million, and it’s very good news. To see a successful TV adaptation that proves you can be R-rated, have a completely unexpected tone and still work is a wonderful trend starter for the industry.
Hollywood is a copy cat industry and if remakes and reboots have to happen, the only way you can maintain some artistic credibly is to bring something fresh to the table. Hopefully this success can grease the wheels with other creative folks and deliver something unexpected with these name brands. It will be interesting to see how the zany Dark Shadows is received in the wake of this win.
The well expected news comes in the form of our second place finisher, The Lorax. This Suess adaptation is performing well above initial expectations and is proving to have strong legs as it fell another soft 40ish percent to nearly $23 million. The Lorax will take a hit next week, but is well on it’s way to crossing the $200 million bar.
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Posted in: Action · Adaptation · Animation · Box Office · Columbia Pictures · Comedy · Disney · Movies · News · Sci-Fi · Sony · Universal Pictures
Tagged: 21 Jump Street, Action, Box Office Report, Casa de mi Padre, Channing Tatum, Columbia Pictures, Comedy, Danny Devitio, Disney, John Carter, Jonah Hill, Movies, News, Taylor Kitsch, The Lorax, Top 10, Universal Pictures, Weekend, Will Farrell
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by Douglas Barnett, Nov 22 2010 // 3:00 PM
This week’s pick is the 1970 British epic Cromwell which stars veteran actor Richard Harris as the man who led Parliamentary forces to victory during The English Civil War. The film also stars Sir Alec Guinness (King Charles I), Robert Morley (The Earl of Manchester), Timothy Dalton (Prince Rupert), Patrick Wymark (The Earl of Stafford), and Michael Jayston (Henry Ireton).
After years of unjust and unacceptable policies during the mid 1600’s, many members of the dissolved Parliament feel that King Charles I has forsaken his subjects and that England is in need for drastic political change. Oliver Cromwell is a good, god fearing country magistrate who is called upon by his fellow members of Parliament to exact radical change and reform in England for a government for and by the people.
Cromwell is prepared to leave England with his family for a life in the New World until he is persuaded to return to London and to sit once again in the newly resumed Parliament with its members in order to take their grievances to the King who encroaches on their lands and steals it from commoners for the rich, a policy which angers Cromwell and his fellows immensely.
King Charles (Guinness) allows Parliament to resume after eleven years in order to gain their support and to raise money against the Scots and Irish who are threatening England with invasion. Cromwell and the rest of Parliament refuse to grant the King money in order to fight until their demands are met.
Charles fears that if common men were to govern themselves, he would merely be reduced to just a figure head and lose his god given right to rule England and the Church of England which he is a devout member of, even though his French wife is a practicing Catholic. Charles along with his Catholic wife who demands him to stand firm against such an ultimatum from his subjects, refuses to come to terms with Parliament’s requests and the country steers ever closer to civil war.
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Posted in: Biopic · Classics · Columbia Pictures · Drama · DVD · DVD Reviews · Editorial · Netflix · Reviews · War · War Movie Mondays
Tagged: Alec Guinness, Columbia Pictures, Ken Hughes, Michael Jayston, Netflix, Nigel Stock, Patrick Wymark, Richard Harris, Robert Morley, Timothy Dalton
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by Douglas Barnett, Nov 8 2010 // 2:30 PM
This week’s pick is the 1979 least known and only comedy from director Steven Spielberg, 1941 which stars Saturday Night Live originals Dan Aykroyd (Sgt. Frank Tree), and the incomparable John Belushi (Capt. “Wild” Bill Kelso, U.S. Army Air Corp.) Other supporting actors include Bobby Di Cicco (Wally Stephens), Ned Beatty (Ward Douglas), Lorraine Gary (Joan Douglas), Murray Hamilton (Claude Crumm), Christopher Lee (Capt. Wolfgang von Kleinschmidt), Tim Matheson (Capt. Loomis Berkhead) and Toshiro Mifune (Cmd. Akiro Mitamura).
Also on hand are Warren Oates (Col. Maddox), Robert Stack (Maj. Gen. Joseph W. Stillwell), Treat Williams (Cpl. Chuck “Stretch” Sitarski), Nancy Allen (Donna Stratton), John Candy (Pvt. Foley), Slim Pickens (Hollis P. Wood), and Count Floyd himself, Joe Flaherty (Raoul Lipschitz).
The opening of the film informs the audience about the infamous Japanese attack on Pearl Harbor on December 7, 1941 which hurtled an unsuspecting America into World War II. The West Coast of the United States was fearful that the Japanese would attack California next. These were actual fears that were quickly realized by its citizens, and that extreme caution and observation was needed to thwart any attempt which made invasion possible. The film is set just six days after the Pearl Harbor attack.
In the first few opening minutes of the film, Spielberg, and writers Bob Gale, John Milius, and future director Robert Zemeckis (Back to the Future trilogy) fantastically lampoon Spielberg’s Jaws opening by using the very same actress to re-create her skinny dip scene in the early morning hours. Veteran Spielberg composer John Williams even re-creates his famous theme music. The female swimmer is instantly caught on the periscope of a Japanese submarine which is prowling the California coastline for a worthy military target.
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Posted in: Academy Awards · Classics · Columbia Pictures · Comedy · Cult Cinema · DVD · DVD Reviews · Universal Pictures · War · War Movie Mondays
Tagged: Bob Gale, Bobby Di Cicco, Christopher Lee, Columbia Pictures, Dan Aykroyd, DVD, Joe Flaherty, John Belushi, John Candy, John Milius, John Williams, Lorraine Gary, Murray Hamilton, Nancy Allen, Ned Beatty, Netflix, Robert Stack, Robert Zemeckis, Slim Pickens, Steven Spielberg, Tim Matheson, Toshiro Mifune, Treat Williams, Universal Pictures, Warren Oates
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by Douglas Barnett, Sep 27 2010 // 2:30 PM
Castle Keep (1969) is a very anti-heroic World War II film filled with lots of dark humor and beautiful photography. The film is based on William Eastlake’s novel about a weary squad of American soldiers who come upon a tenth century castle in Belgium in December 1944.
Sydney Pollack, who was still yet an unknown in Hollywood circles, was chosen to direct this large scale film. Veteran Hollywood great Burt Lancaster stars as Major Abraham Falconer, who leads a reconnaissance squad badly in need of R&R. The remaining cast includes Peter Falk (Sgt. Orlando Rossi), Patrick O’ Neal (Capt. Lionel Beckman), Scott Wilson (Cpl. Ralph Clearboy), Tony Bill (Lt. Amberjack), Al Freeman (Pfc. Alistar P. Benjamin), Michael Conrad (Sgt. De Vaca), and wide eyed screen great Bruce Dern (Lt. Billy Byron Bix).
In the opening scenes of the film, the men are trying to maneuver their battered jeep through heavy mud down an old road. The use of slow motion photography of two individuals on horseback establishes the meeting of the two residents of the castle and the American soldiers. The Count of Maldorais (Jean-Pierre Aumont) welcomes the American soldiers and hopes that they will help protect his castle and its vast treasures and art from the advancing Germans who are preparing to counter-attack in the Ardennes Forrest.
Once in the castle, Maj. Falconer (Lancaster) begins fortifying in preparation of the attacking Germans. His adjutant Capt. Beckman (O’Neal) is an art historian who stresses the importance of the Count’s art collection and that the castle holds some of the greatest treasures of Western Europe.
Beckman tries to convince the Major that they should pull back towards the Meuse River and spare the castle from any destruction. Falconer is a career soldier and cares nothing for the statues, paintings, tapestries, and other treasures. Falconer’s men quickly find ways to keep themselves entertained whether its using expensive bottles of wine as bowling pins, defacing bust sculptures, or satisfying certain requirements at the local whore house in the nearby village known as The Red Queen.
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Posted in: Classics · Columbia Pictures · Drama · DVD · Editorial · War · War Movie Mondays
Tagged: Al Freeman Jr., Bruce Dern, Burt Lancaster, Columbia Pictures, DVD, Jean-Pierre Aumont, Michael Conrad, Netflix, Patrick O' Neal, Peter Falk, Scott Wilson, Sydney Pollack, Tony Bill, William Eastlake
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by Douglas Barnett, Aug 23 2010 // 2:00 PM
This week’s pick is the 1988 cult classic from director Kevin Reynolds (Robin Hood: Prince of Thieves (1991), The Count of Monte Cristo (2002) The Beast a.k.a. The Beast of War, which stars George Dzundza (Commander Daskal), Jason Patric (Konstantin Koverchenko), Don Harvey (Kaminski), Stephen Baldwin (Golikov), Erick Avari (Samad), and Steven Bauer (Taj).
The film is set in 1981 as the Soviet Union has entered its second year of their war with Afghanistan. The film centers around the crew of a Soviet tank platoon whose T-62 tank becomes lost in a valley after an attack on an Afghan village. The first few minutes of the film are brutal as it shows a combined tank assault on a Pashtun village which house some Mujahideen rebels who have been fighting the Soviet occupation of their province.
The Soviets use poison gas, flame throwers, RPGs (rocket propelled grenades) and the famed AK-47 assault rifle as they mop up their attack on the villagers. Taj (Bauer) returns home to find his village destroyed and his brother crushed by the tank commanded by the ruthless Daskal (Dzundza) who deals harshly with the guerrillas. Taj becomes Khan (tribal leader) and vows to destroy the tank and avenge his brother’s death.
Not knowing that the valley that Daskal has led them into eventually becomes a dead end, the Soviet tankers go about their duties and hope to rejoin their column. The crew are made up of four Soviets and one Afghan named Samad (Avari) who is not trusted by Daskal who suspects Samad of being a turncoat. The film is a classic example of cat & mouse as the Soviets are chased by the determined Mujahideen rebels who are armed with rockets to destroy the tank.
Koverchenko (Patric) respects the Mujahideen rebels who have them on the run and builds a relationship with the outcast Samad who teaches Koverchenko the rules of Pashtunwali which is their code of honour and civility. Koverchenko begins to suspect that Daskal is going over the edge due to his increased resentment for Samad and for the safety of the men.
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Posted in: Columbia Pictures · Cult Cinema · Drama · DVD · Editorial · War · War Movie Mondays
Tagged: Columbia Pictures, Don Harvey, DVD, Erick Avari, George Dzundza, Jason Patric, Kevin Reynolds, Netflix, Stephen Baldwin, Steven Bauer, War, War Movie Mondays
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by Sebastian Suchecki, Jul 30 2010 // 8:00 AM
The remake none of us were waiting for, and that has been rumored for a year, has finally been made official today. You will soon once again be seeing Total Recall at a movie theater near you.
Columbia Pictures officially announced Len Wiseman (Live Free or Die Hard, Underworld films) as the director for the project. It has been report that he will be working off a script written by Kurt Wimmer, who recently wrote Salt and Law Abiding Citizen. Doug Belgrad and Matt Tolmach, presidents over at Columbia Pictures, stated that negotiations are almost finalized.
The original Total Recall, was based on the immortal Philip K. Dick’s story We Can Remember It for You Wholesale. The original follows Arnold Schwarzenegger’s Quaid who is a seemingly unsophisticated construction worker, who is haunted by a recurring dream of journeying to Mars.
He buys a literal dream vacation from a company called Rekall Inc., which sells implanted memories. It turns out he is a freedom fighter from Mars who has been relocated to Earth, and he must restore order, and reverse the corrupt influence that commercial powers had over the red planet.
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Posted in: Announcements · Columbia Pictures · Movies · News · Reboots and Remakes · Sci-Fi · Writers
Tagged: Arnold Schwarzenegger, Columbia Pictures, Doug Belgrad, Govenator, Kurt Wimmer, Law Abiding Citizen, Len Wiseman, Live Free or Die Hard, Matt Tolmach, Philip K. Dick, Quaid, Salt, Total Recall, Underworld, We Can Remember It for You Wholesale
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