Guardians of the Galaxy is the summer blockbuster I’ve been waiting for for longer than I can remember.

The usual adjectives of effusive praise are appropriate: funny, clever, touching, and, of course, fun. While Marvel Studios has certainly found the formula for successful films, they’ve been progressively more and more serious and, worse, self-important. Guardians has the good sense to mock itself and its concept, which is likely due in large part to its star, Parks & Recreation‘s Chris Pratt, and writer/director James Gunn (Slither), and perhaps almost as large a part being that it’s relatively free of the Marvel Universe around which every other film it’s made snugly revolves. I doubt we’d see even Tony Stark using a space-rat as a make-believe microphone, especially in the first two minutes.

So Gunn and Pratt bring a delightfully refreshing sense of self deprecation to their film, Pratt playing the somewhat well-known Peter Quill, a.k.a. Star-Lord, intergalactic swashbuckler. The promotional writeups describe him as a mix of Han Solo and Marty McFly, but I think Indiana Jones may be more appropriate, since they’re both adept at getting into and out of particularly sticky situations.

This time Star-Lord has snatched an orb of potentially unimaginable power, which puts him in the sights of nearly everyone across the galaxy, from assassin Gamora (Zoe Saldana) to planetary ravager Ronan (Lee Pace) to Yondu (Michael Rooker), Star-Lord’s kind-of adopted father, to genetically modified raccoon Rocket (Bradley Cooper) and his Ent-ian-ish pal Groot (Vin Diesel). After a three-way battle on the universal capital planet, the four are imprisoned and…blah, blah, blah. They team up, everyone tries to kill them, and so on.

In 1977, at the age of 8, I sat in a theater and experienced the awe and wonder that was Star Wars. At the time, no one had any idea what kind of cultural significance it would have or what it would mean for cinema in general and science-fiction films in particular. Though there have been many books, essays and college theses that have attempted to quantify and examine those impacts over the years, at age 8 I didn’t really care about such things.

If I’m being completely honest I should admit that I still don’t, I just remember sitting in the darkened theater being completely pulled into a new and completely realized new universe of awe and wonder and being completely captivated and immeasurably entertained by it. Thanks to James Gunn and Guardians of the Galaxy, that feeling has returned 37 years later.

Shakespeare’s The Tempest may be one of the most contrived and story-heavy piece of work in his collection, but that’s not stopping director Julie Taymor, who plans on bringing a direct adaptation of the play to theaters next year.

Yes, this is the same Julie Taymor who is begrudgingly bringing Spider-Man to Broadway, but she’s also the director behind Across the Universe, which introduced a whole new generation to the music of The Beatles, and adapted Shakespeare once before with Anthony Hopkins in Titus.

Now she’s at it again, with a new gang of players including Helen Mirren, Russell Brand, Alfred Molina, Djimon Hounsou, David Strathairn, Chris Cooper, and Alan Cumming.

The premise is a bit confusing, so we won’t try to bog you down with the details. Instead, we have two great clips featuring Mirren, Hounsou, and Brand, which you can check out after the jump.

Catch Disney’s Tempest in theaters this Friday.

Julie Taymor has made quite a lot of progress in Hollywood in the past few years. If bringing Across The Universe to theaters and Beatles music to a whole new audience wasn’t enough, she was one of the driving forces to bring Spider-Man to Broadway (whether we want it or not). Now Taymor is bringing her unique knack for stage adaptation with Shakespeare’s The Tempest.

The movie looks like an intense music video, with elements of mythology, magic, and yes, Russell Brand. Here’s the full synopsis for those who fell asleep during that 9th grade English class.

In her big-screen adaptation of Shakespeare’s mystical thriller “The Tempest,” Academy Award(R)-nominated Julie Taymor (“Across the Universe,” “Frida,” “Titus”) brings an original dynamic to the story by changing the gender of the sorcerer Prospero into the sorceress Prospera, portrayed by Oscar(R) winner Helen Mirren (“The Queen”). Prospera’s journey spirals through vengeance to forgiveness as she reigns over a magical island, cares for her young daughter, Miranda, and unleashes her powers against shipwrecked enemies in this exciting, masterly mix of romance, tragicomedy and the supernatural.

Mirren is followed by an almost Expendable-sized cast such as Alfred Molina, Djimon Hounsou, David Strathairn, Chris Cooper, Alan Cumming, Ben Whishaw, Reeve Carney, Felicity Jones, and Tom Conti.

The film is expected to hit theaters on December 10th, but you can see what we’re going on about with the first trailer after the jump. Enjoy!