We’re not even going to try to pretend this time. The truth is, we get the episodes out as soon as we can. We hope you enjoy them. And on that note, it’s time for a brand new episode of The Flickcast.

On this week’s show Chris and Joe talk about the latest trailer for Daredevil Season 2 and the show itself, Indiana Jones 5, Spider-Man finally joining the MCU, the new trailer for Captain America: Civil War, Screening Room and a whole lot more.

It’s a packed show this week so the boys decided to skip the picks. Don’t worry, they’ll be back next week.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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That’s right, it’s Saturday again. Not Friday. Again. And yes, we do have a new episode of The Flickcast just for you.

On this week’s show Chris and Joe try to explain the X-Files, talk about Agent Carter, go back to the X-Files for a minute, detour through Deadpool and Guardians of the Galaxy 2, dive into Joe’s favorite show, The Walking Dead, and finally, get to some Daredevil Season 2. Plus, as usual, there’s a whole lot more.

Picks this week include Chris’ pick of the classic Sci-Fi novel Dorsai! by Gordon R. Dickson and and Joe’s pick of Daredevil Season 2.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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Why they didn’t go with the title jObs is anyone’s guess.

At the end of the film, we see a comparison between the actors and the people they played, none of whom are credited. And despite spending two hours with these fellows, there aren’t many you could name. Cliched as it is to say, but that’s a metaphor for the entire film — it’s so concerned with covering all the major events in the history of Apple Computers and simply the looks of its founders and key people that it misses the mark giving the viewer a sense of what made founder Steve Jobs tick.

Granted, the movie opens with a fantastic scene of Steve Jobs (Ashton Kutcher) announcing the iPod. Kutcher’s inflection, body language, and script are dead-on as he builds the audience’s anticipation, teasing them with hints and pauses and mere suggestions — there’s a mix of delight and arrogance that’s electric. Even if you’ve never heard Jobs speak, the performance still conveys the feeling of being in the presence of a great man at the peak of his strengths

It’s too bad the film likewise peaks in this scene. We flash back to Jobs’ college years where we’re told he’s a renegade, a rebel, the guy who doesn’t wear shoes and drops acid and casually mentions to a fling that he has a girlfriend He takes a hit in a field with his girlfriend (Amanda Crew)  and after copious amounts of dancing, he lies back, restless. His girlfriend queries, “You’re thinking about your parents, aren’t you?” a tear rolls down Steve’s cheek, and the audience laughs.

Max Landis’s Death and Return of Superman is a very long sketch. No, it’s a really funny short film. No, you know what it’s like? It’s like, after a long night of gaming, when you’re hanging with your best nerd friends having a laugh, debating movies and video games and all things geeky. Tie all that together into a 17 minute short film and you’ve got The Death and Return of Superman.

Screenwriter Max Landis (Chronicle) decided to film his late night nerd philippic and brought some familiar friends along for the ride.

Death and Return of Superman, affectionately dubbed DAROS, cuts back and forth between Landis recounting the story of Big Blue’s demise directly to the camera and live-action re-enactments by actors using Landis’s voice (much in the style of the Drunk History series).

The star-studded short features Mandy Moore, Morgan Krantz, Elijah Wood, Elden Henson, Dustin Romero, Matt Bennett, Zach Cregger, and Jimmi Simpson in key roles. Sharp-eyed viewers can also spot cameos by Simon Pegg, Sarah Shahi, Whitney Moore, Chloe Dykstra, Micah Sloate, Chris Hardwick, and Ron Howard. 

Check out the full film, which was released for free on YouTube Friday, after the jump.