That’s right, it’s time for a brand new episode of The Flickcast.

Still making ’em as fast as we can. Thanks again for your patience.

On this week’s episode Chris and Joe discuss Suicide Squad, the latest episode of Mr. Robot, movies, TV and probably complain a bit. Plus, the usual more.

No beer for Chris this week (he’s on meds) but Joe’s “beer” pick is the Root Sellers Hard Root Beer. Picks this week include Chris’ pick of the movie Hell or High Water and Joe’s pick of the new Amazon pilot Jean-Claude Van Johnson.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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We try not to be cynical, but sometimes it isn’t easy. It’s sad, too, because we really like Jeff Bridges and we can usually tolerate Ryan Reynolds.

Unfortunately, this trailer for Universal’s upcoming R.I.P.D. doesn’t do much to fill us with confidence. Sure, it does feature Bridges and Reynolds in a story about “two cops dispatched by the otherworldly Rest In Peace Department to protect and serve the living from souls who refuse to move peacefully to the other side.”

And yes, Bridges looks pretty cool plus we do like the comic this is adapted from. But sorry, no. It just doesn’t do that much for us. At least not yet.

Judge for yourself after the break. Look for R.I.P.D. to arrive on June 28th.

If you’re a fan of sci-fi stories set in a dystopian, Dickensian future of rampant immorality and violence, or have simply been wondering why M. Night Shamalayan doesn’t meld Twelve Monkeys with Rambo and bring back Bruce Willis to help him do it, you’re in luck. Looper stars an intense Joseph Gordon-Levitt, nearly unrecognizable in prosthetics, contacts and distractingly heavy makeup that renders his face nearly 2D, as young Joe, a 25-year-old looper in the year 2042, and Willis himself as Joe 30 years into the future, in the year 2072.

If it weren’t futile, I’d try to give a summary of Looper‘s extremely intricate, convoluted and possibly hole-ridden plot. Suffice it to say that it involves fate, paid killers, Chinese mafia, secret bunkers, telekinesis, good-hearted prostitutes and the toddler tantrums to end all toddler tantrums. And that after the screening I attended, critics stood around in heated discussion for quite a while, trying to work it all out.

Legendary Entertainment, one of Hollywood’s smaller production firms,came to San Diego Comic-Con for the first time this year to talk about some of their upcoming films currently in pre-production. I sat down Friday, not sure what to expect, however I was excited to learn more about their upcoming films and hear from some of the directors and stars themselves chat about their various projects.

First up was the ‘Pacific Rim’ panel, presided over by acclaimed writer, producer and director Guillermo del Toro. His new flick stars Charlie Hunnam, Idris Elba, and Rinko Kikuchi and in Guillermo’s own words, features “Giant f***ing robots fighting giant f***ing aliens.” Ah Guillermo, always so colorful. Set to release in 2013, the film’s plot is quite simple, but also strikes me as something we haven’t quite seen before: as aliens attack and threaten the Earth’s existence, giant robots piloted by humans are deployed to fight off the menace.

Welcome to another edition of On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage during the week. Let is know if we missed something interesting.

Let’s get started!

• Chuck Lorre is developing a Sheen-less reboot of Two and a Half Men for CBS. Would this be considered #cheating?

• As if Lex Luthor didn’t have enough reason to hate him, Superman recently renounced his US citizenship in the comics so that DC can appeal to a more global audience.

• A brand new poster for Green Lantern has hit the web showing off way more Corps members than we can name. Check out the full-res image here.

• Zach Galifiniakis is out, but Jeff Bridges may be picking up the slack to play alongside Ryan Reynolds in the big-screen adaptation of R.I.P.D.

• Those of you hoping for an animated Ant-Man film with Pixar and Marvel Studios are sadly out of luck, as Chief Creative Officer John Lasseter says there are no plans for a team-up.

This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

So yesterday, we ran part one of this post.  In case you missed it, here were my picks:

• Waiting for Superman
• Winter’s Bone
• The Company Men
• Rabbit Hole/Blue Valentine (tie)
• The Fighter

Now, without further ado, are the rest of my picks for best movies of the year.

5. The Kids Are All Right

This quirky drama won me over in no time. Annette Bening and Julianne Moore play a lesbian couple raising two children who were the product of an anonymous sperm donor. When the kids are old enough, they seek out and find their donor, who is played by Mark Ruffalo.

His character Paul is a perpetually laid-back restaurateur who drives a motorcycle and lives a bohemian lifestyle. The kids are instantly captivated, and develop a relationship with the guy, much to the chagrin of their uptight mom Nic (Bening).

I admire writer/director Lisa Cholodenko for her sensitive handling of the subject matter. A lesser director could have turned this into a slapstick farce, but ultimately the film is funny, touching, and wholly original.  It is also universally relatable.  Bening is a standout in the film for her performance.

I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

Indeed it is the time of year when inevitability the lists appear and people pick their favorites of 2010. Some have already done their lists and some, like me, like to wait a bit. That said and since I don’t want to be accused of not following trends, I will also be making a list (or two) of my picks of the best of 2010. However, in the interest of clarity and brevity (or neither), I’m going to pick my top 5 (or so) things in the main categories we cover here at The Flickcast.

Although, as our own John Carle covered the best of 2010 in games so well already, I won’t make much (if any) a list of those and will just mention my two favorites. In case you’re not familiar with those main categories we cover, they are as follows: Movies, TV, Comics, Games, Tech and all things Geek.

So, to that end, here’s my list (or lists really) of my picks of the top stuff of 2010.

Movies

Inception – I love smart movies and this one is pretty damn smart. Featuring great performances, a mind-bending plot and twists galore, director Christopher Nolan delivers with one entertaining ride I was talking about for weeks (and months) afterward. And with all the ways I can get distracted by other things, to still be taking about this movie now is a testament to just how great it is.

True Grit – I love Westerns and this one will go down as truly one of the best I’ve seen in a long time. Jeff Bridges, Matt Damon and the rest of the cast are superb and newcomer Hailee Steinfeld owns the screen. She is definitely one to watch. Plus, the Coen brothers have a genuine love and reverence for the classic Western conventions, even when they twist and turn them into new and even more compelling shapes.

The Social Network – When I first heard of this movie I was skeptical, as probably most were, about how interesting a movie about Facebook really could be. I had nothing to worry about. This brilliant film, directed by David Fincher and written by Aaron Sorkin, delivers on all levels and tells a compelling story of one of the most impressive success stories in history. Along the way it also shows us a little something about the nature of greed, friendship and the real cost of success.

Winter’s Bone – This tale of a real heroes journey to find out what happened to her father before the bank forecloses on her home resonated with me for quite some time after watching this film. Jennifer Lawrence as the young mother and John Hawkes as her meth-snorting uncle really deliver top performances. Part crime movie, part thriller and part coming-of-age-story this film’s stark realism takes you into a world you didn’t know existed and holds you there until the lights come up.

If the noontime opening day crowd for True Grit is any indication of how this film will do at the box office, I think I can safely predict a couple of things. First, seasoned citizens, like myself, who saw the 1969 original starring John Wayne, Glen Campbell, Robert Duvall, and Kim Darby, will warily pay for senior-citizen discounted tickets in large numbers and then proceed to give the movie a CSI-like scrutiny searching for any hint of anti-Wayne blasphemy.

Second, I feel just as strongly that people who have not seen the Duke’s portrayal of U.S. Marshal Reuben “Rooster” Cogburn, will come away from this iteration well-satisfied that they have been well and truly entertained. No one from either demographic should be disappointed with this version of Charles Portis’ 1968 serialized Saturday Evening Post of family duty, determination, and revenge.

In a recent interview, frequent John Wayne co-star, Maureen O’Hara, spoke about the 1963 movie, McLintock! One memorable scene had Ms. O’Hara running through town, being chased by Wayne, wearing only her bloomers. When, prior to shooting this scene, she asked Wayne if the bloomers could be shortened to display her dancer’s legs, he adamantly refused, stating, “We make family pictures!” And therein lies the genesis of many of the films’ differences.

There are several scenes in the 2010 Coen brothers’ version of True Grit that would never have made it past The Duke. Wayne’s Batjac Productions wouldn’t have allowed severed fingers, an outhouse interview, or snakes crawling from a desiccated corpse, to mention just a few things. But that doesn’t make one version better or the other worse, it only makes them different.

While some might say that John Wayne’s Oscar-winning performance as Rooster Cogburn could best be described as a little over-the-top (and it was), Jeff Bridges is able to provide a slightly more somber approach to this complicated, demon-driven character, while still being able to deliver an occasional light-hearted moment. It would be foolish, however, for anyone to try and compare the two actors as Mr. Bridges takes command of his role from the very beginning leaving all thoughts of a Wayne-Bridges comparison in the obscuring dust of the trail.

By Jarrett Mellenbruch

Just go ahead and give Mattie Ross whatever it is she demands. Trying to bargain with this 14 year old , played by Hailee Steinfeld, will eventually leave you weakened and bewildered. Her relentless pursuit of justice for the murder of her father calls upon her vast reserve of cunning, quick wits, and masterful tongue.

Cast opposite the craggy and weathered drunkard U.S. Marshall  Rooster Cogburn, masterfully played by Jeff Bridges, she holds up her part and then some in this perfect balance between a game innocent and an extremely experienced, blunt yet perceptive hired gun.

Thanks to Hailee Steinfeld, the young actress who plays Mattie, women viewers who venture out to see one western every decade would do well to make True Grit their choice for the Teens. This may be the one movie where a mother/daughter night out to see a shoot-em-up may rival the father/son crowd. That’s not to say the men should stay away, only that there is something for everyone here, including the strong central heroine.

Matt Damon, Barry Pepper, and Josh Brolin nicely round out the cast and offer some extra color and comedic moments. Damon’s LaBoeuf is the cowboy nerd who rides the fine line between charming and annoying, and he rides it well. Pepper plays bad guy Ned Pepper, who probably is the grittiest part of the whole movie. And Josh Brolin is the seemingly simpleminded crook who killed Mattie’s father and kicked off this whole goose chase.