In 2011 a crack burglary ring was sentenced to prison by a Los Angeles court for a series of crimes they most certainly committed. This group of mostly girls had burglarized the homes of nearly a dozen high-profile celebrities, making off with nearly $3 million in clothes and jewelry. Today, a film based on their exploits is being shown in theatres. If you can find it, if there’s little else playing or you’re tired of hearing about Man of Steel, maybe you can see The Bling Ring.

I write that because I’m still not sure what Sofia Coppola’s new movie is about — it opens with Nicki (Emma Watson) giving one of those humanitarian speeches that clearly wasn’t proof-read by an attorney and has about as much basis in thought as — Ooo! A penny! And then follows Marc (Israel Broussard), the awkward new kid at the remidial school. He’s mocked and picked on, partly because he’s the new kid, partly because he harbors some cross-dressing tendencies.

Fortunately one of his classmates, Rebecca (Katie Chang) befriends him and, during a casual drive, asks which if any of friends are out of town. He mentions one. She suggests they break into the house. And they do. And they steal some cash, clothes, and jewelry. They meet up with some other friends afterwards and brag about robbing the poor saps.

It’s a sort of sequel to 2007’s Knocked Up in the sense that it focuses on the supporting characters Debbie (director Judd Apatow’s real-life wife Leslie Mann) and Pete (Paul Rudd), both turning 40 the same week and juggling a handful of personal and financial problems.

Paul manages a near-bankrupt record label, signing such current acts as Graham Parker, while Debbie runs her own clothing store and tries to discover which of her employees — Jodi (Charlyne Yi) or Desi (Megan Fox) — has stolen $12,000. Added to that are squabbles with the kids Sadie and Charlotte (Maude and Iris Apatow) and Debbie’s absent and Pete’s beggarly fathers (John Lithgow and Albert Brooks).

There isn’t a conventional plot as much as an exploration of these two people, how they deal with things, how they show their love and appreciation for each other. Rudd and Mann have a great rapport, which I can’t do justice to by simply saying that they really feel like they’ve been married and are 40.

Probably the best thing you can say about The Change-Up is that it’s not as bad as it looks. Actually, no, the best thing you can say is that there’s a lot of surprising and sweet nudity.

But I’m getting ahead of myself. The plot is largely what’s laid out in the trailer: Jason Bateman and Ryan Reynolds are two friends, one’s married, one’s a swinging bachelor, respectively. One night they get drunk and take a quick squirt in an enchanted fountain while simultaneously declaring their mutual desire to be the other.

Morning comes, and they get their wish. Hi-jinx ensue as Reynolds struggles with the pressures of fatherhood and the big, lawyer-ish-looking account that’s looming, and Bateman rediscovers the downsides of bachelor life. A plot recap is unnecessary because it’s just something on which a string of gags involving baby excretions, pregnant women, masturbation, baby nudity, dancing vegetables, and silly walks to make you grow at least six pairs of hands.

Director David Dobkin (The Wedding Crashers) tries to get a laugh from nearly everything and, for the audience I saw it with, it worked. To the extent that their reaction to film became more interesting than the film itself. At first I was fascinated by the comic beats they ate up and the extent to which they were involved.

There’s no denying that zombies are hot right now. Of course, with that kind of burning press, you’d expect to see the undead walk in just about every form of mass media. But would you expect to see an entire film about zombies as a 3D animated film?

That’s what Focus Features and Laika is hoping for, as the team that brought us Coraline is getting back together for their newest film, ParaNorman. Here’s the breakdown from a Focus press release.

Currently in production, ParaNorman is being directed by Sam Fell and Chris Butler, from Mr. Butler’s original screenplay. Mr. Fell was director of The Tale of Despereaux and Flushed Away. Mr. Butler was storyboard supervisor on Coraline and storyboard artist on Tim Burton’s Corpse Bride. The voice cast includes Academy Award nominee Casey Affleck (The Assassination of Jesse James by the Coward Robert Ford), Tempestt Bledsoe (The Cosby Show), Jeff Garlin (Toy Story 3), John Goodman (Monsters, Inc.), Bernard Hill (Titanic), Academy Award nominee Anna Kendrick (Up in the Air), Leslie Mann (Rio), Christopher Mintz-Plasse (How to Train Your Dragon), Kodi Smit-McPhee (Let Me In), and Tony and Emmy Award winner Elaine Stritch (30 Rock).

If that star-studded voice cast isn’t enough to whet your appetite, what if we told you it was about a young boy who could speak with the dead? Here’s the synopsis.

We haven’t seen any of these body-switch comedies in the last couple years but I guess it was inevitable they would return. And, they have with Universal’s newest entry into the genre The Change-Up.

Late yesterday the company released a brand new Red Band trailer for the raunchy body-switching comedy where Ryan Reynolds and Jason Bateman switch identities and have to deal with the ramifications. Written by Jon Lucas and Scott Moore, the team that brought us The Hangover, and directed by Wedding Crashers helmer David Dobkin, this new film takes the somewhat tired formula and seems to give it a bit of new life.

Yes, the trailer actually has a few funny bits — although that’s not always a good indicator of anything. Still, these two actors are very appealing and it could be good.

Take a look at the trailer after the jump. By clicking through you certify you are old enough to know better blah, blah, blah. The Change-Up hits theaters on August 5th.