World War Z is probably the most solid zombie flick we’re going to get for a while. The characters are well-defined, the acting is better than it needs to be, the look is good, and the story is constructed as a pretty compelling mystery. That’s both a plus and a minus for the film. The detective aspect is an innovative take on a genre that already has, within its endless sub-genres, the romantic comedy (this year’s Warm Bodies), and the movie wastes no time getting straight to it. On the other hand, its commitment to the mystery narrative makes the action sequences feel like they were brought over from another movie.

When Gerry (Brad Pitt), the ex-UN agent (his original job function is never made explicitly clear) gets a lead that takes him to Israel, he meets up with an official who apparently foresaw the zombie outbreak and constructed a massive wall around Jerusalem. The guy’s reasoning is simple: “We ignored warning signs before and suffered because of it, this time, I figured, ‘What the Hell?'”

As soon as Gerry’s finished asking questions, someone in the crowd starts performing an impromptu song. No reason, just because. And the static from her microphone alerts the zombies outside the city, who form a massive pile and (SPOILER, though it’s in the trailer) spill out over the wall and overtake the city.

I’m not sure whether the appropriate genre for Pain & Gain is comedy or thriller, but I am sure that it’s a story that the cosmos made specifically for Michael Bay. There’s bulked-up dudes, strippers, midgets, stereotypical gay guys, Miami, explosions, slow-motion, and cocaine and the ’90s. Mark Wahlberg is Daniel Lugo, a fitness instructor with the kind of intensity and single-mindedness that makes you feel like he’s constantly comparing his body to everyone else — and addressing each one according to rank.

His boss is the slightly-schlubby John (Rob Corddry), owner of the Sun Gym in Miami. And his best friend is fellow gym-jockey Adrian (Anthony Mackey).

That the movie opens with Daniel getting chased by the cops is a revelation that we know things won’t end well for Daniel, but the reasons take their time to unfold. We learn that Daniel’s a self-proclaimed go-getter — obsessed with his image and the idea that through physical perfection the rest of the world will lie down before you.

His heroes are Rocky, Scarface, and Don Corleone, suggesting that his understanding of reality comes from the movies and even then, he’s only read the Cliff Notes. He takes a seminar with Johnny Wu (Ken Jeong), one of those motivational speakers who similarly preaches that nothing in life is worth learning if it can’t be written on a note card or reduced to a buzzword.

I had a soft spot for 2009’s G.I. Joe: The Rise of Cobra, and I have a soft spot for this, even with its flaws. If you remember the end of the last film (and never mind if you didn’t), Zartan is impersonating the President of the United States in one step of Cobra Commander’s grand plan for world domination.

I think this is supposed to take place right after the last film, but no matter. All you need to know is that the President is not the real President, and the Joes are not aware of it. They’re busy raiding a nuclear arms facility in Pakistan — a mission devised by Zartan (Arnold Vosloo/Jonathan Pryce) to wipe out the Joes when they call for transport after the mission.

All of them, save for Lady Jaye (Adrianne Palicki), Roadblock (The Rock), and Flint (D.J. Cotrona) are killed. Fortunately Snake Eyes (Ray Park) is away on another mission training with Jinx (Elodie Yung) and quite possibly the worst actor in the entire film, RZA as the aptly named Blind Master.

The career of Kenneth Branagh is one of the most interesting in modern Hollywood. From Shakespeare to Super Heroes and lots in-between, Branagh has range beyond most modern filmmakers. He is a fantastic actor to boot.

Last week we told you that the new Jack Ryan movie lost it’s director and was in fast need of a new one. Variety is reporting that they have found their new director:

Paramount and Skydance Pictures moved quickly to find their next director — and it’s Kenneth Branagh… The untitled pic, based on the character created by Tom Clancy, has been a priority at Paramount since Chris Pine came aboard to star, with Lorenzo di Bonaventura producing.

The movie is likely to get underway after Star Trek 2 finishes, giving star Chris Pine time to finish his other big franchise and giving time for Branagh to clear off what ever is on his current plate. This is fantastic news for the movie which was in unstable shape after it lost its previous director.

Bringing on Branagh is one of the boldest choices they could have made and represents a big plus for this flick. Although, it is still looking for a title so hopefully we won’t be saying the Untitled Jack Ryan movie for much longer.

According to a joint press release, Paramount Pictures and J.J. Abrams’ Bad Robot Productions have agreed to an extension of their exclusive, first-look agreement through December 2015. The deal looks to be incredibly lucrative for both sides.

“J.J. is a unique talent and a captivating storyteller,” said Brad Grey, Chairman and CEO of Paramount Pictures. “J.J., Bryan Burk and the whole Bad Robot team are an integral part of Paramount and we’re proud to continue our collaboration. Their pictures have extraordinary resonance around the world and we’re so pleased Paramount will be their home for years to come.”

Bad Robot Productions’ original first look deal with Paramount began in 2006. Since then we have had releases of a variety of successful films and franchise continuations. Considering that grosses on Mission: Impossible – Ghost Protocol are now $670M globally, while those for the Star Trek reboot hit $385M worldwide, it is no surprise that Paramount is excited about the continuation of this deal. Under the previous Paramount deal, Abrams also had made Cloverfield and Super 8, both of which did well at the global box office.

It’s never a good sign when a film gets pushed back over 6 months. It’s even worse when a studio like Paramount pushes 3 of their upcoming 2012 films back. That seems to be the case, as the mountainous studio has pushed back 3 of its releases. One of these releases is the upcoming 3D epic Hansel & Gretel: Witch Hunters, starring Jeremy Renner and Gemma Arterton.

According to an interview with Deadline, a studio exec for Paramount says this is all part of the plan to push the film overseas, but when a film gets pushed from March 2 to January 11 of the following year, it’s never a good sign.

“This should really set up the international,” a studio exec explains to me. ”Jeremy Renner’s international profile should be in great shape after being in Mission: Impossible 4 now, then The Avengers in May, then The Bourne Legacy in August. As this past weekend shows, January is great play time internationally, and we haven’t done too bad domestically in January, either.”

I tend to think of Scorsese as a master of genre films—he’s done gangster films (Goodfellas, Casino), comedy (After Hours, The King of Comedy), police drama (The Departed), psychological thriller (Shutter Island), boxing (Raging Bull), biopic (Kundun, The Aviator, No Direction Home), concert (Shine a Light), historical (Gangs of New York), literary classic (The Age of Innocence), even a remake Cape Fear) and a sequel (The Color of Money)—but he tends to bring such a distinct touch to the films, they don’t quite feel like genre films.

So when I heard he was taking a stab at a kiddie flick, Hugo immediately shot to my most anticipated Scorsese film to date (outside, of course, of the fictional film he was making with Larry David as the money-hurling mob boss in Curb Your Enthusiasm)—added to that who wouldn’t be interested in Scorsese’s take on 3D?

And Hugo doesn’t disappoint. It’s not the most compelling story, but for all its two-hour-seven-minute running time, I wasn’t bored once. There’s a lot more going on, and I’ll get to that in a moment, but first the rundown.

Hugo Cabret (Asa Butterfield) is an urchin who haunts a Paris railway station in the early 1930s, repairing its clocks and stealing various cogs and sprockets to rebuild the homunculus he and his father (Jude Law) were working on right up to his death. While Hugo tends to remain out of the sight and mind of the station Inspector (Sacha Baron Cohen), he’s less successful evading the eye of the toymaker he robs (Ben Kingsley). Caught trying to thieve a wind-up mouse, he’s forced to give up his father’s notebook, which includes all the instructions on repairing the mechanical man and provokes a strange reaction from the toymaker.

It all started as a little, micro-budget horror flick 3 years ago, that has now become a phenomenon (pun intended) and one highly anticipated trilogy. Oren Peli’s Paranormal Activity is just that, and the viral marketing campaign for the upcoming third installment is just beginning.

Over the weekend, several news outlets received a VHS tape and VCR in the mail that had some pretty scary stuff on it. Just enough to get you to pee yourself with both fear and anticipation for what the next film has to bring us.

Here’s what we can look forward to in terms of a story.

The third film takes place in 1988, when Katie and Kristi were kids. While trying to get video proof of Bloody Mary, Katie and Kristi are first confronted by the monstrous demon haunting them in the first and second movies along with their family.

Check out two of the static-filled videos after the jump, and catch Paranormal Activity 3 in theaters on October 21st.

I’m hesitant to write a summary of Super 8 because I went in knowing nothing about it, had some reservations at first, but was so surprised at around the 10-minute mark that I immediately came on board. So if you’d like to enjoy it cold, read no further. Though I suspect that warning could apply to any film.

Super 8 takes place during the summer of 1979 and follows an outcast group of kids deeply engaged in one of the great pleasures of childhood: making movies. There’s the director Charles (Riley Griffiths), Joe, the makeup guy (Joel Courtney), a few of their bucktoothed, gangly friends, and the female lead Alice (Elle Fanning). Of course, these kids invest much more into their movies than my friends and I ever did (makeup? Multiple angles?), and one of the running gags is Charles’ insistence on production values, regardless of whether it endangers the cast and crew.

While shooting one of the scenes at an abandoned depot, a train barrels past and is derailed by a truck driving down the tracks. The magnificent crash is caught on film and the kids discover that the driver of the truck, who miraculously survives, is their science teacher Mr. Woodward (Glynn Turman), who tells them to get the hell out of there just as the feds arrive.

To all who have survived the month of June by successfully traversing lines of blood-sucking twihards, I congratulate you. You can relax now because the steaming month of July is less about men of iron and teenagers who use SPF 60 and more about whiz kids, dreamers, and spies.

Movie studios may appear to be throwing grenades into your trench, but don’t let the eye-catching blue and orange of the movie posters fool you. These grenades are merely filled with smoke and a good amount of marketing slickness. They will explode in your face only when you yank the pin by paying $12. Then, they will have truly won the battle. Instead of succumbing to the propaganda, arm yourselves wisely with the reviews below.

Those in the know will hold their breath until August when the golden generation of action heroes team up to save the world, kick some ass before kicking the bucket, and get sweaty enough to take off their shirts- giving both men and women some very good reasons for sitting in an air-conditioned multiplex.