Primal made its North American debut at Fantastic Fest, and was one of four movies featured by IFC Midnight.  The film is available on IFC On Demand until December 22.

In the film six friends are on a trip exploring ancient cave paintings.  Mel (Krew Boylan) decides to take a skinny dip, and becomes “infected” with an ancient entity.  Bad things ensue as the pals quickly realize it is kill (Mel) or be killed.  Primal is a genre bending movie that always has its tongue firmly planted in cheek.

We got to sit down with director Josh Reed and stars Krew Boylan and Wil Traval during the festival for an exclusive interview.

The Flickcast: Josh, you directed the movie, did you write it as well?

Josh Reed: I wrote it from a story that Nigel (one of the producers) and I wrote.

TF: How did you guys come up with the concept?  Did you draw on anything for inspiration?  To me, there were some obvious nods to Cabin Fever, did you guys see that movie?

Krew Boylan: I haven’t seen that.

JR: I hadn’t seen it before, but I have seen it. I’ve seen and really like Cabin Fever, but we’d actually written the initial story, but I hadn’t written the script before I saw Cabin Fever.

TF: So did you have any Australian movies that served as influences?

JR: No, not really.

TF: Well, you have the whole “the water is infected” plot device.

JR: I mean, there were definitely a lot of films that influenced that film, but that specific idea of the water hole becoming infected was more a result of wanting to get that young group of people out camping, and just having fun and messing around and stuff.

Then you have an aspect of things going pear-shaped on a specific one of them, and I guess it gave us a device that we could use later to reinfect another one. It was more that it worked as a really good device for the story. It wasn’t based on any legend or anything in Australia.

By Shannon Hood and Jane Almirall

Shannon: It was all interviews, all day. First up was director Jim Mickle from Stake Land, along with actors Nick Damici and Connor Paolo.  What a great group of guys.  The trio were there to promote their post apocalyptic road/vampire movie.  Look for the interview and a review of Stake Land in the next week or so.

Our second interview of the day was with director Adam Green (Hatchet, Frozen, and Hatchet 2) along with Danielle Harris and Kane Hodder for Hatchet 2.  This was an exciting interview for me.  I’m a big Adam Green fan, and I’ve been watching Kane Hodder in horror movies since the late eighties.

Press day wrapped up with a chat with the Australian director Josh Reed, actress Qwen Boylan, and actor Wil Traval, who were discussing their IFC featured film Primal. All three interviews and film reviews will be published as soon as we can get them up.

Jane: The Housemaid 1960  Digitally remastered, this film is a slowly-paced, stylized tale of a prosperous family and their mentally unstable housemaid.  Characters manipulate, lie, plot and psychologically torture one another after the father conducts an impulsive affair with the maid, the consequences of which escalate out of control.

I must confess, the overly dramatic acting style made this feature a bit of a slog to get through, but a surprising twist at the end paid off in a big way.

Hatchet 2 (directed by Adam Green starring Kane Hodder and Danielle Harris.) This film plays like a cinematic love letter to the slasher films of the 80’s – the horror movies of my childhood that I grew up loving.  Many horror film icons turn up as characters as Marybeth and Victor Crowley square off for mutual retribution, resulting in the kind of revolting gore and over the top violence that fans of Hatchet have come to expect from Adam Green. Hatchet 2 features some inventive and disgusting kill scenes (FUN!) and in defiance of censorship will be released as an unrated feature.

Jack Chop (directed by Adam Green.) This short film was the bumper preceding Hatchet 2 – which nicely set the tone for the somber exercise in minimalist restraint that was the main feature.  I kid!  This 3 minute, mock-infomercial for a jack ‘o lantern carving kit was a gory, goofy bit of slapstick – in the vernacular of the director, it was wicked awesome.

By Jane Almirall and Shannon Hood

Day three of the festival we got some screenings in, a few interviews, and lots of shorts.

I Saw The Devil Directed by Ji-woon Kim.  Starring Byung-hun Lee (The Good the Bad, the Weird) and Min-sik Choi (Oldboy, Lady Vengeance.)

Shannon:  I seriously contemplated not attending this screening, because it was so early, and because it was subtitled, and it was 2 and 1/2 hours long.

I am so glad I decided to attend.  This Korean revenge movie blew me away, and is my favorite movie of the festival thus far.

I Saw The Devil is a beautiful, brutal, and horrifying revenge tale.  It has the most chilling sociopathic villain I have seen in any movie since Hannibal Lector. The 2 and 1/2 hour running time flies by.  Full review forthcoming.

Interview: Simon Rumley (director; Red, White, and Blue.)  Simon is from London, but directed his film entirely in the Austin area, and even hosted a pub crawl to the various venues that he used in the movie.  He talked about the taboos he broke in the movie, the jarring musical score, and how influential pal Tim League helped him with the movie.  Full interview forthcoming.

We Are What We Are Directed by Jorge Michel Grau.  Starring Adrián Aguirre, Miriam Balderas, Francisco Barreiro, and Carmen Beato. Summary:  When the patriarch of the family passes away, the teenage children must take responsibility for the family chores: the preparation of the rituals…

This was a bit of a mixed bag, about a mexican family of cannibals who must make do after the patriarch of the family passes away unexpectedly.

What’s surprising is that cannibals are usually depicted as redneck backwards ass families.  This is, by all appearances, a normal family.

They eat humans for “the ritual,”  but the movie never really explains what the ritual is.  I wish we would have found out more about their motivations for the cannibalism.  I’m kind of in the middle on this one.

Austin’s Fantastic Fest gets underway next week, and officials have announced a partnership between Fantastic Fest and IFC Midnight, a new genre label for IFC Films.

Four IFC Midnight movies will play at Fantastic Fest, but you will be able to participate right from your living room, because they will be simulcast on IFC’s Video on Demand.  How cool is that?

Here are the films with a brief synopsis. All four are new acquisitions for IFC Midnight films.

High Lane, directed by Abel Ferry

Towering heights and beautiful vistas turn into a haunting mindtrip in Abel Ferry’s gripping French scarefest that will definitely make you think twice about your next mountain climbing trip.  In the film, a group of friends on vacation in Eastern Europe embark on an ambitious mountain expedition along a trail that they discover – way too late – is closed for repair.  The thrill of this foolish challenge quickly turns sour as it becomes clear that not only is the path a lot more dangerous than they thought, but also that they are not alone. Fear exposes old traumas and brings up hidden emotions to the surface, and soon, everyone is fighting tooth-and-nail for their survival.

Red, White and Blue, directed by Simon Rumley

Erica (BUFFY THE VAMPIRE SLAYER’s Amanda Fuller) is a tough, troubled nymphomaniac with wounds across her soul.  For Erica, sleeping with multiple men forms the core of her life, until she meets the mysterious Iraq vet Nate (THE PROPOSITION’s Noah Taylor).  Despite his quiet air of danger, Nate’s the only guy who doesn’t immediately want to sleep with her, and the two form a hesitant bond. But in a shocking twist, one of Erica’s earlier sexual encounters, with wannabe rock star Franki (Mark Senter), will have unexpected – and devastating – consequences on both of their lives.

Incidentally we caught the film at SXSW, and called it, “visceral, raw and shocking.”  You can read the full review here.