With Sam Keith recently tapped to relaunch a remastered version of his cult hit The Maxx through IDW, it only makes sense that the publisher would try to bring the famed creator in on another one of their franchises. While licensed titles with most companies fall flat, IDW is one of the few to take them and run to success by staying true to the original content but working well within the confines of comics. It ends up seeming like a natural pairing to put the man who created a purple clad giant with perpetual middle fingers that roamed the outback to take on one of the most comically messed up invasion forces ever.

Mars Attacks: First Born takes place in the aftermath of the failed Martian invasion. With the world devastated, people must begin to rebuild but the Martians have left something behind in a secluded neighborhood. Found by a group of kids, there is a Martian infant left amongst the rubble and the aftermath that follows it. The miniseries was written by Chris Ryall and coplotted by Sam Keith and Ryall with Keith taking sole duties on the covers and artwork.

Think back to the early 1990’s. Everyone loved skating and nightclubs, Clinton was taking jogs and having heart attacks, and MTV was blowing up with their original animated content late at night with a block they titled Liquid Television.

Here was the training ground for some of the most iconic shows of the decade got their start and later became huge shows on MTV. Shows like Aeon Flux, Beavis & Butthead, and The Maxx all started off on Liquid Television, and later went on to brand off into major motion pictures and more.

Much like how Adult Swim got its start on Cartoon Network, Liquid Television attempted to spawn more than just a few popular animated series, but possibly a bigger block. Sadly, the TV block met its demise in 1994, locking away some of these obscure shows and shorts for what would seem to be forever.

Now, thanks to the power of the internet, we get to relive some of those awesome moments again online, all over at LiquidTelevision.com. There, you can enjoy some classics like Dog Boy, Winter Steele, and The Maxx, while catching a few series and shorts that should have made it onto the weird block of TV back in the day, such as MTV2’s Wonder Showzen.

So head on over to their official site, and let’s see if MTV can find space on one of their several channels to re-air some of these awesome shows on TV once again.

Welcome to The Pull List Comic Reviews! First off, a huge thanks to John Carle for covering the column last week, he did a fantastic job. Make sure you check out The Flickcast’s podcast this week where he was also a guest-host! The dude’s everywhere. Okay, on with the comics. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Lobo: Highway to Hell #1 (of 2) – DC Comics – $6.99 US
Writer: Scott Ian Artist: Sam Keith
Score: 8.5

You’re sitting there, asking yourself “How in all that is holy is Lobo: Highway to Hell the Pull of the Week?” Believe me, I’m asking myself that very same question. You see I’ve never dug Lobo. I’ve read a good chunk of his various issues over the years and I’ve never seen the attraction to the character, but seeing as variety is the spice of life, I figured I’d give this a shot. The premise sounded interesting enough…

Lobo’s chillin’ at home when he receives a message – in the form of slain dolphins – from the big bad himself: the Devil. Even though the Main Man has been banished from Hell for quite awhile now, he figures it’s time to go on a road trip and pay a not-so-friendly visit to his old pal, Beelzebub. Along the way everyone’s favorite Czarnian runs into more violence, mayhem, booze and floozy “women” than he can shake a stick at, but what happens when he finally comes face to face with the cutest evil… waitaminute… CUTE?!?

He hasn’t had a starring role since 2007’s Batman/Lobo: Deadly Serious, so when DC Comics dusted the mothballs off of the character, they decided to get a fresh take on him. Enter Scott Ian, the guitarist for the band Anthrax. Ian’s first foray into comic writing is pretty decent, but it’s how he handles the title character that blew me away. There was just enough here to add weight to the usual aloofness that the character normally projects, which clicked beautifully. While the big payoff will be next issue’s finale, so far this has been a very enjoyable ride.

The Maxx creator Sam Keith, who had both writing and artistic duties on the aforementioned 2007 mini-series, makes his return to the character. Bringing his distinctive style that is every bit as manic as Lobo is, the art looks great, even while juggling different levels of detail throughout the issue. From what I could tell, the creative team looked like they catered to each other’s strengths, culminating in a fun romp that became our Pull of the Week.