This week on The Flickcast, Chris and Matt do things a bit differently as they take the show on the road and record while driving to and from a secret location. Sure, it might be dangerous, but your two favorite hosts are always willing to go the extra mile to entertain and inform.

Some of the topics discussed during this special show include Spider-Man bad guy casting, the Thing prequel, Call of Duty: Black Ops, the new TV season and the state of the comic book industry. The boys also talked about the Banksy Simpsons opening credits, the new Captain America game and other movie franchise video games.

And, as always, picks were made with Matt picking a surprise you will have to listen to the show to find out and Chris’ pick of the terrific TiVo Premiere for all your home DVR needs.

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While I’m not always a fan of Hollywood’s penchant for remaking excellent foreign films almost as soon as said films have been released, I have to say I’m pretty interested in Matt Reeves’ upcoming film Let Me In. Sure, it’s an Americanized version of a film that was only released in 2008, but judging from the trailer I’ve seen and this brand new scene from the film we’ve got for you today, it looks pretty damn good and quite scary.

In case you’re not familiar with either this new film or the original Swedish version, Let Me In concerns Abby (Chloe Moretz), a mysterious 12-year old girl, who moves next door to Owen (Kodi Smit-McPhee). Owen is a social outcast who is viciously bullied at school and because of this he forms a bond with his new neighbor.

As time passes Owen can’t help noticing that Abby is like no one he has ever met before. As a string of grisly murders occur in the town, Owen has to confront the reality that this seemingly innocent girl is really a savage vampire.

Check out the new clip from the film after the jump. Let Me In arrives in theaters on October 1st.

At the risk of repeating myself too much I will again express my love for a film festival in Austin, TX known as Fantastic Fest. It features some of the best and most innovative programming and events of any festival I’ve been to and is also a whole lot of fun. So naturally, whenever there’s news from the fest, as their is today, I’m going to share it.

With that in mind comes today’s news. Fantastic Fest has announced its opening night film and, drum roll please, that film is the vampire thriller Let Me In. The film, directed by Cloverfield‘s Matt Reeves, stars Chloe Moretz, Kodi Smit-McPhee, Elias Koteas and Richard Jenkins, tells the story of an alienated boy named Owen (Smit-McPhee) who spies on the other residents of his apartment complex. His only friend is his new neighbor, a young girl (Moretz) who lives with her silent father (Jenkins) and who turns out not to be at all what she seems.

The film will screen following a red carpet event and kick off the fest on Thursday, September 23rd at The Paramount Theater in Austin. Knowing the fest as I do this seems like a perfect film to kick things off. Sure, some people may not be into this upcoming remake of the terrific Let the Right One In but as a fan of Reeves’ earlier work on Cloverfield and after having seen some info about this new film, I’m convinced this was a great way to go.

Fantastic Fest runs from September 23-30 in Austin, Texas. Check out the full press release after the jump.

Like most weeks, this time around we’ve got another bunch of new movies and TV shows hitting DVD and Blu-ray. Some of them are new, some are old and some are hitting Blu-ray for the first time.

Of the ones hitting stores today, we’re most interested in the Blu-ray release of The Road, Dr. Horrible’s Sing Along Blog, the Criterion edition of Stagecoach, True Blood Season Two, Royal Pains Season One, the western Django and the 50th anniversary of Stanley Kubrick’s 1960 film Spartacus (pictured above with Woody Strode and Kick Douglas).

Movies

Babysitter Wanted ~ Bill Moseley, Matt Dallas, Bruce Thompson (Blu-ray and DVD)

City of the Living Dead ~ Christopher George, Giovanni Lombardo Radice (Blu-ray)

Clash of the Titans ~ Laurence Olivier, Burgess Meredith, Harry Hamlin (Blu-ray)

Dear John ~ Channing Tatum (Blu-ray and DVD)

Django ~ Franco Nero, Loredana Nusciak, Angel Alvarez (Blu-ray)

Dr. Horrible’s Sing-Along Blog ~ Neil Patrick Harris, Nathan Fillion, Felicia Day (Blu-ray and DVD)

Flashbacks Of A Fool ~ Daniel Craig, Olivia Williams, Claire Forlani (Blu-ray and DVD)

2009 was a great year for films in general, particularly if you’re a fan of the sci-fi genre. The year also saw the return of a beloved franchise to the big screen as well as the latest film by one of our best modern directors. And even with the current condition of the country and the economy, audiences still managed to fill theaters and the movies enjoyed record breaking successes that hopefully will continue on into the new year.

Even with all the great movies in 2009, there were also some not so great ones. Sadly, there will always be some real bombs, but that’s to be expected. Fortunately, there were also quite a few standouts that helped keep us entertained, enthralled and excited about going to the movies in 2009.

As usual with lists of this type, I need to disclaim and say this is my list of what I felt were the best films of 2009. Nobody can see everything and opinions vary. Your list may be different.

Differing opinions and the freedom to express them are one of the things that make this country great. There’s always something new and different to see and do and we all get to choose what’s best for us. What movies we watch and enjoy is no exception.

That said, here then is my list, in no particular order, of the films I feel were the best of 2009.

Inglourious Basterds — 2009 saw the return of director Quentin Tarantino and the release of this amazing film. Some might consider it overlong or self-indulgent, but it showcases Tarantino’s filmmmaking skills at their finest and serves as an example of one filmmaker’s singular vision and immense storytelling craft.

This film provides the audience with something they never got from real life: closure. To finally see the Nazis, and in particular Hitler, get the ending they deserve is a testament to the power of this film and to its creator.

Rather than tell you what I think I should, I decided to come clean on this list. For instance, I am aware that A Serious Man might technically and artistically be a cut above some of these, but I just didn’t enjoy it as much. I’ll also preface this by saying since I was covering most of the main-stream movies this year, there were a lot of independent movies I didn’t see, so they may not appear on the list. The film title links to a review when applicable.

Up In The Air – Buoyed by a trio of fantastic actors, I found this movie to be utterly charming. Directed by Jason Reitman (Thank You For Smoking, Juno), the movie is touching, prescient, original, and funny. Vera Farmiga, George Clooney and Anna Kendrick all received Golden Globe acting nominations.  George Clooney’s depiction of a traveling man who keeps any type of human interaction at arm’s length is effortless, and is a joy to watch.

A Single Man – This film is still in limited release, so many people have not seen it, but I was absolutely blown away by designer Tom Ford’s directorial debut. He brings an artistic eye to the story of a gay man in 1962 who has recently lost a live-in companion. Heavy stuff, and Colin Firth gives a truly amazing performance that will break your heart.

Julianne is a stunning aging beauty who longs to have a relationship with the emotionally unavailable George. Universally relatable to anyone who has ever been in love, or experienced unrequited love. Seamlessly shifting from sepia, black and white, and color, the film is gorgeous. Beautifully scored by Abel Korzeniowsky as well.

This week on The Flickcast, Chris and Matt again welcome recurring guest host Elisabeth Rappe and launch into a whole slew of new topics including Avengers casting and story news, The Road, potential Captain America actors, feature film adaptations of Magnum P.I. and ALF, films that should and should not be on Blu-ray and the films of Michael Mann.

Chris, Matt and Elisabeth also made some cool picks this week including Elisabeth’s pick of the Spanish thriller Alatriste, Matt’s pick of the Sly Stallone starrer Daylight and Chris’ pick of the Stanley Kubrick classic Dr. Strangelove, featuring George C. Scott, Peter Sellers, Peter Sellers and Peter Sellers. See the movie to get that joke.

As always, if you have comments, questions, critiques or offers of sponsorship, feel free to hit us up in the comments, on Twitter and at Facebook, MySpace or via email.

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This week we will be looking at the weekend box office as well as the 5-day holiday, which includes totals for Wednesday through Sunday. There were some interesting developments regarding the international box office scene as well, so this will be a jumbo sized report. New releases barely made a blip, it was the holdovers that led this weekend to the highest grossing Thanksgiving weekend ever.

The Twilight Saga:  New Moon continued to dominate on the domestic and international side. Playing on over 4,000 screens, it grossed $42.5 Million domestically. Over the five day stretch, it grossed $66 Million. No matter your thoughts on the movie, you have to admit we are witnessing a cultural phenomenon unfold in real-time.  Its domestic cumulative take for 10 days now stands at $230.7 Million.

Nipping at the heels of New Moon was The Blind Side. The movie grossed $40.1 Million for the weekend, and $57.5 Million for the five day, with that weekend total being higher than its opening weekend total of $34 Million. Wide releases rarely see an increase in ticket sales from one weekend to the next so this is unusual. This movie is getting exceptionally positive word of mouth, which is bringing more people into the theaters — a topic we discussed on the most recent edition of The Flickcast podcast.

The Blind Side drove over the $100 Million mark as well. Not too shabby for a family friendly film made for around $30 Million. I’m also starting to hear the “O” word casually mentioned regarding this film, as in Oscar. Sandra Bullock seems to be edging her way into consideration for best actress.

The Road is the film adaptation of the Pulitzer winning novel written by Cormac McCarthy, who also wrote No Country For Old Men and All The Pretty Horses.  Our fascination with what a post-apocalyptic world might be like has been fodder for countless books, television shows, and movies. When I was in college, I was required to read George R. Stewart’s novel Earth Abides. Excruciatingly detailed, the book gave me anxiety attacks for months, as it told the story of a grad student looking for other people who may have survived a plague that wipes out the entire population.

As he traverses the land, the minute changes that he observes in the landscape and appearance of the United States are painstakingly recorded. More recently, The History Channel presented Life After People, which depicts what changes would occur to the earth’s ecological systems and the infrastructure we leave in our wake. Quite frankly, this type of topic scares the crap out of me.

Now we have The Road, which is the harrowing story of a father (Viggo Mortensen) and son (Kodi-Smit McPhee) trying to make their way across the country by foot after some unidentified event has wiped out most of mankind. The wife (Charlize Theron) is shown only in flashbacks. The threat of a harsh winter that they most certainly won’t survive serves as the impetus for their journey southward.  There is a vague possibility of finding other people, but it is based on faith and hope, rather than concrete knowledge of their existence.

Once again we visit the post-apocalyptic wasteland of director John Hillcoat’s adaptation of Cormac McCarthy’s Pulitzer-winning best-seller The Road — in the form of a new trailer courtesy of Dimension Films. Previously, we brought you the first trailer for this movie, which showed more of an overview of what happened and sets up the journey a bit.

This one features more of the relationship between the father (Viggo Mortensen) and the son (Kodi Smitt McPhee) and delves a bit more into the perilous journey they are on after civilization is virtually wiped out. If you’re not familiar with the novel of the movie, this trailer should help you realize what kind of movie this is and, more importantly, why you should consider seeing it — regardless of its potentially disturbing and “downer” themes.

Be sure to check back as the film gets closer to release for a full review of The Road. In the meantime, take a look at this new trailer after the jump. The Road, directed by John Hillcoat and starring Viggo Mortensen, Kodi Smit McPhee, Robert Duvall, Charlize Theron and Guy Pearce, opens everywhere on November 25th.

We got quite a bit of different stuff sent to us here at The Flickcast. Some of it is pretty cool like trailers for upcoming movies, game videos, comics previews and things of that nature. We also get a lot of movie poster art sent to us and some of it is also pretty cool. Case in point are the two new “official’ posters for The Road and Youth in Revolt.

Both poster feature what so many do these days, large pictures of the principal actors and a clever or meaningful tag line. Also, both are different than previous posters that have been released for these films. In addition, on the poster for The Road, Mortensen is clearly holding a gun so you don’t think this is just a movie about people talking and, curiously, the names of the writer and director appear again in larger print at the bottom of the poster so they are clearly visible. This is, of course, an obvious attempt to make sure that people know who they are — particularly those who nominated and vote on the Oscars.

The Youth in Revolt Poster, at least to me, reminds me of the poster for Stanley Kubrick’s film Lolita, which I’ve included after the jump for comparison. I’m not sure what the marketing department at Dimension/Weinstein was trying to go for, but obviously some of them are Kubrick fans.

We’ve talked about these two films here before and you can expect a review of each of these films closer to their release dates. Until then, be sure to check out the larger versions of both posters after the jump. The Road opens on November 25th and Youth In Revolt opens on January 8th, 2010.