This week’s pick is the post Cold War thriller Crimson Tide which stars Denzel Washington and Gene Hackman as U.S. Submariners who clash over their orders to launch nuclear weapons in this Tony Scott action classic. Crimson Tide begins during a period of political unrest in post Soviet Russia when military forces crush a rebellion in neighboring Chechnya.

Violence begins to spread throughout other republics and ultra nationalists headed by a man named Radchenko criticizes American, British, and French involvement which cuts off aid to Russia as a protest of its hostilities towards its neighboring country. Radchenko’s forces seize a Russian ICBM missile complex and threaten to launch nuclear weapons if either the U.S. or its allies move in to stop him.

After several years of peace, the Cold War begins to heat up once again.

Some days it just doesn’t pay to get outta bed. First, the news broke this morning that Ridley Scott is jumping aboard the sequel/reboot train once again with a new Blade Runner movie which, let’s face it, is basically a terrible idea and completely unnecessary.

Now word comes that his brother Tony is prepping a reboot of Sam Peckinpah’s western classic The Wild Bunch. WTF? Sorry Tony, but that’s about as stupid an idea as rebooting or making a sequel to Blade Runner. Oh, wait. . .

Instead of mining classic films looking for good ideas you obviously can’t come up with yourself, how about finding some smart writers to come up with some ideas for you? I’m sure you can find one or two talented writers in all of Hollywood.

If you’re having trouble, I’ll get some friends of mine to send you over some scripts. Really, it’s no trouble. In the meantime, stick to making ridiculous movies about trains that won’t stop or trains that get taken over by terrorists or, well, you get the idea.

Please, leave the actual thinking to others. It’s painfully obvious you’re not capable of doing any yourself.

Oh, on another note, nobody plays baseball in the rain. It’s just stupid.

It was  surprising to find out that Unstoppable was indeed stoppable at the box office over the weekend.  The movie did extraordinarily well with critics and audiences alike, so its modest (but solid) take of $23.5 Million was a bit of a head scratcher. The Denzel Washington/Chris Pine action thriller is the fifth collaboration between director Tony Scott and actor Denzel Washington.

Megamind was the big winner of the weekend once again, adding another $30 Million to its two week total for a cumulative take of $89.8 M.  It dropped about 35% from its opening weekend, which is typical.  Megamind and Unstoppable both had per screen averages of around $7,000, which were the best of the top five this weekend.

The road comedy Due Date came in at third place with $15 Million.  Despite taking a 52% tumble from last weekend, the film is poised to break even with its budget. It has made $59 Million in two weeks, and its budget was $65 Million.

Skyline wasn’t screened for critics, and it has received some of the most scathing reviews of the year, but it still was able to scrape up $11.6 Million, good enough to place in fourth.

I’m somewhat at a loss to explain how good a film Unstoppable is. Once it starts, you think you know everything that’s going to happen—a train gets out of control, and two guys need to stop it. Along the way they’ll encounter some human obstacles and gain a few allies, and, oh yeah, the stakes have to be really high, but I’m getting ahead of myself.

Denzel Washington is the old hand working for the railroad company who knows all the tricks that those fancy, rich-and-inexperienced college kids (Chris Pine), with their degrees in Physics, Metallurgy, and What-Have-You think they do. Rosario Dawson plays the station controller racing-against-time and being the mediator who’s trying to juggle both Washington, trying to stop the train, and the head of her company, who’s trying to minimize the casualties and maintain the bottom line.

The situation itself begins harmlessly enough: Ethan Suplee is a dim-witted railroad worker who’s switching trains at the station and leaves his cab to manually change a switch. He fails to catch up to the train, and the situation escalates from there due to a series of train mechanics I won’t even attempt to describe. But the point is things get out of hand, and soon a half-mile freight train filled with combustibles and toxic gas is barreling at 70 miles per hour down the tracks and hell-bent on taking out a nearby city.

Coming on the heels of success from his last (and only) two film adaptations, comic writer Mark Millar is eager to bring his latest book, Nemesis, to the big screen. It seems like that plan is already in motion, as Twentieth Century and Tony Scott have acquired the rights and are looking to get Millar’s property into theaters in the near future.

The book tells a classic story with a twist: young Matt Anderson’s parents are killed and he vows to avenge their deaths by training himself and going after the man who did it. The twist? His parents were worldwide villains, and he is too. Anderson makes his way back to the states after killing the greatest cops across the world to focus on Chief Blake Morrow, the man who took down Anderson’s criminal parents.

Tony Scott has expressed interest in this being his next project, at least through his company Scott Free Productions. While the idea of Tony Scott directing a comic book adaptation gives the fanboy community the collective goosebumps, Scott may only remain attached as a producer.

Many know Millar as the mind behind other comic adaptations Wanted starring James McAvoy (now X-Men: First Class’s Professor Xavier) and Lionsgate’s recent Kick-Ass, which is already planning a sequel. Comics fans know Millars work from Superman: Red Son and plenty of issues of Marvel’s Civil War.

As far back as I can remember, I’ve been a fan of Denzel Washington. No matter what film he’s been in or if they’ve made money or not, he’s always fun to watch and a great actor as well. I’m sure most people would agree.

Conversely, people may criticize me for this but I’m also a fan of director Tony Scott. Sure, he’s not as artsy or sophisticated as his brother Ridley (His name is Ridley, after all) but he does know how to use a camera and call tell some pretty interesting stories when he puts his mind to it. So naturally, when these two get together on a film, as they have before for Crimson Tide and Man on Fire and now for the upcoming Unstoppable, I’m going to give that film my attention.

In the movie, Washington and Star Trek‘s Chris Pine are struggling to stop an out of control train before it derails on a curve and causes a toxic spill that will decimate a town. The trailer, while superbly put together, does seem to give quite a bit of the movie away. However, it does look pretty good — at least to me.

Judge for yourself after the jump. Unstoppable, which also features Rosario Dawson and Ethan Suplee, hits theaters on November 12th.

This could either be really cool or really lame. Either way, here’s the info about Ridley’s Scott’s new web series with, apparently, some connection to his 1982 sci-fi classic film Blade Runner. According to the New York Times:

On Thursday the film’s director, Ridley Scott, announced that a new division of his commercials company, RSA Films, was working on a video series called “Purefold.” The series of linked 5- to 10-minute shorts, aimed first at the Web and then perhaps television, will be set at a point in time before 2019, when the Harrison Ford movie takes place in a dystopian Los Angeles.

Mr. Scott, his brother Tony and his son Luke are developing the project in conjunction with the independent studio Ag8, which is run by one of the creators of “Where are the Joneses?” a British Web sitcom that solicited storyline suggestions from the audience. Similarly, “Purefold” will harvest story input from its viewers, in conjunction with the social media site FriendFeed.

But the series won’t be hewing too closely to the specific characters or situations in “Blade Runner.” Some of that material stemmed from the Philip K. Dick novel “Do Androids Dream of Electric Sheep?” which the “Purefold” creators do not have rights to.

“We don’t take any of the canon or copyrighted assets from the movie,” said David Bausola, founding partner of Ag8, who said he hoped the series would debut later this summer and that the first episodes would depict events about two years into the future. “It’s actually based on the same themes as ‘Blade Runner.’ It’s the search for what it means to be human and understanding the notion of empathy. We are inspired by ‘Blade Runner.’”

So, the show will have some elements of “dystopian Los Angeles” and be based on the same themes as Blade Runner. Interesting. Really, if they want to do a show about dystopian Los Angeles, they could set it in modern times and just drive around certain neighboorhodds looking for stories. There’s enough “dystopian” out there for ten web series.