For those not in the know when it comes to British pop musicians (we won’t blame you), Mika is a pretty big name in the world of UK Pop. He’s basically what Justin Timberlake is the US, but “across the pond.” He’s been on such shows as So You Think You Can Dance and Jimmy Kimmel Live, and now he’s even branching out into the world of comic book films, as his recent single is dedicated to the upcoming film Kick-Ass.

The song, appropriately titled “Kick Ass”, is a sort of anthem for the film, in which a teen wallflower decides to do something with his life and become a superhero. Other critics have referred to the song as “an updated version of the Highlander theme by Queen”, which makes complete sense. We can definitely see Mika becoming the modern day Queen, if only we could get an updated pop version of the Flash Gordon theme. Then we’d be in business.

Until then, check out Mika’s newest music video for the single, starring some of the cast of the film including Aaron Johnson, Chloe Moretz, and Christopher Mintz-Plasse. Be sure to catch Kick-Ass in theaters on April 16th of this year (or April 2nd if you’re in the UK.)

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When you go to as many film festivals and see as many movies as I do, it is refreshing to find a film from out of virtually nowhere that gives you renewed faith in the filmmaking process. During SXSW I was lucky enough to discover such a film: Gareth Edwards’ Monsters.

As I said in my review, Monsters takes several elements and blends them together well to create a director’s singular vision. It was one of my favorite movies from SXSW. I had a chance to sit down with the talented Mr. Edwards during the fest and over a couple of beers discovered the man behind the Monsters.

The Flickcast: First off, let’s talk a bit about your background.

Gareth Edwards: Sure, well, like a lot of people it all began when I saw Star Wars. I basically decided I wanted to join the Rebel Alliance and blow up the Death Star. But then I learned that it was all made up by someone called a filmmaker so I decided I wanted to be one of those instead.

TFC: A lot of directors like to plan out shots, do storyboards, etc. You didn’t even really have a completed script for Monsters, right?

GE: I had a scene by scene outline but I didn’t want to write dialog. Although, it’s funny when you say to an actor “I don’t want to write the dialog” then they say “Well I have to write it then.” But that’s not what I wanted.

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When I went to bed last night, lulled by the barrage of television spots for The Bounty Hunter, I had only one thought — the world needs more romantic comedies! I mean, we only have one coming out this weekend! And then we have to wait an entire week for The Last Song! You’re killing me Hollywood.

Thankfully, Ivan Reitman senses the need, and is coming to the rescue.  According to Variety, Reitman will be helming an untitled romantic comedy for Paramount. He’s lured Natalie Portman and Ashton Kutcher to star, and it already has a release date of January 7, 2011.

Penned by Elizabeth Meriwether, the script has the working title of Friends With Benefits. (If IMDB is to be believed, it had an even raunchier working title that rhymes with Muckmuddies.  I can’t imagine why they had to change that.) The story is being kept secret, but it revolves around how much easier it is to fall into a sexual relationship over something with emotional bonds.

In other words, friends with benefits. Reitman feels this is untapped territory when it comes to the genre of cute people in love.  “It’s an issue ripe for discussion.”

January 7, 2011. The day when Portman, Kutcher, and Reitman became pioneers in the field of cinematic romance. Mark your calenders. History will be made.

UFC Undisputed 2010 is already being billed as the top contender for fighting games for this year. With Brock Lesner as its headliner and over 100 members of the UFC roster playable in the game, it may feature the most unique number of matchups on any fighting game released this year.

And as last year’s titled has shown us, it isn’t about mastering combos like Down-to-Right + Strong Punch like the classic Street Fighter II days and racking up overblown combos. It is about innovative gameplay and strategy both on the players and developers part.

Ever trying to improve on their fighting systems like they did with the SmackDown vs. Raw series, THQ has announced some additional features making their debut in this year’s UFC Undisputed 2010:

• Full upper body and head movement with a new Sway System
• New Posture System that allows for stronger, fight-ending strikes from the ground
• Introduction of Southpaw stance and the ability to change stances during a fight
• Multiple MMA disciplines, including the new additions of Sambo, Karate and Greco-Roman Wrestling
• Variety of new strikes, submissions, transitions and cage positions

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For a few years now there has been plenty of talk about the possible remake of the 1972 film The Mechanic, which starred Charles Bronson and Jan-Michael Vincent. Many different major action players were considered for the role that Bronson originally played, including Sly Stallone and Vin Diesel, but it wasn’t until recently that pen hit paper and Jason Statham was signed to play hitman Arthur Bishop.

From there, it was a pretty easy decision to cast up-and-coming star Ben Foster as Steve McKenna, a role first made famous by Jan-Michale Vincent. In the film, Bishop is a hit man who is on his way out of the business and takes McKenna under his wing as a protege to pass along his legacy. Things, of course, go awry from there in an action-packed cacophony of violence.

Now, with both Statham and Foster filling in, it almost carries the same the same impact, with Statham coming off of a nearly 10 year run as an action star, and Ben Foster still working his way up the “leading man” ladder. The remake is also directed by action director Simon West, who has brought such films as Con Air and Lara Croft: Tomb Raider to the screen.

Check out the first trailer for the film after the jump, and be sure to catch The Mechanic in theaters on December 15th.

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I’m still anxiously awaiting the day I get to see Kick-Ass, and be as cool as our SXSW team that caught its Austin premiere. (Be sure to check out Shannon Hood’s review.)   But at least I could content myself with Mark Millar’s Kick-Ass: Creating the Comic, Making the Movie which the gang at Titan Books was kind enough to let me review.

Anyone who viewed the trailer knows that Kick-Ass is going to be a unique movie. One look at Chloe Moretz’s Hit Girl can tell you that much. But I hadn’t realized just how unusual its page-to-screen transition was. Millar was still in the process of sketching the book out when he approached Matthew Vaughn (licking his wounds after leaving Thor) about directing.

The movie took shape as the comic did, with Millar running back and forth between the production offices and his own keyboard, incorporating ideas from Vaughn and screenwriter Jane Goldman as he went. Characters who were meant to be minor players such as Red Mist took on a life of their own after they were cast, and ended up becoming major players in Kick-Ass’ story arc. If there’s a sequel to Kick-Ass, it may be entirely due to Christopher Mintz-Plasse single-handedly rewriting his character.

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Let me be gushingly frank.  If you are anywhere other than the SyFy Channel on Wednesday nights, you’re missing one of the coolest shows on television: Destination Truth.

Oh, I know what you’re thinking. SyFy Channel! Sure, they have Battlestar Galactica and Doctor Who, but it’s really just the land of classic films such as Wyvern and Manticore and the unconfirmed Sharktopus.  It’s the channel of camp, even if you are tempted by Ghost Hunters’ Halloween special.

Or maybe you’re secretly indulging in Ghost Hunters all the time.  I know I am.  It’s my one reality show pleasure.

At least it was. But I became so intrigued by Josh Gates’ enthusiastic SyFy spots that I gave in and watched Destination Truth.   Forget Ghost Hunters. This is now my reality show addiction.

The concept is silly:  Gates and his team go looking for monsters.  It’s cryptozoology at it’s silliest as he and his team race around dangerous locations looking for evidence of yetis, giant serpents, giant squid, and werewolves. They break it up with forays into the paranormal, and do a bit of ghost hunting or sail around the Bermuda Triangle.

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By now, you’ve read a dozen articles proclaiming the past year or so to be the Age of the Vampires. You have probably complained loudly about how many darn vampire movies and television shows there are. I know I have.

I make a few exceptions (you’ll pry my True Blood DVDs out of my cold, undead fingers) but for the most part, I could let most of the movies and television shows pass on by.  But we’re all going to have to make another exception for Sigourney Weaver.

According to THR’s Heat Vision, Weaver has joined the cast of Amy Heckerling’s vampire horror comedy Vamps.   The film centers on two young vampires played by Alicia Silverstone and Krysten Ritter who find their permanent youth, sexiness, and penchant for darkness a boon in the New York club scene.   But when they find true love, they face a difficult choice that threatens their immortality.

Weaver will play Ciccerus, a vicious vampire who turned both girls into bloodsuckers.   She’s also a queen vampire. Move over Evan Rachel Wood!  Weaver will have the power of Zuul at her back. Frankly, that’s why I’m excited to see her embrace her (campy) dark side. No one can play vicious like Weaver, and few have her dry comedic chops.

Even if the idea of a vampire romantic comedy immediately makes your fangs pop out, you have to admit this addition makes Vamps a lot more appealing.

Vamps is eying an April start.   Let’s hope all the blood isn’t drained of the trend before we get to see a goddess like Weaver have some fun with it.

This week sees the release of several new movies and TV shows, some for the first time ever on Blu-ray. Of the ones coming out this week, we’re excited for Ninja Assasin, new seasons of Hawaii Five-O, Monk, and South Park and the Blu-ray release of The Wizard of Oz 70th Anniversary Edition.

Oh, and there’s that Twilight movie coming out on Blu-ray this week you may have heard of. I think its called New Moon.

Check them out:

Movies

Armored ~ Matt Dillon, Laurence Fishburne (Blu-ray and DVD)

Astro Boy ~ Nicolas Cage (Blu-ray and DVD)

Bandslam ~ Vanessa Hudgens (Blu-ray and DVD)

Broken Embraces ~ Penélope Cruz (Bl-ray and DVD)

Did You Hear About the Morgans? ~ Sarah Jessica Parker, Hugh Grant (Blu-ray and DVD)

Fallen Angels ~ Leon Lai Ming, Karen Mok (Blu-ray and DVD)

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The Train Robbers has been sitting in my Netflix queue for ages, hoping every Tuesday night that I’ll finally pick it for a Western Wednesday.  It may have stayed there forever had not Justin Gray suggested it.  Gray, as you should know by now, is coauthor of the DC series Jonah Hex. If he says “You should watch The Train Robbers!”, you call up the Netflix queue, and then you apologize to John Wayne that you required someone to intercede on his behalf.

However about halfway through, I began wondering if I had picked the right movie.  Nothing was happening. The villains were a dustcloud shrouded bunch who just thundered around,  Ann-Margaret was getting on my nerves,  the sidekicks were blurring together, and Wayne was just being Wayne.  I checked the clock and was relieved to see there was only about 15 minutes left.

And in that 15 minutes, The Train Robbers becomes an epic, edge-of-your-seat Western that just beg the question “Why the heck did they save up all the good stuff until now?” There’s explosions, a dynamite-loaded mule, guns, a creepy town,  a train used as an entire weapon, and a big twist.  It’s really one of the best action pieces I’ve seen in a Wayne Western.

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Due to much of The Flickcast team (including Chris) being in Austin for SXSW and the power outages on the East Coast, sadly we won’t be able to bring you a new episode of The Flickcast this week. However, don’t despair as we’ll be back next week with an all-new episode featuring great info from SXSW, the Syfy upfronts, Emerald City Comic Con, Captain America and a whole lot more. It should be a rocking episode.

In the meantime, check out some of our favorite episodes from the past to help you handle the waiting until next week. And don’t worry, seven days really isn’t that long.

The Flickcast – Episode 39: First Flight

The Flickcast – Best of 2009 Special

The Flickcast – Episode 36: Avatar Schmavatar

The Flickcast – Episode 32: Eclipse

The Flickcast – Episode 31: Attack of the Clones

With less than a week to go until the highly anticipated release of Pride and Prejudice and Zombies: Dawn of the Dreadfuls (prequel to publishing phenom Pride and Prejudice and Zombies), Quirk Books has released a blood-soaked trailer for fans to get a glimpse of how the Bennet sisters became formidable zombie killers.

The terrifying and hilarious prequel is a coming-of-age story details the origins of the zombie plague in early-nineteenth-century England and how the five Bennet sisters go from clumsy country lasses to savage slayers of the undead. Fans of the beloved Elizabeth Bennet will witness her clumsy first attempts at training with nunchucks and katana swords to mastering the placement of a ninja star in a zombie’s neck (tasty!).

Written by Steve Hockensmith, Pride and Prejudice and Zombies: Dawn of the Dreadfuls will be available at a bookstore near you on March 23.

Catch the gory (well, 19th-Century gory) two-minute trailer after the jump

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