This week On the Radar George Lucas seeks to capture the minds of even younger viewers, Image Comics takes a shot at Marvel, and one of the most famous music videos of all time may go 3D.  All that and whole bunch of other fun stuff!

Crispin Glover talks Back to the Future controversy

Personally, I didn’t realize Back to the Future was mired in any kind of controversy, but it is.  Speaking at a promotion for Hot Tub Time Machine, Crispin Glover, who played Marty McFly’s (Michael J. Fox) Dad spoke about the raw deal he was dealt after the first film came out:

“On the DVD to the Back to the Future trilogy, Bob Gale has said something that’s totally fabricated,” Glover told a group of reporters at this weekend’s press junket forHot Tub Time Machine. “He said I asked for twice the amount of money that Michael J. Fox asked for in the first film. In the negotiation for the second film, they offered me less than half of what any of the actors that were being asked to come back in the film—Michael J. Fox, Christopher Lloyd, Lea Thompson and Tom Wilson. They had all done studio films, and they’d made a lot more money. I was being penalized.”

Interesting stuff.  Mind you, considering the somewhat lackluster opinions of the second and third film maybe Glover got off easy by not being in them.

Jamie Foxx to star in Kane & Lynch video game adaption?

There hasn’t been a lot of talk about the film adaption of video game Kane & Lynch other than it could star Bruce Willis as Kane.  Now, another big name is being tossed around to play opposite Willis, Jamie Foxx.  Developed by IO Interactive Nu Image/Millennium is set to finance with Lionsgate distributing.  While I’m confident in the actors involved, video games are not well known for the best of translations to the big screen.

George Lucas bringing Galactic Heroes to TV

Ask any “real” Star Wars fan and they will probably tell you that The Clone Wars cartoon is pretty childish.  Well, prepared to consider that more mature entertainment.  Looking to draw in even younger viewers to the Star Wars universe, George Lucas is working on a cartoon adaption of the Star Wars: Galactic Heroes toy line.  You know, those chunky figures with a whopping two points of articulation (usually the arms).  Worse yet, this problem means more screen time with the one Star Wars character that can relate best to 3 year olds-Jar Jar Binks.

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From The Hollywood Reporter comes news that AMC, the cable network that has given the world Mad Men and Breaking Bad (we’ll just forget that The Prisoner remake ever happened) has officially picked up the pilot for The Walking Dead.

The show is based off the comic book series, created by Robert Kirkman and published through Image Comics. “Master of all things” Frank Darabont, having made the movies The Shawshank Redemption, The Green Mile, will be joining the project as well.

Darabont is currently attached as executive producer, writer, and most impressively director of the (hopefully successful) pilot.

The comic book series follows a group of survivors after a zombie invasion that has, naturally, destroyed all of civilization, along with the pressures and drama that stem from that. There’s no word on how closely the pilot will stay to the original material, or casting of any of the characters. Unfortunately, and most importantly, there is currently no set date on when I can start watching it!

Happy Holidays everyone, and just in time for those holidays there are some excellent comics coming out this week.

From DC Comics, we have the constantly-getting-better Detective Comics. I swear to God, this book just gets better and better with every issue. If you’re not buying this book than you are missing out on one the most groundbreaking comics of the year.

From Image, we have the line of Image United comics. With art by the founding fathers of Image and written by Robert Kirkman, this is sure to be a collector’s dream.

I’m most looking forward to the new issue of Jonathan Hickman’s Fantastic Four, I think this book is in my early running for Best Continuing Series, if I was allowed to vote for the Eisners. Dale Eaglesham is off for two issues but I’m sure that it won’t slow down the brilliant writing that Hickman is doing with the characters.

I’ll also be checking out the spoilerific Captain America: Who Will Wield The Shield book. Now that Steve Rogers is officially back, it’ll be intriguing to follow the reaction.

That’s all I’m getting this week. As always, we here at The Flickcast care about what you read so let us know what you liked/didn’t like in the comments. Otherwise, check out the complete list at Midtown Comics.

Have a Happy Holiday!

Welcome to another edition of The Pull List Comic Reviews! The latest mutant milestone issue gets top billing, Spidey winds up in the wrong sandbox and Guy Gardner sees a whole lot more than just red. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

X-Factor #200
Marvel Comics – $4.99 US
Writer: Peter David
Artists: Bing Cansino, Marco Santucci, Karl Moline
Score: 9.5/10

X-Factor Investigations makes the move from Detroit to New York in hopes of wrangling some new clients of the super-hero variety, but when their first client winds up being Franklin and Valeria Richards – the children to Reed and Sue Richards of the Fantastic Four – the team realizes that all is not what it seems.

Long-time X-Factor scribe Peter David continues to mix jaw-dropping plot bombs with great characterizations and intelligent humor in this over-sized anniversary special. The mystery of the missing Invisible Woman, on it’s own, is a great story, but throw in Monet’s father being abducted by terrorists, Siryn’s shocking rendezvous with an old flame (hint: he’s nuts) and Layla Miller’s surprising allegiance to Latveria, and you’ve got one hell of a jump-on issue.

The art team of Bing Cansino and Marco Santucci do a great job of pacing this mammoth story, and their takes on the characters are both familiar and fresh. With a title that relies heavily on many speaking scenes, which should come as no surprise to current readers, their art is right on the money, but they also flex their proverbial muscle in the action scenes, especially where the Thing is involved.

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Welcome to another edition of The Pull List Comic Reviews! This week, the Blackest Night event takes center stage, Bendis and Oeming make a triumphant comeback and Archie gets married (again). As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Blackest Night #5 [of 8]
DC Comics – $3.99 US
Writer: Geoff Johns
Artist: Ivan Reis
Score: 9.0

The mastermind behind the dead rising stands revealed as the Blackest Night prophecy inches towards becoming true, but will the unified heroes of the world have enough to stop it? Not if a late dinner guest bearing gifts has anything to say about it.

Geoff Johns welcomes you all to hell. How could he not? In the thirty plus years that I’ve been reading comics, I can’t remember a time when things looked so grim in a story thanks to this issue. The big guns of the Justice League arrive in time to assist the Flashes – Barry Allen and Wally West – in confronting Nekron as the Black Lanterns’ power battery reaches full charge. Fast forward to the end of the issue and only two heroes remain standing while the rest are chomping at the bit, dying to feast on some good, old fashioned heart muscle. And this is only the fifth issue in an eight-issue series?!? Wow.

Johns, along with artist Ivan Reis, are obviously toying with us and giggling madly along the way. The re-emergence of “Bruce Wayne” – his name was in quotations in the issue as well – signaled that the next phase was about to begin, but what he did to heroes like Superman, Wonder Woman, Green Arrow, etc I don’t think anyone saw coming, characters and readers alike. The sixth issue cannot get here fast enough, if you ask me.

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Welcome to another edition of The Pull List Comic Reviews! We’ve got a lot off good issues to get through, so let’s get to it. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

S.W.O.R.D. #1 – Marvel Comics – $3.99 US
Writer: Kieron Gillen
Artists: Steven Sanders, Jamie McKelvie
Score: 9.0

Spinning out of Joss Whedon and John Cassaday’s seminal Astonishing X-Men run, S.W.O.R.D. is the new title focusing on the organization entrusted to ensure that alien invasions are kept to a minimum. The Sentient World Observation and Response Department’s co-commander, Abigail Brand, has enough on her plate as it is, but having Henry Peter Gyrich – yes, THAT guy – as your co-commander simply can’t be a good thing.

After making a name for himself with the critically acclaimed Phonogram series, Marvel thought that writer Kieron Gillen would be able to handle the launch of a new, ongoing series that has a lot of ties to it, and boy were they right. The juggling parallels between what Agent Brand must endure and the various plot threads that Gillen must keep going wasn’t lost on me; in fact, I’d say it only added to the story’s flow. Imagine Men In Black done up right.

So new that he could be considered a rookie, artist Steven Sanders is anything but. Sharp, clean pencils fill this issue from cover to cover, and while his interpretation of how Beast looks takes a little getting used to, ultimately it’s nit picking on an otherwise near-perfect comic. His rendition of Gyrich, especially, should be noted, as the character has never looked more dick-ish.

About as entertaining as an issue can be, this first issue manages to draw you in with quirky moments – Beast’s lovesick commentary, Lockheed’s binge drinking – and stunning revelations – hello, Kitty! – made this an incredibly easy selection for our Pull of the Week.

OTHER PULLS:

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Welcome to The Pull List Comic Reviews! It was a great week for comics as every issue got a really good score, including a surprising (for me, anyway) Pull of the Week. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Sugarshock – Dark Horse Comics – $3.50 US
Writer: Joss Whedon Artist: Fábio Moon
Score: 9.5

Being the lead singer and guitarist of a band can require quite the juggling act, but what if one of those tasks involved saving the Earth? Luckily for us Earthlings, Dandelion has it all under control… somewhat. You see, her band, Sugarshock, has been requested in a battle of the bands, except there are no bands, and they’ll be battling to the death with the planet’s future on the line. Will they save the day or fall between the cracks into obscurity, or worse?

This isn’t your ordinary band, however. The drummer goes by Wade, who also happens to be an alien princess who looks human and can’t say “no” to groupies. Her “mystically enhanced bodyguard,” L’lihdra, doubles as the band’s other guitarist and the bassist is Robot Phil, which pretty much says it all. If there ever was a more rag-tag team of misfits, I’ve yet to see it.

I don’t know where to even begin with this issue. Originally appearing on MySpace’s Dark Horse Presents anthology in 2007, the three-part story is collected here along with Fábio Moon’s sketchbook and Editor Scott Allie’s notations, making for a nice, complete package. In other words, this is as close to perfect as I’ve seen since I started writing the Pull List Comic Reviews. Joss Whedon, who has always had a firm grip on female leads, inflects his usual witty banter but ups it to a whole new level. His characters are, in some cases, out of this world, and you can’t help but fall in love with every single one of them.

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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Welcome to the new The Pull List Comic Reviews! We’ve expanded our weekly offering of comic reviews to a whopping 10 issues each week, so kick back, enjoy and let us know what caught your eye this week! Also, the prerequisite WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Daredevil #501 – Marvel Comics – $2.99 US
Writer: Andy Diggle Artist: Roberto De La Torre
Score: 9.5

Following the events of Daredevil #500 and the Dark Reign – The List: Daredevil one-shot, Matt Murdock is now in control of The Hand. But what he doesn’t know is that other players are moving their chess pieces into position, and Matt doesn’t like surprises. Meanwhile, Foggy and Dakota try to figure out what Matt’s up to over a box of doughnuts.

Writer Andy Diggle has really amped up the playing field for Daredevil and his little corner of the Marvel Universe, so much so that you might not recognize your favorite horned-hero once you get to the end of this issue. Diggle has managed to dramatically shift the title character into new, uncharted territory, and admittedly it’s a great ride. Sacrifices aside, this is definitely not your daddy’s Daredevil…

I think one of the keys to making a Daredevil story great is the choice of artist. Many artists have come and gone with a few making significant contributions to the character – Frank Miller, Bill Sienkiewicz, David Mack and Alex Maleev come to mind – so it’s no wonder that artist Roberto De La Torre fits right in with some really beautiful work. This could be the run that puts him firmly in the public’s eye.

Overall, a near-perfect issue that’s also suited for newcomers to jump on board. Even if you missed the aforementioned issues leading into this new arc, do yourself a favor and enjoy what most people will be talking about this week.

OTHER PULLS:

Astonishing X-Men #31 – Marvel Comics – $2.99 US
Writer: Warren Ellis Artist: Phil Jimenez
Score: 9.0

When S.W.O.R.D. Agent Abigail Brand has a run-in with The Brood, narrowly escapes and is on a collision course for San Francisco, who’re you going to call? That’s right, the Astonishing X-Men! Naturally, Abby’s boyfriend Beast jumps at the rescue mission to save his sweety, but what really raises eyebrows here is the return of Laurie Collins, also known as Wallflower. Not all is how it seems, however…

Superstar writer Warren Ellis has proven that he’s not perfect, if the last arc is any indication. He’s not a superstar for the hell of it, though, as he bounces back in a big way with this first installment. Full of action and those X-Men moments we know and love, this issue’s got everything we could possibly want. But how does new-to-the-title artist Phil Jimenez compare to the previous arc’s Simone Bianchi? It’s a step up, no question about that. Jimenez’ art is dynamic in every sense of the word, which makes it a no-brainer for this title, especially if Ellis continues to make this story as fun as the first chapter was.

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To check out yesterday’s reviews of “things that should stay dead”, make sure to click here for yesterday’s The Pull List.

Fall Out Toy Works #1 – Image – $3.99

Score: 7.0

When Gerard Way from My Chemical Romance had a hit on his hands with two successful runs of The Umbrella Academy miniseries with more on the way, it was inevitible that other musicians would give it a go in the comic world. Like Claudio Sanchez from Coheed & Cambria who will be debuting Kill Audio soon (whom we will be posted an interview with soon), Fall Out Boy’s Pete Wentz has thrown his hat in the ring as the co-creator of a work “inspired by the ideas & lyrics of Fall Out Boy” called Fall Out Toy Works. A struggling toy maker who only makes one of a kind robotic toys is approached by a man referred to as the Baron.

The Baron, who has made his money through somewhat questionable means as well as mass production wants the Toy Maker to create a robotic woman for him as his team’s previous attempts have ended less than favorably, like the most recent robotic wife letting herself fall out the window of a high rise building. Inspired by the Fall Out Boy song “Tiffany Blews”, the book also features one of the Toy Maker’s other creations a depressed robotic boy in a bear suit as well as a sentient cell phone who looks like a bee in a bowler hat and acts as the consciousness of the Toy Maker at times.

While well written by Brett Lewis, the concept doesn’t feel new. For the most part, the story feels like a traditional Japanese anime or manga story. Not being a huge fan of manga, it takes a little while to get in to the story as even the futuristic landscape shares that style at times. At the same time, there are a lot of deep layers examined throughout the course of the issue especially focused on creating “a woman” and basically playing God.

These questions are looked at subtley and are often repeatedly hit over the head of the reader as the Toy Maker faces this moral dilemma to work for the Baron or let his factory go under. Through the issue, the Toy Maker is explored thoroughly as he questions not only his ability to make what the Baron is looking for, but also the effects doing so might have on him as he succeeds. This is accomplished really well as he sits with a Japanese server at the Baron’s Doll House establishment.

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