Anybody who’s been to a theater in the past year or so knows that zombies are all the rave today. From Sony’s Zombieland bringing in nearly $65 million in a matter of weeks, to the sudden resurgence in the work of George A. Romero, zombies are neck-and-neck with vampires these days.

With that said, of course the craze is bound to hit the video game world, as it did in spades with last year’s Left 4 Dead. The game managed to cram every zombie movie scenario into a first-person shooter to make you feel like you were really fighting for your life against an army of the undead, as scary as that sounds. While there were some pretty haunting moments in the game, there really isn’t anything as cathartic as blowing up zombie heads.

Like clockwork, game developer Valve (along with EA Games) is releasing the sequel to the highly-praised game this year around the same time. The characters are all new, as are the settings, but the most important is the new storyline. Many games these days are more compelling than some films, and the newest trailer for the game only proves that further.

Check out the Zombie Survival Guide trailer after the jump, and be sure to race to the game stores on November 17th when the game gets a nationwide release.

Continue Reading →

As a big fan of horror movies and the zombie sub-genre, I really wanted to like George A. Romero’s Survival of the Dead and was prepared to give it the benefit of the doubt as much as possible. Although, my expectations were pretty low after Romero’s last two zombie movie efforts Land of the Dead and Diary of the Dead. Sadly, this film didn’t even manage to rise up to the level of my lowered expectations and is, instead, a heavily flawed and often very bad addition to Romero’s body of work.

Still, this is the man who basically invented the zombie film genre, so attention must be paid and respect given for his enduring legacy as one of this country’s innovative artists. But something has obviously gone a bit off kilter and the writer/director seems to have lost his way. I’m not sure how this phenomenon works exactly, but somewhere along the way a director seems to lose his vision.

After several great and innovative films the later films start to get worse and worse. Unfortunately, George Romero seems to have fallen into that trap, much like another acknowledged master of horror John Carpenter seems to. Look at Carpenter’s last few films and tell me they are as good as his earlier work in The Thing, Starman, Escape from New York and, of course, the original Halloween.

Continue Reading →