There’s a breezy charm to Jonah Hill. His nervousness is not on the level of Michael Cera, nor is he as biting a social observer as Seth Rogen. He just eases into the world, fires off some quips, and seems perfectly happy to stay where he is—good enough is good enough, and that’s just fine. Though that’s the roles he plays, I can’t speak much for the guy himself.

Nevertheless, The Sitter recognizes that and enjoys putting him in every situation possible to make him squirm. Jonah plays Noah (both biblical names, and both would be appropriate to describe the character), a 20-something jobless slacker with priors living at home with his single mother. If that weren’t enough, his something of a girlfriend Marisa (Ari Gaynor) refuses to, uh, toss him a lifejacket when he goes swimming below the equator (that’s so vague I’m not sure I even get it). And he’s dad’s a crook who ran away with Noah’s sitter, fathered another child, and runs a successful diamond business while neglecting to pay alimony. Damn.

Through a series of events (what the hell—his mom has a double date, the other couple’s sitter cancels, and Noah’s guilted into filling the role), Noah ends up as sitting for some friends three children, whose personalities range from closeted homosexual (not really a spoiler, since it’s announced in the kid’s first scene), trash-diva-in-training, and Danny Trejo’s illegitimate child—Slater (Where the Wild Things Are‘s Max Records), Blithe (Landry Bender), and the adopted Rodrigo (Kevin Hernandez), respectively.

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That’s right, this film should be known as being from the mind of Chris Miller and Phil Lord. The team that brought us Cloudy with a Chance of Meatballs and MTV’s short-lived animated series Clone High.

One could say that the film’s focus points are Channing Tatum and Jonah Hill, but if you look at their track record lately, I’d be much more open to see a movie by Lord & Miller than the guys that starred in G.I. Joe and Get Him to the Greek.

The film is obviously a reboot of the classic 80s cop drama starring Johnny Depp and Richard Grieco, about two beat cops that have to go undercover in a local high school to take down the drug lords poisoning our youth.

The red band trailer is here now with tons of swearing and teen endangerment, so fun for the whole family! Check it out after the jump, and catch 21 Jump Street in theaters March 16th.

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These days when you hear about reboots or sequels to classic 80′s franchises, the only thing that comes to mind is a shutter. With things like Footloose or Fright Night trying to take over theaters, it’s hard to believe that a good idea could float to the top.

That’s where Dan Aykroyd’s script for Ghostbusters 3 comes into play. Rumors have been floating around for over a decade about the proposed third film in the franchise, with names like Steve Carell, Jonah Hill, Eliza Dushku, and Alyssa Milano being thrown about, but Aykroyd is here to tell us exactly what we can look forward to, in an ambiguous sort of way.

In a recent episode of The Dennis Miller Show, Aykroyd finally answered the questions we’ve all been waiting for: Will there be a third film?

Yes, we will be doing the movie and hopefully with Mr. Murray. That is our hope. We have an excellent script. What we have to remember is that ‘Ghostbusters’ is bigger than any one component, although Billy was absolutely the lead and contributive to it in a massive way, as was the director and Harold [Ramis], myself and Sigourney [Weaver]. The concept is much bigger than an individual role and the promise of ‘Ghostbusters 3′ is that we get to hand the equipment and the franchise down to new blood.

So the idea of Jonah Hill or Eliza Dushku may not be too far off. The sad part is when Aykroyd explains what has happened to our favorite members of the team 20 years later.

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Since the early 90s, babysitter films have become a lost art. Films like Adventures in Babysitting, Don’t Tell Mom the Babysitter’s Dead, and several others with the occupation in the title have faded away into 80s obscurity. Until now.

The ever mass-changing Jonah Hill has got a brand new movie to promote, in which he’s finally the lead, and he’s the world’s worst babysitter. Here’s the premise:

A comedy about a college student on suspension who is coaxed into babysitting the kids next door, though he is fully unprepared for the wild night ahead of him.

The beauty is in its simplicity, really. Directed by Eastbound and Down creator David Gordon Green, the film will definitely raise a few flags in terms of “child endangerment”, but that may just work in its favor.

Check out the full red band trailer after the jump, and catch Hill in The Sitter on December 9th.

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The upcoming film Moneyball has already had its share of problems. After being shutdown only days from shooting in 2009, the film finally found its way back into production with a new director, Bennett Miller, and will be released later this year.

As the release is getting closer, we’ve got the first trailer for the film today from the folks over at Yahoo Movies. In this one we get an earnest Brand Pitt and a rebellous and wisecracking Jonah Hill.

Together, they make an unusual odd couple but at least in the trailer, the odd pairing seems to work. Now if the film can only live up to all the hype surrounding it and Pitt and Hill can really pull things off.

Well then, friends, we may just have a homerun on our hands. See what I did there? Sports metaphors and all that. . . nevermind.

Moneyball, which in addition to Pitt and Hill features Philip Seymour Hoffman, Robin Wright and Chris Pratt, hits theaters on September 23rd. Check out the trailer after the break.

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As with NBC earlier today, Fox jumped into the fray and announced its primetime schedule for next season also. The network has one new drama, Terra Nova, three comedies, New Girl, I Hate My New Daughter and the animated Allen Gregory, launching in the fall.

Dramas Alcatraz, the Bones spinoff Finder and animated comedy Napoleon Dynamite drop in midseason. Prehistoric drama Terra Nova wil anchor the network’s Monday lineup at 8 PM with House moving to 9 PM. House will return to 8 PM in midseason to help launch the J.J. Abrams show Alcatraz.

Fox is keeping the Tuesday comedy block with New Girl joining Glee and Raising Hope. I Hate My Teenage Daughter will launch after X-Factor. Also remaining where it is is American Idol on Wednesdays and Thursdays. Thank goodness for that, right?

Obviously, we’re happy to see Family Guy and Fringe back for next year. It just would have been nice to see Human Target get another chance. That could have fit nicely in the hole left by Terra Nova once it gets cancelled.

Yes, we’re cynical about Fox so we assume they will cancel the show just when it starts to get interesting. Fox, this is why we can’t have nice things.

Here are Fox’s fall and midseason schedules followed by descriptions of the new shows:

FOX FALL 2011 PRIMETIME SCHEDULE

MONDAY
8:00-9:00 PM  - TERRA NOVA (new)
9:00-10:00 PM  - HOUSE

TUESDAY
8:00-9:00 PM  - GLEE
9:00-9:30 PM  - NEW GIRL (wt) (new)
9:30-10:00 PM  - RAISING HOPE

WEDNESDAY
8:00-9:30 PM  - THE X FACTOR Performance Show (new)
9:30-10:00 PM  - I HATE MY TEENAGE DAUGHTER (wt) (new)

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Megamind is the latest animated 3D offering from DreamWorks Animation studios. It  is cute and  clever, but it has the disadvantage of coming out after Despicable Me, another animated film that was released earlier this year. Ultimately, that leaves Megamind feeling a bit stale and not particularly original, but it should provide for a fine family night out at the movies.

Will Ferrell is well cast as the voice of Megamind, a villain who has gone toe to toe with his nemesis “Metro Man” (voiced by Brad Pitt) for decades. They have been vying for bragging rights over Metro City, the place they both call home.

A charming opening sequence shows a flashback of  the two characters as infants, when they were sent to earth (separately) from other planets. Metro Man is embraced as a gift from the gods by his surrogate parents, and is blessed with the chiseled good looks of a movie star.  He grows up  adored and admired by all who come in contact with him.

In stark contrast, Megamind grows up misunderstood and under-appreciated in a prison, saddled with a bulbous head and blue coloring.  His only friend is a minion (David Cross) who is sent to earth with him. Megamind was not always a villain; it is only after getting beat down time after time by his peers that he embraces his inner evil. It becomes his coping mechanism of sorts.

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Yesterday, we brought you 3 awesomely hilarious clips from next weekend’s big animated release, Megamind, and if you didn’t think that was enough, we have 3 more for you.

We have more than enough faith in most things super hero these days, but when the film is opening against Skyline and Due Date, expect it to either blow everything out of the water, or get left behind in a race between Hangover fans and sci-fi fans.

Megamind has enough name credit behind itself to make a big enough splash, but fighting names like Robert Downey Jr. and a bunch of explosions, it may be a tough sell for November.

If you’re still teetering on which movie to spend your $10 on, check out some great new clips for the film after the jump, and be sure to make your decision by November 5th.

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Feel like the superhero hasn’t gotten enough play this year? Neither have we. Sure, Iron Man 2, Kick-Ass, and countless other genre films hit theaters this year, but those were all months ago, so let’s look to the now. And there’s nothing more “now” than Dreamwork’s Megamind.

Starring an gigantic voice cast of Will Ferrell, David Cross, Tina Fey, Jonah Hill, and Brad Pitt, the film takes the classic “good vs. evil” idea to a whole new place as the villain actually becomes the hero in this zany sci fi animated film.

We’ve got a bunch of new clips that we’ll be bringing you over the next week, starting with three pretty funny ones today. Be sure to check them out after the jump, and catch Megamind in theaters on November 5th.

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Every good super hero tale needs an even better origin story. Well, the same goes for super villain tales, and that’s quite clear as the release date for Dreamworks’ twist on the classic “Good vs. Evil” battle in Megamind starring Will Ferrell and Brad Pitt.

With Madagascar director Tom McGrath taking the helm and a very impressive voice cast including Ferrell, Pitt, Tina Fey, David Cross, and Jonah Hill, there is very little stopping this film from becoming the next Incredibles, which is exactly what Dreamworks is hoping for.

Nickelodeon also has faith in the film, as they’ve released the first five minutes of the film online, which gives us an inside look at the origin of both Metro Man and Megamind. Of course there are allusions to other great comic tales, just done with that Will Ferrell style of humor.

Check out the first five minutes after the jump and catch Megamind in theaters and 3D on November 5th.

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Cyrus is the kind of independent movie that makes me love independent movies, so it might seem paradoxical that I don’t want to write this review. I just want to tell you to go directly to your nearest theater and see it, without knowing anything about it beforehand. But I do have to write something, so as much as possible, I will eschew plot summary, and only endeavor to persuade you to go see it, right away.

Cyrus is made by the Brothers Duplass (Mark and Jay), who have climbed into Hollywood by way of the Mumblecore trapdoor. The Duplasses made their name with their first two features, Puffy Chair and Baghead, but they’ve matured with incredible speed, and Cyrus is a big step up.

A love triangle such as you’ve never seen before, Cyrus is the story of John, a shambling mess of a man (John C. Reilly) who describes himself as “like Shrek,” Molly, the lovely woman who accepts him as he is (Marissa Tomei), and Cyrus, the twenty-one-year-old son (Jonah Hill) who still lives with her.

Those are capsule character descriptions, and as such, they are wholly inaccurate. For this movie is all about character, and the ways character can manifest and change, all in an instant. You would think this movie was a thriller, the way it places you on alert. The tone is so wobbly (which is not to say inconsistent, or uncontrolled) that from moment to moment, scene to scene, I literally had no idea what was going to happen next. It made me realize how formulaic almost all scripts are. They follow the three-act or five-act rules and the audience obediently holds on for the predictable ride.

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By Shannon Hood

Reprinted from the SXSW Film Festival, 3/17/2010

Mark and Jay Duplass caused a bit of a commotion at Sundance and SXSW in 2005 when their feature film The Puffy Chair debuted to rave reviews and serious buzz. The brothers’ approach to filmmaking was so innovative that they had a new genre of film named after them: mumblecore.

Mumblecore is an indie genre characterized by low budget, improvisation, “non-actor” actors, and plots dealing primarily with personal relationships. The brothers followed up The Puffy Chair with Baghead (2008.)

Even though Cyrus cannot be categorized as pure mumblecore, it is certainly heavily influenced by the Duplass brothers’ earlier films. The movie stars well known comedic actors Jonah Hill (Superbad) and John C. Reilly (Walk Hard: The Dewey Cox Story), as well as Oscar winner Marisa Tomei (The Wrestler.)

John C. Reilly is wonderful as John, a downtrodden divorced man who finds out that his ex-wife Jamie (played by Catherine Keener) is getting remarried, and wants him to attend an engagement party. Humiliating stuff for even the most confident of men, and John is far from confident.

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