Whats this, another special edition of Film Score Friday? That’s right, with the massive summer season beginning in just a few short weeks I wanted to spend a little time now on a topic I have long wanted to write about, famous film composers who have written classic TV Themes.

Many famous film composers have taken their talents to the small screen, writing music for pilots or crafting original main themes. Unfortunately a lot of that really great work goes under valued in the overall catalog of these talented musicians. In this week’s Film Score Friday I aim to make up for some of that oversight, and spend some quality time focusing on some of the great TV work these renowned film composers have done.

-John Williams-

The best place to start is with the most famous of all film composers, John Williams. Back in his earliest days Williams, then known as Johnny, wrote music for TV shows. He did music for the pilot episode of Gilligan’s Island, The Time Tunnel and Land of the Giants, but his most famous early TV work was writing for Lost in Space.

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Silva Screen Music is a class outfit, they release really good music and great collections from some of the top composers and movies of today. In the past we looked at their collections of music from Hans Zimmer and James Horner, as well as a well put together a great best of album from the Transformers trilogy. Today we take a peak at their big end of the year release, ‘Film Music 2011′.

This collection, performed by the City of Prague Philharmonic and London Music Works, is a highlight reel from the most high profile film scores of the year. The music chosen for this set  isn’t necessarily the very best music of the year, but it is certainly a snap shot of what 2011 was for film and film music. We are in award season, so we will have plenty of lists and collections of the “best” music, but in this album you will find tracks that rank among many fan’s “favorites” of the year.

Interestingly enough, many of the movies represented on this album are scores I have previously reviewed, but only twice are one of my favorite tracks actually on this album. At first this caused me to roll my eyes and dread the listening experience. Not because I disliked the tracks, but because I felt they were passing over the better tracks for more obvious and less interesting choices.

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PIXAR began taking the cinematic world by storm in 1995 with the original Toy Story. Part of what made that film so good was the songs and score by Randy Newman, who would go on to write music for the next three PIXAR films. For the fifth film by the studio, Randy’s cousin Thomas Newman stepped up to the plate for the Finding Nemo score. It began to look like the Newman scoring dynasty had the monopoly on Disney’s golden goose.

That was until PIXAR brought in an outsider to direct their sixth film, The Incredibles. Brad Bird brought on young TV composer Michael Giacchino to write the Bond-tastic music and the rest is history. Giacchino has since won an Oscar, and was nominated for another, for his work with PIXAR and now has come full circle with another international spy influenced score for Cars 2.

There are few things that are a certainty in life, and it is starting to become obvious that one of them is Giacchino’s PIXAR scores are some of the greatest pieces of music written in the last decade. Cars 2 is absolutely not an exception to that rule. The music is fun, exciting and catchy as all hell, I instantly find myself whistling and humming along with the tracks. I have only been with the CD for a week and I already count it as being as good as the best scores from last year.

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We’ve been following this one for a long time since the days when we only knew a bit about the story. Fortunately, over the months we’ve gotten more and more info about J.J. Abrams Super 8, including a poster and a couple trailers.

Now, as the movie is getting even closer to its release date, we’ve got more to share with you in the form of an actual clip from the movie.

In this one we’re given a bit more of the scene where the kids are making the film that causes all the trouble. Unfortunately, a lot of it is the same footage we’ve seen already including the truck versus train explosion and the kids running from it.

It does, however, play up the obvious budding romance between the main kid and the girl that almost gets away. I wonder if, during the course of the film, those two crazy kids finally get together? And by “get together’ I mean hold hands or have one very innocent kiss, much like Elliott did during the “free the frogs” sequence in E.T. It is a Spielberg homage, after all.

Even if we have seen a lot of it before in other trailers and whatnot, it only serves to enhance my desire to see the entire film. Damn you Abrams, you got me.

Check out the new video after the jump. Super 8 arrives in theaters on June 10th.

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By Shannon Hood and Jane Almirall

Each day we will provide you with capsule reviews and impressions of the films we see at Fantastic Fest, along with any activities or interviews we attend.  Complete reviews and interviews can be found on the site in upcoming weeks.

Day one of fantastic fest we hit the ground running and went straight from the airport to pick up our press badges.  We managed to cram in three screenings for the day, starting at 4pm.  Not too shabby.

Screening: Stone. Directed by John Curran and starring Edward Norton, Robert De Niro, Frances Conroy, and Milla Jovovich.  Summary: A convicted arsonist (Norton) looks to manipulate a parole officer (De Niro) into a plan to secure his parole by placing his beautiful wife (Jovovich)  in the lawman’s path.

Jane’s thoughts:  This was an unusual experience for me.  I was half expecting this to play out like a thriller-but instead I watched a slow (but evenly paced) meditative, existential character study.

The performances were great, but I can’t say I enjoyed the film (to its credit,we discussed it a great deal afterwards.)

The characters in Stone never quite feel like actual people, rather they represent certain characteristics of humanity.  Their stories slowly unfold to reveal that in the end, we are back at the beginning and haven’t moved an inch.

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Lots of names come to mind when thinking of the more popular film score composers of the past two decades. Names like Danny Elfman, John Williams, and Quincy Jones have dominated the craft for so long, it’s refreshing when a newcomer joins the ranks. In the last 5 years, Michael Giacchino has earned his slot in the Mount Everest of film composers.

Giacchino has shown his incredible range scoring projects such as LOST, Speed Racer, The Incredibles, Star Trek, and finally getting himself an Oscar for his work on Disney’s Up. It looks like the major studio isn’t letting go of Giacchino any time soon, as they have just hired him to compose the score for the upcoming space adventure John Carter of Mars.

It makes sense that Disney would go with this pick, given his work on their more recent Pixar films, especially with Pixar veteran Andrew Stanton directing the film. While that connection makes the most sense, it could also be attributed to the amazing score Giacchino composed for J.J. Abrams’ Star Trek, which could easily go down as one of the best sci-fi scores of recent history.

Even with this news, John Carter of Mars is most definitely not shaping up to be a small picture. With Disney backing the film, and a cast made up of Taylor Kitsch, Mark Strong, Willem Dafoe, Bryan Cranston, Dominic West, Polly Walker, Thomas Hayden Church, Samantha Morton and Lynn Collins, you can expect to see big things from the upcoming sci-fi epic.