Our friends at Top Cow have sent us their list of comic solicitations for May, 2010 and because we know you are comics fans and also enjoy some Top Cow titles, we’ve included them for your advanced planning needs. And we’ve also got some cool cover images for you as well. Be sure to check those out after the jump.

Meantime, take a look at the comics coming in May from the official press release:

VELOCITY is off to the races!

MAY 2010 CHECKLIST

Velocity #1 Ron Marz/Kenneth Rocafort $3.99
Angelus #5 Ron Marz/Stjepan Sejic $2.99
Pilot Season: Stellar #1 Signed Robert Kirkman/Marc Silvestri/Bernard Chang $19.99
Broken Trinity: Pandora’s Box #4 Rob Levin/Bryan Edward Hill/Alessandro Vitti/Tommy Lee Edwards $3.99
Pilot Season: Hardcore #1 Signed Robert Kirkman/Marc Silvestri/Brian Stelfreeze $19.99
The Darkness #85 Phil Hester/Sheldon Mitchell/Aaron Campbell $2.99

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From The Hollywood Reporter comes news that AMC, the cable network that has given the world Mad Men and Breaking Bad (we’ll just forget that The Prisoner remake ever happened) has officially picked up the pilot for The Walking Dead.

The show is based off the comic book series, created by Robert Kirkman and published through Image Comics. “Master of all things” Frank Darabont, having made the movies The Shawshank Redemption, The Green Mile, will be joining the project as well.

Darabont is currently attached as executive producer, writer, and most impressively director of the (hopefully successful) pilot.

The comic book series follows a group of survivors after a zombie invasion that has, naturally, destroyed all of civilization, along with the pressures and drama that stem from that. There’s no word on how closely the pilot will stay to the original material, or casting of any of the characters. Unfortunately, and most importantly, there is currently no set date on when I can start watching it!

Much like vampires, zombies are having quite the resurgence these days. Not that they ever really went anywhere, but it seems after the success of Zombieland (and video games like Left 4 Dead) everyone in Hollywood wants a piece of the zombie pie (which, while popular, probably wouldn’t taste very good).

Recently, AMC announced they were adapting Robert Kirkman’s The Walking Dead for the network with Frank Darabont in charge and now, not to be left out, MTV is apparently turning George Romero’s classic Dawn of the Dead into a TV series.  Yes, one more non-music program on a channel named Music Television.  Don’t worry, it’s doubtful they’ll make the zombies dance.  At least in that MTV will preserve the greatness that is Michael Jackson’s Thriller video.

So far MTV has not made any details about the project available:

“They haven’t given away much in terms of details surrounding the show, how it will link to the original film or even when it might hit the air. They have noted the show will feature a mix of the classic, slow moving zombies and the latest fad of turning the undead into Olympic sprinters. It’s good to see so much diversity on television.”

A television series based on zombies may seem unconventional, but one only has to look to shows like HBO’s True Blood to understand the supernatural appeal. Moreover, I can’t help but wonder if some, if not all, of MTV’s motivation is driven by Zombieland itself.  While made into a movie, Zombieland was originally pitched to CBS as a television series.  Coincidence? Perhaps not.

No matter how the project started, is anyone really going to complain about more zombies to watch?  I didn’t think so.

Happy Holidays everyone, and just in time for those holidays there are some excellent comics coming out this week.

From DC Comics, we have the constantly-getting-better Detective Comics. I swear to God, this book just gets better and better with every issue. If you’re not buying this book than you are missing out on one the most groundbreaking comics of the year.

From Image, we have the line of Image United comics. With art by the founding fathers of Image and written by Robert Kirkman, this is sure to be a collector’s dream.

I’m most looking forward to the new issue of Jonathan Hickman’s Fantastic Four, I think this book is in my early running for Best Continuing Series, if I was allowed to vote for the Eisners. Dale Eaglesham is off for two issues but I’m sure that it won’t slow down the brilliant writing that Hickman is doing with the characters.

I’ll also be checking out the spoilerific Captain America: Who Will Wield The Shield book. Now that Steve Rogers is officially back, it’ll be intriguing to follow the reaction.

That’s all I’m getting this week. As always, we here at The Flickcast care about what you read so let us know what you liked/didn’t like in the comments. Otherwise, check out the complete list at Midtown Comics.

Have a Happy Holiday!

Welcome to another edition of The Pull List Comic Reviews! This week Jonah Hex takes top billing, a couple more Blackest Night mini-series debuts and a slew of over-sized annuals and one-shots invade your pull list. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Jonah Hex #50
DC Comics – $3.99 US
Writers: Justin Gray, Jimmy Palmiotti
Artist: Darwyn Cooke
Score: 9.5

The landmark 50th issue of Jonah Hex hits the stands, featuring a done-in-one tale of the scarred bounty hunter’s latest task: to locate and dispose of 50 various bad guys. The cost of victory, however, may prove to be too much to bear…

Jonah Hex is no stranger to violence. We’ve been exposed to his brand of “justice” for decades now, so it’s very easy to forget that, under all of that hatred, this killing machine does have a heart. Thankfully, writing team Justin Gray and Jimmy Palmiotti weave a story that is sure to please the loyal Hex fans with plenty of merciless vengeance, while injecting a tragedy that goes to great lengths to humanize the central character.

Darwyn Cooke handles the art chores on this commemorative issue, further cementing how incredible a read this was. Gorgeous pencils accompany the artist’s usual cinematic flair, with numerous examples of how to kill a man mixed in with a few touching moments, and a final page that speaks volumes without the aid of dialogue. With the holidays around the corner, I’d gladly accept this final page in all of its original glory as a nifty Christmas gift.

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Welcome to another edition of The Pull List Comic Reviews! This week, the Blackest Night event takes center stage, Bendis and Oeming make a triumphant comeback and Archie gets married (again). As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Blackest Night #5 [of 8]
DC Comics – $3.99 US
Writer: Geoff Johns
Artist: Ivan Reis
Score: 9.0

The mastermind behind the dead rising stands revealed as the Blackest Night prophecy inches towards becoming true, but will the unified heroes of the world have enough to stop it? Not if a late dinner guest bearing gifts has anything to say about it.

Geoff Johns welcomes you all to hell. How could he not? In the thirty plus years that I’ve been reading comics, I can’t remember a time when things looked so grim in a story thanks to this issue. The big guns of the Justice League arrive in time to assist the Flashes – Barry Allen and Wally West – in confronting Nekron as the Black Lanterns’ power battery reaches full charge. Fast forward to the end of the issue and only two heroes remain standing while the rest are chomping at the bit, dying to feast on some good, old fashioned heart muscle. And this is only the fifth issue in an eight-issue series?!? Wow.

Johns, along with artist Ivan Reis, are obviously toying with us and giggling madly along the way. The re-emergence of “Bruce Wayne” – his name was in quotations in the issue as well – signaled that the next phase was about to begin, but what he did to heroes like Superman, Wonder Woman, Green Arrow, etc I don’t think anyone saw coming, characters and readers alike. The sixth issue cannot get here fast enough, if you ask me.

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Welcome to another edition of The Pull List Comic Reviews! We’ve got a lot off good issues to get through, so let’s get to it. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

S.W.O.R.D. #1 – Marvel Comics – $3.99 US
Writer: Kieron Gillen
Artists: Steven Sanders, Jamie McKelvie
Score: 9.0

Spinning out of Joss Whedon and John Cassaday’s seminal Astonishing X-Men run, S.W.O.R.D. is the new title focusing on the organization entrusted to ensure that alien invasions are kept to a minimum. The Sentient World Observation and Response Department’s co-commander, Abigail Brand, has enough on her plate as it is, but having Henry Peter Gyrich – yes, THAT guy – as your co-commander simply can’t be a good thing.

After making a name for himself with the critically acclaimed Phonogram series, Marvel thought that writer Kieron Gillen would be able to handle the launch of a new, ongoing series that has a lot of ties to it, and boy were they right. The juggling parallels between what Agent Brand must endure and the various plot threads that Gillen must keep going wasn’t lost on me; in fact, I’d say it only added to the story’s flow. Imagine Men In Black done up right.

So new that he could be considered a rookie, artist Steven Sanders is anything but. Sharp, clean pencils fill this issue from cover to cover, and while his interpretation of how Beast looks takes a little getting used to, ultimately it’s nit picking on an otherwise near-perfect comic. His rendition of Gyrich, especially, should be noted, as the character has never looked more dick-ish.

About as entertaining as an issue can be, this first issue manages to draw you in with quirky moments – Beast’s lovesick commentary, Lockheed’s binge drinking – and stunning revelations – hello, Kitty! – made this an incredibly easy selection for our Pull of the Week.

OTHER PULLS:

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Our friends at Top Cow have sent us over a whole bunch of their upcoming new comics solicits for the upcoming months. There’s a lot of stuff to choose from and its har to make a choice, really. We may have to just go out and get all of them.

Check out the full list below, complete with descriptions, from the official press release. Of course, we also have some great artwork from these upcoming books to share with you as well, so enjoy that after the jump.

JANUARY 2010 CHECKLIST

The Darkness: Shadows & Flame One-Shot Rob Levin/Jorge Lucas $2.99

Angelus #2 Ron Marz/Stjepan Sejic $2.99

Angelus #1 Signed Edition Ron Marz/Stjepan Sejic $14.99

Pilot Season: Stealth #1 Robert Kirkman/Marc Silvestri/Sheldon Mitchell $2.99

Cyberforce/Hunter-Killer #1 LBCC Variant Mark Waid/Kenneth Rocafort/Eric Basaldua $10.00

Tracker #3 Jonathan Lincoln/Francis Tsai $2.99

Tracker #1 Signed Edition Jonathan Lincoln/Francis Tsai $14.99

Witchblade #134 Ron Marz/Stjepan Sejic/Michael Ivan $2.99

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Welcome to The Pull List Comic Reviews! It was a great week for comics as every issue got a really good score, including a surprising (for me, anyway) Pull of the Week. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Sugarshock – Dark Horse Comics – $3.50 US
Writer: Joss Whedon Artist: Fábio Moon
Score: 9.5

Being the lead singer and guitarist of a band can require quite the juggling act, but what if one of those tasks involved saving the Earth? Luckily for us Earthlings, Dandelion has it all under control… somewhat. You see, her band, Sugarshock, has been requested in a battle of the bands, except there are no bands, and they’ll be battling to the death with the planet’s future on the line. Will they save the day or fall between the cracks into obscurity, or worse?

This isn’t your ordinary band, however. The drummer goes by Wade, who also happens to be an alien princess who looks human and can’t say “no” to groupies. Her “mystically enhanced bodyguard,” L’lihdra, doubles as the band’s other guitarist and the bassist is Robot Phil, which pretty much says it all. If there ever was a more rag-tag team of misfits, I’ve yet to see it.

I don’t know where to even begin with this issue. Originally appearing on MySpace’s Dark Horse Presents anthology in 2007, the three-part story is collected here along with Fábio Moon’s sketchbook and Editor Scott Allie’s notations, making for a nice, complete package. In other words, this is as close to perfect as I’ve seen since I started writing the Pull List Comic Reviews. Joss Whedon, who has always had a firm grip on female leads, inflects his usual witty banter but ups it to a whole new level. His characters are, in some cases, out of this world, and you can’t help but fall in love with every single one of them.

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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